In 2015, I can transmit photos to my wire service from the field using my phone, seconds after the images were shot. Back in the 80s however, it took a case of equipment weighing upwards of 80 pounds to get that job done. As the poet wrote: times they are a-changing.
A set of over 300 never-before-released photos taken on September 11, 2001 has just been posted on the U.S. National Archives' Flickr page. These images take us right into the middle of meetings between President George W. Bush, Vice President Dick Cheney, National Security Adviser Condoleezza Rice, Secretary of State Colin Powell, and more. They offer us a powerful look at the reactions of our nation's leaders as they are faced with the largest terrorist attack ever on U.S. soil.
Taylor Swift has come under a lot of fire in recent months regarding some of the restrictions and limitations in the contract photographers are required to sign when shooting her "1989 World Tour", but Mickey Osterreicher, the general counsel for the National Press Photographer’s Association, just announced via a statement to Poynters that the seven-time Grammy winner has agreed to revisions to her contract that will hopefully make it more palatable to media members.
A recently shared YouTube video by Australian photographer Dillon Mak puts viewers behind the lens as he navigates rowdy crowds, police barricades, and scores of other journalists. The point-of-view setup takes you right to the front lines of the Reclaim Australia protests and counter-protests that have been taking place across Australia.
You just can't be too careful these days, even if you're a professional photojournalist covering a major international sporting event. Multiple photographers shooting the 2015 Pan Am Games in Toronto are learning this the hard way as thieves seem to be targeting professionals and their gear. Plot twist: it is appears to be their fellow photographers carrying out the thefts.
When a large event like the MTV Music Awards plans out their production, photography is at the top of the priority list. Because when all is said and done, the only thing that remains is what is on the back of the camera. Getty Images and MTV Europe have been partners for many years. Having a long lasting relationship allows the two teams to grow as a unit.
Dave Re has a demanding job. He heads the photography team within the media department of one of the fastest growing sports in the history of sports. CrossFit (CF), a topic that I wrote about last month, is a fitness regimen that has gained extreme popularity in just a short time. Although Re never planned going to work every day as head staff photographer for CF Media, he has embraced it with open arms.
There’s something about old places that always leaves you with a feeling of uncertain familiarity. Old places and empty places are like ghosts drifting behind us humming childhood singsongs just an octave below audible as we pace through their halls. If you’re from Detroit, you know that these places are aplenty. Some mighty like Roman ruins, some meek and shuttering in the wind, and most begging for new life. A new life is just what you’ll notice when you look at Michigan photographer Heather Saunders' photos of the amazing art installation, "The Flower House," which documents two long-abandoned homes in Hamtramck, Mich.
In many of our respective nations, we take news and the photography that accompanies it for granted. We expect to be shown anything and everything that is happening in the world around us. Our daily lives are so filled with photography; everything from our friend's meals to events from around the globe. In Taliban controlled Afghanistan, this was not the case. A media blackout was ordered, preventing photojournalists from documenting the events and history of the country. It was not until wartime when photojournalism became possible again.
There is a romanticized dream of what it is like to be a destination wedding photographer. Outside of that idea lies a reality of what it actually entails. It is hard and exhausting work to photograph weddings full-time, let alone fly internationally on a weekly basis to cover them while also hosting workshops across the planet. But what is it that actually drives some of us to quite literally go the extra mile? There is a narrative behind the work you are about to see as well as the individual who has completely redefined the meaning of destination wedding photography.
Documentary photographers, fashion photographers, businessmen, housewives, househusbands, you, the world – everyone should know the name and works of Sebastião Salgado. His work has moved millions of social workers, doctors, politicians, economists, and photographers alike. His work moves humans because it is human. This might mark the second or third film review on Fstoppers, but it’s rare and extremely fortunate that we should have the ability to engulf the pleasures of what can easily be called the most soul-entrancing art documentary in the world that is “Salt of the Earth.”
When I saw this wedding shoot I was stunned into silence for a few moments. I really didn't know what to think of it! In my mind, when I think of wedding photography, I think of a world of immaculate white dresses, expensive shoes, thoughtful furnishings and of course, smiling wedding couples and their guests.
Gabe McClintock is an internationally known award-winning wedding and boudoir photographer based out of Alberta, Canada. His work carries an incredible amount of intimate nuances with a tonality that shifts towards dark and atmospheric. With so much emphasis out there about his wedding work, I took a bit of time to talk with McClintock in regards to his absolutely beautiful boudoir photography in hopes to better understand his approach and workflow.