Conjuring memories of the now arguably-infamous decision by The Chicago Sun-Times to lay off its entire photography staff, The Orlando Sentinel has informed its staff photographers that, soon, their jobs will no longer exist. As part of a restructuring plan to attract increased readership, the paper is shifting to a more “videocentric” approach. [more]
One does not often associate violent protests and the threat of sniper fire with portrait studios. However, photojournalist Anastasia Taylor-Lind’s recent portraits of protestors and fighters in Kiev, Ukraine make us question this apparent disconnect. Taylor-Lind’s stunning and revealing portraits were taken with a medium-format film camera between outbursts of violence, documenting the men and women fighting for their freedom in Kiev. [more]
Thomy Keat is a photographer based in Paris. Although corporate photography makes up much of his job, Keat says street photography is “the thing that makes me want to keep doing what I do as a professional photographer.” Pulling strong stylistic influence from his commercial work, Keat’s street photography is full of contrast, bold lines and repeated colors. [more]
Over the last two days, Kiev, Ukraine has seen its worst violence since the Soviet era, with the death toll now at 75. Fighting between police and protesters escalated when protesters used Molotov cocktails and lit several fires in the city square. This video – shot on a drone – shows the epic devastation from above, and I believe this may mark a very significant turning point in photojournalism. Has the public’s desire for the theatrical become too large a part of journalism? [more]
Publications allowing individual photographers access to their Instagram accounts is an increasingly common practice, and helps to foster a more intimate look at a photographer’s process. For example, Time Magazine allowed several photographers access to its Instagram account after Hurricane Sandy, enabling the magazine to update its almost 600k followers in real time. [more]
“When I first shot the Olympics, my contract allowed me 12 hours to go through the photos and get them back to the team. When I photographed the Summer Olympics in London, my deadline was shortened to 2 hours. . . Now, with the ever increasing immediacy of the Internet age, they want me posting images at each break. [more]
In 1985 there were approximately 40 recorded felonies on the New York City subway system. Every single day. It’s a wonder how young photographer Chris Morris mustered the courage to set off on to the mean (subterranean) streets and begin months of personal project work documenting the New York subway. [more]
According to Wikipedia lifestyle photography is “a style of portrait / people photography which aims to capture and document real-life events, situations, or milestones in an artistic manner and the art of the everyday.” Photographers every day are advertising sessions as lifestyle photography, but in reality, are totally missing the mark.
We often look at photojournalists and think, how could you do what they do. How could you stand around taking photos while people are suffering or could benefit from your help? On the other hand, we rarely think about transfering that realm into something tragic that happens in our own eyes, but that is exactly what Abe did.
Last week John Dominis, one of the most prolific photographers for LIFE Magazine, passed away aged 92. His work was celebrated not just for the strength of his image making, but because of the sheer breadth of what he shot. Today, when we’re told to “focus and specialize” let’s take a moment to look back and remember one of the most consistent and diverse photographers of the 20th Century.
David Guttenfelder is the only western photojournalist who has regular access inside North Korea. With this opportunity, he has the ability to show the human side of the country. He wanted to showcase the truth, both the good and the bad. You empathize with the people of the country when you see the hardships they are going through. You’re also fascinated with how they operate behind closed curtains. [more]
A group of conservators restoring one of the century old supply depots established by Robert Falcon Scott during his expedition to the South Pole found more than they bargained for. In the corner of one of the huts lay a solid block of ice containing 22 negatives that have been quite well preserved for an entire century. [more]
Photographer Marcus Bleasdale spent a great deal of time from 2003-2004 covering the exploitation of natural resources in Eastern Congo. Children were either used to mine gold for the rebels that was sold to finance the war or to pick up a weapon and fight as soldiers. Human Rights Watch, with these pictures, pressured the company buying all of this gold ($150 million dollars worth) to stop. [more]
Most people haven’t heard of Saul Leiter, yet he was one of the great photographers of the 20th Century. The reason you might not know him or his work is because he simply didn’t care about pursuing recognition or a particular career path. With his passing last month, let’s use this opportunity to reflect back on his stunning work, and see what we can all learn from his artistic vision, his philosophies and his razor sharp eye. [more]