We've had one hell of a cold, long winter this year here in North America. On top of that, I live in Houston, Texas, so this business of freezing rain in March can go die in a fire already. I enjoyed shooting moody styles outside during this extended drabness in recent months, if I'm honest. However, sunny days are coming and I couldn't happier it because summer means outdoor swimwear projects begin, which is one of my favorite styles to shoot. However, having been so bleak for so long this winter, have you gotten yourself prepped for this most popular of fashion and glamour photography seasons?
Brand new to Photoshop? Literally got hooked up on Adobe Creative Cloud last week? If so, more than likely you're fumbling around trying to make sense of the damn thing, and are looking for some help. Online videos about Photoshop techniques number in the hundreds of thousands, and it's quite likely you've watched at least half of those by now. If you've had trouble finding video tutorials for you, the bare bones beginner, then my Beginners Basics Series videos are for you, and I welcome you to check out Lesson #4: Healing Brushes.
So I get this question all the time, and decided today I would answer it. You see, I tend to add the client name, or the subject's name, my own logo or watermark, and even the occasional censor bar, to my images in as creative of a manner as I can. This is just a little thing I enjoy doing, and never gave it another thought when I started it. However, since then I've been asked several dozen times how I go about doing it, so today I made up a quick tutorial covering exactly how I do it.
When retouching, it is not rare to come across color problems on a model’s skin. Whether it is from a sun tan, dodge & burn, spots or skin discoloration issues, it can be really painful to treat it in post. Despite being all about having it right in camera and doing as little as possible in post, there is an easy way to correct this in Photoshop -- a method that is going to make your makeup artist want to stop correcting redness, yellowness or under-eye bags. It is so easy to use you are going to wonder why you did not think of it earlier!
Another question I get asked quite a lot, and I am only happy to answer on my channel. Achieving glamour skin tones starts on set, of course, with your subject, and how you go about shooting your image, but post work to enhance it is a must as well. I created a 20 min video reviewing exactly what it is I often do, using Capture One for RAW processing and Photoshop CC14 for further color work in regards to skin tones.
Join Patrick and Lee of Fstoppers on Spreecast TONIGHT at 8:30 EST as they talk with a few of the top photographers teaching at the 2015 Fstoppers Workshops. We will be talking about our upcoming event in the Bahamas while our guests will be answering questions from our audience. Any topic is fair game so if you want to ask questions about business, retouching, lighting, marketing, or gaining commercial clients the floor will be yours.
A lot of times, what appears to be light effects in my work is actually done in post production, using Photoshop, to enhance or exaggerate existing light sources in an image. I actually get asked a lot about this, and decided I would do a "blind video" on the subject. That is, I would add atmospheric type of effects to an image that I hadn't practiced on, thus showing the full process I go through as I figure out what I want to do with it.
Brand new to Photoshop? Literally got hooked up on Adobe Creative Cloud last week? If so, more than likely you're fumbling around trying to make sense of the damn thing, and are looking for some help. Online videos about Photoshop techniques number in the hundreds of thousands, and it's quite likely you've watched at least half of those by now. If you've had trouble finding video tutorials for you, the bare bones beginner, then my Beginners Basics Series videos are for you, and I welcome you...
The photographer makes the photo, not the gear. That being said, it’s essential to have the best tools for your career. Would a doctor go into surgery with a blunt scalpel? There's a lot of debate when it comes to the topic "best portrait lens." Personally, my choice of lens until now has been the Nikon 85mm 1.4G. A few months ago I decided to rethink my choice of lens and tried the Nikon 200mm f2 and Nikon 135mm f2. Here are the pros and cons for both lenses and examples of what they can do.
In Branding and Logo Design for Photographers Part 1, we looked at the initial steps of self-analyzing, market research, and competitive analysis. Now we move into the designing of our photography brand logo with possibly the most important step: identify and separate. The happy medium of fitting in with your genre enough to connect while contrasting from your field enough to stand out is a tenuous balance. Following these steps will help photographers and non-photographers build a strong competitive brand.
We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?
I have spent the last 6 years cultivating a photography service brand and working to hone my image making skills on a daily basis, but the fact remains that photography is a relatively new endeavor for me. I was a graphics designer from 1990 or so until arguably 2012 (or today), with the occasional design job popping up that I cannot say no to. However, there was also this era in the 1990's where I was a videographer and video editor, shooting everything from local TV spots to interactive media clips to weddings. The embryonic days of digital video are mercifully long gone, but what happens when an old dog jumps into the modern world of video? I aimed to find out.
Elinchrom has been the brand of choice for years many Europeans and Australians photographers alike. They are cheaper than Profoto or Broncolor, offer a good range of modifiers and – unlike Paul C. Buff – have service centers outside of the USA. To many photographers they also have been a great way to get into studio photography before moving up to Broncolor or Profoto. With the Elinchrom ELC Pro HD, it seems like the brand wants to change that and offer a higher-...