I’m a huge fan of Annie Leibovitz and the imagery she has captured over the past few decades. Being a self-taught photographer, I looked to her work time and time again for inspiration and motivation. Over the course of a year, I scoured the internet for information on her lighting setups, equipment and methodology. But, the more I dove in, the less concerned I became about equipment and the more I felt the need to simplify my style.
Twenty-eight year old photographer Antoine Bruy’s ongoing project “Scrublands” documents the lives of those who have chosen a tranquil, isolated existence far removed from developed society. Farming and foraging and living in handmade shelters made from recycled materials, the individuals in Bruy’s photographs have thrown off the comforts-and the expectations-of fast-paced modern life in favor of peace and simplicity.
A few weeks ago, I had the pleasure of testing out the Phase One IQ250, and so I thought I would put together a practical write up of my time spent the Phase One IQ250 Camera System, the Capture One software, and whether or not either one has found a permanent place in my workflow.
The work of Colombian photographer Daniel González combines unselfconsciously nude models and lush landscapes to present series that evoke a sense of untamed beauty and an almost religious reverence for the connection between the human form and the nature which surrounds it.
Lindsay Adler launched her new company this spring, Dream Shoot Rentals to provide couture dress, accessories, and props to give photographers a source to execute their visions and build their portfolios. Lindsay explained her new vision for this company: “While teaching across the United States, photographers are always asking how they can get a hold of gorgeous clothing for their shoots. Often pieces are too expensive or difficult to attain.
David Bailey is a master of portrait photography. His four month gallery exhibition “Stardust” just closed in London. It took 3 years of planning to put it together, and looked at his 50+ years as a photographer and artist. I got to see it before it closed, but if you didn’t get a chance to go, don’t worry – here are five things that I think made Bailey the success we celebrate today, and what we can learn from him.
Posing your subjects can be one of the most challenging tasks you have to face on shoot-day. If the person in front of your camera is not a supermodel who knows all the tricks, chances are you'll have to direct and pose that person (or people) in order to get pleasing images that make them look at their best. If you're in the business of photographing people, you should clear your schedule and watch this 2-hour B&H class as soon as possible.
I've been shooting professionally for just over four years now – “professional” as in starting a legitimate business where I charge money to take photographs of my clients. We could wax poetic on the distinctions between “amateur” and “professional” that don’t involve the exchange of money, but the area that I want to focus on has to do with the responsibilities and perceptions that come along with people hiring you as a business.
When someone tells a photographer that “their camera must be really good,” chances are the photographer will respond with an eye roll. The debate surrounding gear verses skill in the photography world is a tired albeit consistent discussion. Let’s not kid ourselves, gear does in fact matter. However, does a photographer need top of the line equipment to produce mind-blowing images? Take a look at this collection and decide for yourself.
The music business is a brutal, cutthroat, dog-eat-dog world and I lived it for nearly 10 years. Since the age of 16, I struggled as a touring musician, surviving off nothing but cold Spaghettios and sleeping in a decade-old 8-passenger van. I was fortunate enough to explore the nation and see things that most will never see, but by the time I left the business I was completely burnt out.
I've had some pretty amazing experiences in my life. Fstoppers.com has given me incredible opportunities like meeting Bon Jovi, or riding in the first Lamborghini Aventador in America. Our international workshop last week took a year of planning and insane amounts of stress. On top of it all, I had the flu during the entire week. Even still, last week was the most rewarding week of my life.
Commercial photographer Lou Bopp’s series ‘Portraits of the Blues’ pays tribute to the blues musicians of the Mississippi Delta through a series of striking, honest portraits. I spoke with Lou about the project, and his experience photographing blues legends like Big George Brock and Wesley “Junebug” Jefferson.
Photographer Corey Arnold’s series ‘Fish-Work: The Bering Sea’ documents the daily lives of commercial fishermen aboard the f/v Rollo during winter crabbing expeditions-considered one of the world’s most dangerous jobs. Arnold’s photographs show the fishermen’s complex relationship to the fierce ocean and deadly storms that surround them, showing the dichotomy of exhaustion and awe; frustration and exhilaration.