Since joining Fstoppers I had planned on doing a “behind the scenes” of one of my shoots, so today I’ve put together a lighting diagram courtesy of Kevin Kertz, and a detailed description of how the finished product was produced. Fair warning, I am a bit of a technique nerd and can get pretty detailed. We’ve all seen diagrams online, and brief descriptions on what goes where, but it seems there are always details left out that can significantly impact the results. I didn’t want to do that. I wanted to leave no stone unturned and give you guys as accurate of a diagram and explanation as possible. [more]
Years ago the only way to print a photo was to make test strips, make a test print, go back and dodge and burn details, make more test strips, another test print and so on and so on until you got the result you were after. In these photos released by Magnum Photos in New York, you can get a closer look at the process followed by their master printer, Pablo Inirio. [more]
Because most of us fear rejection to some degree, speaking to a complete stranger and asking them for something, let alone asking if you can photograph them, tends to be pretty challenging. I’ve never been one of those naturally confident people but over time I’ve developed some techniques that have provided me with the confidence to work with strangers, which has brought additional benefit when communicating with paying clients. [more]
Tomer Jacobson and Maxim Golovanov, conceptual photographers based in Israel, recently started a very interesting project together: they take songs they like, and transform them into visual photographs. They analyze each song, and try to understand who are the characters and what is the story behind them. Their most recent song-photoshoot was “Lost In The Flood” by Bruce Springsteen and the E street band. This was a complicated shoot and it involved shooting out in the water with a lot of equipment and many people. Check out the behind the scenes video and the awesome final result inside! [more]
Some people go through life and aren’t sure how they can take their photography to the next level of giving back. There are many programs and non-profits such as Help Portrait and Operation: Love ReUnited, but nothing that you can say you did or created. Well these 16-year-old brothers decided they would do just that and create something worth remembering.
Last year, I decided to pursue a fun portrait series of Luchador fighters from the Chikara Pro Wrestling League, located on the East Coast of the US. I’ve always been fascinated with this style of fighting and entertainment. These big colorful characters take the ring to pummel each other to the great delight of their dedicated fans. Some may call it “fake” or a performance, but I can tell you first hand that I saw blood drawn during a match on more than one occasion. These fighters are dedicated to their craft and I wanted nothing more than to capture them on camera. [more]
Umbrellas have been a staple light modifier for decades. But if you’ve ever wondered why there are so many types, or how the light quality from your strobe is affected by the size, lining, fabric or shape of the umbrella, then this post is for you.
There is a fine line between having a well defined photographic style, and constantly putting out the same stale, boring work week after week. A fine and dangerous line. A line that can make the difference between being a successful, inspiring photographer and a photographer who has lost his audience and has even lost interest in his/her own work. [more]
Most photographers know that a cloudy or overcast day produces really soft light that can be flattering on the human face. But many of my wedding clients naively say “Oh it’s overcast today, the photos will turn out much better!”
Sometimes Most of the time overcast light is actually pretty boring and removes any and all contrast from your scene. There is a little trick I explain in our Wedding Tutorial that has saved me from producing boring, flat images on a cloudy day, and I think all photographers should have this technique in their bag of tricks. [more]
Guest writer Josh LeClair is a commercial photographer based out of Marquette, MI. After seeing the stunning work done by Ian Ruhter with wet plate photography, he decided to try it for himself. LeClair does it on on a much smaller scale using a holga camera. [more]
It felt like yesterday that we featured Underwater Dogs. Seth Casteel took those incredible photos and it definitely was a really memorable series of animal shots. How could you not love them? In fact, Seth is such a great animal photographer that he didn’t just stop there. He’s created some great tips on photographing animals for the intent of getting them adopted. [more]
A few years ago when I was still new to the world of beauty photography and digital photo retouching, I prided myself on the ability to “fix it later in Photoshop.” I would welcome retouching challenges as I was still learning, but things changed forever after I started working with professional teams and shooting for commercial clients.
There are a few unarguable reasons for getting it right in camera. [more]
Almost everything we know from history is in black and white. We are so used to seeing everything in the past sans color, but recently a Reddit group called ‘Colorized History‘ was discovered that has changed the way we can view it. It’s a group of talented individuals who get permission to colorize old photos. They take political figures such as Abraham Lincoln to actors like Clint Eastwood and turn simple black and white photos into dimensional colorized works of art. Along with the photos listed, each of their links have a plethora of images they have converted as well.
If you are into photographing people, the idea of working with professionals has probably been on the agenda at some point in your career. Whether an editorial photographer, fashion and beauty shooter, or just someone who likes creating awesome fantasy composites, the use of professional models will invariably improve your work. So how do we go about working with these gatekeepers of the people photography industry?
I’m glad you asked!