Yesterday, I showed you the process of pre-producing a successful photoshoot and used a recent session as an example on all the steps it takes to put together a successful session with a large team. Today, I put together a breakdown of the entire production and post production process on creating a successful portrait session and a behind the scenes look into what all goes into it. [more]
Nick Suarez is a beauty and fashion photographer based out of New York City. Early in his photographic career, he has already developed some pretty impressive skills. It’s that visual competency combined with his high level of photographic literacy that give him an edge with the next generation of photographers. [more]
When we talk about on-location mixed lighting we usually mean shooting with light sources of different nature, such as natural ambient light and artificial, or shooting with lights of different color temperatures (tungsten, fluorescent, flash, etc.).
There are dozens of cool effects that one can achieve when mixing ambient light with controlled lighting, but today I would like to talk about mixing lights in studio – impulse (i.e. strobe or flash) and continuous. I love this technique and hope my article inspires you to try it out too.
It’s very easy to get used to the option of being able to “spray and pray” – shoot a nearly obscene amount of photographs and hope for a few that meander over the line to above average. I know I can be guilty of this sometimes – modern shutters are both a benefit and a crutch. So I issued myself a challenge: go out and shoot without looking. [more]
There are times when I find myself shooting the same stuff or using the same lighting setup over and over again. Repetition helps to improve and fine-tune my skills, but sometimes it just feels boring and degrading, let alone useless for my portfolio.
But as much as I dislike feeling stuck and repeating myself, I now realize how such times in fact help me to become a better artist and shooter. It’s usually the desire to entertain myself and experiment that leads me to new personal artistic discoveries. It’s when I’m bored and want to “spice it up”, I start searching for new lighting ideas, tricks and techniques. [more]
Since we released Peter Hurley’s: The Art Behind The Headshot, the internet has been trying to replicate his signature look without shelling out thousands for his Kino Flo lights. The guys over at SLR Lounge put together a great video that comes up with a similar look by using only 1 light, 1 bank, and 3 reflectors. I think the results are fantastic.
I’ve been working on a personal photo series capturing movie and television cars (real and replica) for about 5 years now under the title “The Unicorn Project”. I’ve posted about this before on Fstoppers (here, here, & here), as you may recall. Most recently, I had an opportunity to photograph a replica A-Team Van and KITT from Knight Rider while I was in Los Angeles. These happen to be two of my favorite television cars of all time. Watch the video and read the full post below to learn how it was done.
A single photograph from a photography session barely shows you all the planning and execution that goes into a photoshoot. Dozens of ideas, shooting styles and concepts often come into play in the pre production, not to mention the hours that can be spent in post production as well. As a result, I decided to give you all a breakdown of my recent photoshoot with good friend and model, Harmony Romano.
This week, Ben Von Wong shows us a set of great conceptual photographs he shot with model Jen Brook that feature a great shallow depth of field and dark, moody atmosphere despite being photographed in bright daylight. Ben was able to do this using PocketWizard hypersync and was kind enough to document the shoot to show us exactly how he did it. [more]
Día de Muertos or Day of the Dead is a Mexican holiday that has seen a spike in exposure in the United States the past few years making it a perfect subject for a photoshoot. Follow Jay P. from The Slanted Lens as he takes you behind the scenes of his latest shoot featuring a model dressed up as a Calavera (sugar skull) posing in an eerie cemetery backdrop. [more]
Not since Matthew Brady’s work documenting the Civil War has the tintype photographic process been used on the battlefield. Staff sergeant Ed Drew, an aerial gunner in the California Air National Guard, brought tintype back to the theater of war to photograph his fellow soldiers during his deployment from April to June in Afghanistan’s Helmand province. [more]
The Impossible Family Portrait is the latest ad campaign from Skype, which tells the story of Denis, a man who left his native land of Uganda with $5 in his pocket to travel to America. The concept gives the viewer the warm fuzzies while revealing the story of how he and his family stay connected through Skype. [more]
I’ve written about Glyn Dewis before on Fstoppers. He’s a fellow Photoshop World Instructor, UK-based photographer, and has an amazing blog and youtube channel filled with great image post-production tips. In this tutorial, Glyn teaches how to add nice detail and grit to your portraits, as he did with his boxer portrait series featured here. Click to see the entire post to watch another tutorial video on this shoot.
The dreaded Myspace Angle, a condition that has plagued countless of self portraits for years. The extended armed and high angled photos still clutter up our Facebook newsfeeds long after Myspace whittled down to music bands and glitter graphics. Is it safe to assume that even Superheroes take the time out of their busy ‘saving humanity’ schedules to take a selfie? Apparently they do. [more]
Andreas Poupoutsis is a fine art photographer based in New York City but originally from another small island on the other side of the world. His work is a little mysterious and even somewhat odd. His figures and faces often emerge from shadows, allowing for the objects to be (sometimes literally) painted with light. The work often speaks to a search for personal identity – something all artists struggle with; the faces in his images are often not integral to the image itself. [more]