When retouching, it is not rare to come across color problems on a model’s skin. Whether it is from a sun tan, dodge & burn, spots or skin discoloration issues, it can be really painful to treat it in post. Despite being all about having it right in camera and doing as little as possible in post, there is an easy way to correct this in Photoshop -- a method that is going to make your makeup artist want to stop correcting redness, yellowness or under-eye bags. It is so easy to use you are going to wonder why you did not think of it earlier!
One of the most powerful, but often misused tools in Photoshop is the liquify filter. The liquify filter can help you restructure a subject’s shape, hair, or attire. In this introduction to using the liquify tool, I’ll cover ways to enhance your subject’s features so that they maintain natural body proportions.
Another question I get asked quite a lot, and I am only happy to answer on my channel. Achieving glamour skin tones starts on set, of course, with your subject, and how you go about shooting your image, but post work to enhance it is a must as well. I created a 20 min video reviewing exactly what it is I often do, using Capture One for RAW processing and Photoshop CC14 for further color work in regards to skin tones.
In November of last year, Coty Tarr traveled to Lake Placid in Upstate New York to document the US Bobsled team as they practiced and prepared for upcoming competitions. Coty, as per usual, has not only photographed these incredible athletes and the work that goes into this level of training, but he's done so gorgeously.
A lot of times, what appears to be light effects in my work is actually done in post production, using Photoshop, to enhance or exaggerate existing light sources in an image. I actually get asked a lot about this, and decided I would do a "blind video" on the subject. That is, I would add atmospheric type of effects to an image that I hadn't practiced on, thus showing the full process I go through as I figure out what I want to do with it.
Brand new to Photoshop? Literally got hooked up on Adobe Creative Cloud last week? If so, more than likely you're fumbling around trying to make sense of the damn thing, and are looking for some help. Online videos about Photoshop techniques number in the hundreds of thousands, and it's quite likely you've watched at least half of those by now. If you've had trouble finding video tutorials for you, the bare bones beginner, then my Beginners Basics Series videos are for you, and I welcome you...
We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?
A lot of us became photographers not so much for the pay check but because we were passionate about photography. Still we all have to pay the bill and please our clients which means a lot of the time we have to shoot whatever comes our way. But every once and awhile we get the opportunity to do something fun and inspired like this creative collaboration by photographer Steve Shaw and painter Gregory Siff for Treats! Magazine. I know not everyone will get what these artist have to say and there will be plenty of trolling but when peers come together to create, how can we not want to celebrate the process?
Black and White conversions programs are a dime a dozen. You have the ability to do black and white conversions in Adobe Lightroom and Photoshop and also in third party software like Silver Efex Pro and Perfect B&W, but if you're just learning how to edit, I always recommend sticking with Adobe Lightroom because of the easy user interface.
How do you move beyond using someone else's actions and presets to tone your images? It’s a lot simpler than you’d think. There are so many different ways to achieve similar results in post-production, and having so many options can be extremely intimidating when you’re just learning how to edit. This is the reason that many photographers will rely on actions and presets to “color grade” and tone their images when they are first starting off.
We have all come across terribly staged stock images in our careers, and I always cringe when searching simple keywords like "business" on sites like Getty or iStock. It comes with great pleasure to find Getty Images and Fox partnered up to create one of the funniest publicity stunts in preparation for the release of Vince Vaughn's new movie "Unfinished Business." Including cast members Vince Vaughn, Tom Wilkinson, Dave Franco, and others, the shots involve fake laughs and poorly photoshopped faces in each and every photo.
Alexis Cuarezma is back again sharing the "hows" and "whys" behind one of his latest shoots: fitness portraits of IFBB bikini professional Ashley Pfaff. He has graciously included a very in-depth video where he explains how he set out to accomplish these shots, and he also provided his mood board, gear list, and lighting diagrams along with extensive commentary on the "whys" and "hows" of it all. You absolutely don't want to miss any of what he has to say! Start with the video and then dive in below!
Brand new to Photoshop? Literally got hooked up on Adobe Creative Cloud last week? If so, more than likely you're fumbling around trying to make sense of the damn thing, and are looking for some help. Online videos about Photoshop techniques number in the hundreds of thousands, and it's quite likely you've watched at least half of those by now. If you've had trouble finding video tutorials for you, the bare bones beginner, then my Beginners Basics Series videos are for you, and I welcome you to check out Lesson #2: Layer Masks.
Leonard Nimoy passed away this week at the age of 83. His long career and legacy will always be remembered in his portrayal of the iconic character "Spock" from the 1966 TV series Star Trek. With numerous film spin-offs and a resurgence to the 2009 blockbuster Star Trek as the half-emotionless Vulcan he was just as relevant today as he was 40 years ago. Though his film career was beyond fulfilling in its own right, his photography work is what will also stay with us for years to come.