Recently I was sent a YouTube video of an artist who spent a huge amount of time creating drawings using MS Paint. The end product was decent enough, even impressive if you consider the tool he was using, but if you were to eliminate knowledge of his method it would merely be a mediocre, unimpressive digital painting. How amazing could this guy’s work be if he didn’t arbitrarily limit himself? This is clearly an extremely talented artist that is limiting the quality of his work by stubbornly insisting on using an inefficient tool. Which, of course, got me to thinking about how as photographers, we have a tendency to do the exact same thing.
In the final part of the Dramatic Beauty Portrait Tutorial, we will look at how I do my Black and White conversion. This image is a dramatic image so it calls for a punchy and high-contrast black and white conversion. In this tutorial, I will show you how I stack blending modes and adjustment layers to get my image exactly where I want it. You can follow these steps in your own images or use the techniques and customize them for your own use. In the video you will also see how to use layer masks to create targeted adjustments for your high-contrast black and white portraits.
The ever popular Loka and Loka UL were favorites among many outdoor adventure photographers and filmmakers I know, including myself. With F-Stop Gear's recently updated line of Mountain Series packs, the Loka has been reborn and is now known as the Ajna. I've been using it for the last few weeks and discovered some surprising details about it.
Working with models can be an exciting part of photography, as each model can lend a different look and unique perspective to your vision. Casting a model appropriately for each project is an important part of a photographer’s job, as it speaks to their ability to manage their ideas and make them a reality. Just as a casting director will carefully select the best actors for appropriate roles, the same is true for casting the right model for the right photoshoot. Below we will review some guidelines for making the most out of working with models, in order to produce the best photographs...
Recently I felt a bit let down when looking at my work. It seemed to me like I had not improved much during the last year and that I had hit a plateau. Then when asking friends, fellow photographers, and other people from the industry, everyone told me it was just in my head. Creating new things day in and day out is quite difficult, but creating new things that are better each time you shoot is even harder! Sounds familiar? I know for a fact that most photographers have felt like that at some point in their career. We all have periods in our lives where we feel disappointed with our work. That same time when we also start looking at others work and wonder why we are not better. But all we really should be doing is looking at our work to see how far we have come and how we could get even better.
My favorite part of the wedding day is the reception. After the traditional first dances, and speeches are done, and the wedding party starts to let loose. The party is in full swing and the best man is giving “The Dougie” his best attempt in an effort to win a dance battle against the bride. While capturing these images I want the viewer to feel like they were in there, in the moment. My goal is to not light up the entire room like a Christmas tree. I want to see the light from the DJ and the motion on the dance floor. This is how I do just that.
As beauty/fashion/glamour photographers the quality of our work is often largely driven by how well we can tell the story of an intimate moment within the frame. A big part of being able to do this is by building trust with the model to ensure that she feels safe throughout the entire shoot.
Since Lee and I first started Fstoppers 5 years ago, we have always wanted it to be a place for inspiration, news, reviews, and of course educational behind the scenes material. One thing has always been missing though, and that is the voice of you our readers. Today we are expanding the Fstoppers Community by opening Groups to the public. Anyone with an Fstoppers account can now create and moderate their own photography community directly on Fstoppers.com
What inspires you to pick up your camera? For Ivan Agerton, it’s people – and for all the talk about convergence between the worlds of stills and motion, Ivan is doing it. His ‘stills from motion’ portraits are both a visually gorgeous treat with their sublime use of slow motion, and thought provoking in the connection with the subject Ivan has captured. Not just creating eye candy, Agerton is a fascinating character and provides a great example of the life we can all construct for ourselves – if you decide to take the plunge and go for it.
It's been a month since most undergraduates walked across the stage and received their diplomas. The glow is still there as summer ramps up, but will soon wear off as August approaches and they realize they will not be moving back to the alma mater. With summer in high gear let's take a look at what recent undergraduates can do to make sure they are successful moving forward.
Dave Re has a demanding job. He heads the photography team within the media department of one of the fastest growing sports in the history of sports. CrossFit (CF), a topic that I wrote about last month, is a fitness regimen that has gained extreme popularity in just a short time. Although Re never planned going to work every day as head staff photographer for CF Media, he has embraced it with open arms.