NASCAR is one sport that has certainly become engrained in the American history books. Known for its speed and pure adrenaline, it continues to drive ticket sales and audiences from all around the world in the thousands. Thanks to one mystery photojournalist, Seph Lawless, we are seeing some historically outstanding photos from the very first and very forgotten beginnings to what NASCAR once was.
Who hasn’t contemplated the idea of living a simpler life? I know that I certainly have, pondering from time to time what my life would look with smaller bills and rent. What would my art be like if I could downsize just a bit? Could I ever dare? People everywhere are beginning to realize that they have become slaves to their own lifestyles. The need to be better and bigger than the next guy has taken over our lives, and had compromised our ability to live an authentic life.
In shocking news today for photojournalists everywhere, Sports Illustrated has announced that the remaining 6 photographers on staff have been laid off. Confirmed by Sports Illustrated's director of photography Brad Smith, SI has said the reasoning for the lay off comes from a financial decision that has forced some restructuring to be made.
With a combination of intimate portraits and urban landscapes, French photographer Lucile Chombart de Lauwe captures a snapshot of Mongolia in transition for her beautiful series “Foyers (Urbains) Mongols,” which documents the move of rural populations into large cities.
In late 2014 at an auction in Ohio, Levi Bettweiser of the Rescued Film Project, stumbled upon one of his greatest finds. Up for bid were 31 rolls of 70 year old undeveloped film from World War 2 shot by an unknown soldier and photographer. The Rescued Film Project is an effort to find and salvage undeveloped film from as early as the 1930's. They strive to recover even those films which are damaged by age or the elements, as in the case of this large find of film from WW2.
Côte d’Ivoire-based photographer Joana Choumali documents the disappearing practice of scarification in a series of powerful portraits entitled “Hââbré, The Last Generation.” Illustrating “the complexity of African society today,” Choumali’s work is both compassionate and evocative.
From the perspective of highway overpasses, photographer Alejandro Cartagena has documented the daily commute of Mexican workers in his photo series, "Carpoolers." Setting out during morning rush hour, Cartagena photographs the weary travelers laying in truck beds amongst the tools of their trade. The result of this overhead perspective photo series is a delightfully simple and revealing glimpse into the daily life of these hard-working travelers.
Formerly Photo Raw, Raw View Magazine has taken a new approach to the construct of a photography magazine. Raw View is made up of a completely voluntary staff of talented writers, photographers, and documentarians. With a specialized focus in documentary photography, Raw View has made it a mission exhibit imagery from the highest caliber of photographer with a focus on print quality. The self-proclaimed mission of Raw View is not just a crescendo of visual journalism, but it is to tackle complex and difficult subjects within the world of photography. The ultimate goal is to inspire, stimulate, and entertain.
Early last year, the Smithsonian announced that they would be opening up their digital collection for the world to see. The first phase constitutes over 40,000 pieces of art, including over 400 photographs, from the Freer and Sackler Galleries and the Freer Study Collection, all of which focus on the museum’s Asian gallery collections. The collections are available for anyone to download and use for free for non-commercial use under a program they call Open F|S.
As a taxi driver in the United Kingdom, Mike Harvey sees his fair share of characters popping in an out of the back seat of his cab. Being a photographer as well, it only seemed natural to begin making images of his passengers. From “the old, the young, the rich, the poor, the sober and the high,” Harvey decided to document their faces for a photo project he aptly titled “The Taxi.”
With last week's big news about America’s renewed relationship with Cuba came much speculation about how it’s going to affect long-established restricted travel to the country. While American photographers wait for the White House to clarify its updated policy, some such as Associated Press, Washington Post, and Time photographer Jim Graham already have a leg up on those that have yet to make the trek. Graham’s 2012 trip resulted in what may be some of the final glimpses of a Cuba before American influence seeps across its borders.