I've had some pretty amazing experiences in my life. Fstoppers.com has given me incredible opportunities like meeting Bon Jovi, or riding in the first Lamborghini Aventador in America. Our international workshop last week took a year of planning and insane amounts of stress. On top of it all, I had the flu during the entire week. Even still, last week was the most rewarding week of my life.
Commercial photographer Lou Bopp’s series ‘Portraits of the Blues’ pays tribute to the blues musicians of the Mississippi Delta through a series of striking, honest portraits. I spoke with Lou about the project, and his experience photographing blues legends like Big George Brock and Wesley “Junebug” Jefferson.
Photographer Corey Arnold’s series ‘Fish-Work: The Bering Sea’ documents the daily lives of commercial fishermen aboard the f/v Rollo during winter crabbing expeditions-considered one of the world’s most dangerous jobs. Arnold’s photographs show the fishermen’s complex relationship to the fierce ocean and deadly storms that surround them, showing the dichotomy of exhaustion and awe; frustration and exhilaration.
It’s a rather controversial subject in the photography industry; should I sell my digital files? There isn't a right or wrong answer; it depends on your business model. If you are in the high school senior market, digital files are like gold and highly sought after by the senior.
It was something I’d been thinking about for a while. Casually admiring others and how they went about it so naturally. Watching from afar, admiring the differences between them and me and wondering if there every was going to be a day when I was comfortable enough to do it myself. The more I watched, the more interested I became. Soon, I began visiting websites, looking at the photos and day dreaming what it would be like when I had the nerve to do it myself.
When we think of Superheroes, we tend to imagine them fighting crime and saving innocent people. We always see them in movies and comic books as they fly away from explosions and jump off buildings. Action all the time. French commercial photographer Benoit Lapray decided to show us their other side and photograph them relaxing in nature. Just them, quietly enjoying the view.
Portuguese photographer Gonzalo Bénard’s ongoing ‘Totem’ series features richly detailed black and white photographs which explore the idea of coming back to one’s roots in an effort to “listen and learn with our own nature.” Often using himself as a subject (as is the case with ‘Totem’), Bénard’s work explores themes of expression and social relationships through photography.
It all started with a conversation between filmmaker Justin Gustavision and I this past Friday. Justin works for Nadus Films who just released a brilliant award-winning documentary “BBoy For Life” which shows how break dancing has provided teenagers a way out of Guatemalan gang life. The film has been picked up by Starz and Discovery Channel, yet their social media presence could be considered dry, when it should be arousing a well-deserved tornado of hype.
You might someday find yourself working within the overall vision of someone else – like an editor, an art director or, in this case, a director of photography – when shooting on assignment for publications as big as Sports Illustrated. Limited time with your subject and being asked for simple lighting against a simple background isn’t uncommon in this industry. So how would you go about getting the type of photographs your employer wants plus creating a dramatically lit and colored set for yourself?
When I got a chance to try the new Fuji XF56mm f1.2 I jumped at it, not just because it was substantially cheaper and lighter than the Canon 85mm f1.2 II I’d played with last year, but because this lens is a clear shot across the bow at Canon and Nikon, with a lens aimed at professional portrait shooters. This was a new line in the sand, but could this thing play with the big boys?
In beauty and portrait retouching, one of the most important goals is to retain skin texture and keep the image from looking soft. We often however face a situation where the existing texture is unflattering and harsh. While we could heal out each pore or patch manually, this often leads to sub-par results and takes a long time. In this video I'll show you a unique, precise and fast way to target a particular texture frequency and offset it in a largely automated way.
Reaching high school seniors on social media isn't as easy as one might think. First, you have to attract a following, then you have to appeal to their interests. I quickly found that Facebook is not popular among 16-18 year olds. I could still reach my wedding clients through Facebook, but the 16-18 year old crowd had gravitated elsewhere. Why? Their parents are now on Facebook and they want to keep their privacy. This age group is using other forms of social media; one of the most popular, Instagram.
“Make me look skinnier” is one of the more frequent requests I get from my clients. Although those kinds of requests are usually accompanied by some laughter as more of a joke than anything, there is some bashful truth there that we, as photographers, need to be aware of. Of course, you have probably heard the old adage “the camera adds ten pounds,” but do you know why and how to combat it?