It's nice to see that Beatles drummer, Ringo Starr, didn't waste all of his talent on drumming. He did, however, completely forget that he took a lot of photos of the Fab Four during the 1960's. Starr's new e-book, Photograph, features over 100 never-before-seen images of John, Paul, George and Ringo - some of them taken during their first U.S. tour, some from their first trip to India, and even some from their last days together as a band.
This year Patrick and I were invited to Gulf Photo Plus in Dubai to film a behind the scenes look of what it's really like to go to this exotic workshop. The experience itself was one of the highlights of my life but the most memorable moment for me was the few minutes I had with each of the instructors. I decided to interview them about the pitfalls of their careers and what it takes to become successful as a photographer.
Do you ever feel like you're not hanging around enough celebrities? Maybe you wish you were court-side at a Laker's game sharing an emotional moment with Kobe, or maybe you'd rather be wrapped around Kim Kardashian like couch upholstery? If any of these things are true, you might be Peeje T - a pretty creative guy with a pretty good sense of humor and a knack for photoshopping himself into pictures with the likes of Jay Z, Beyonce, Rihanna, Alisha Keys and Kobe Bryant, among others.
In this interview, I speak with Russ Turner, a photographer who is relatively new to shooting fantasy portraiture, but has already received awards and praise for the quality of his work. Russ talks about working with costumed models, how he incorporates Photoshop, and shares some of the places where an aspiring shooter can get started doing photography in this genre.
When you think group shots, what lens immediately comes to your mind? Often, the initial reaction to a "group picture" is to reach for the widest lens in your bag. It's a safe option that makes sure you'll fit everyone in the frame. It could be said group shots are more about accounting for everyone who was present rather than being a work of art. However, if you care about the quality of images you're creating, maybe your widest option shouldn't be your default.
At 14 years old, I personally, was riding bikes, drawing and playing video games. I had literally no clue that I was going to become a professional photographer, or even how to really use a camera. So when I see photos from 14 year olds, I expect work as scatterbrained as I was. Boy am I wrong. Meet Zev, a 14 year old photographer who has the creativity and photo manipulations that will put most of our photography portfolios to shame.
Print is not dead and celebrity portrait photographer Sam Jones has created offCamera magazine — part print magazine, website, web television series and podcast — to showcase and profile actors, musicians and artists working at the highest level of their professions. Jones, whose work frequently appears in Rolling Stone, Vanity Fair and Men's Journal, intends for offCamera to be an artistic vehicle for further exploration of the casual chats that often occur on set during his editorial photo shoots.
Summer is upon us, which means fireworks. Previously, we have discussed using alternative methods to get smoke-like effects in your photographs. But using flour can make for a messy clean-up and smoke machines require electricity. Smoke balls, however, are cheap, come in a variety of colors and require nothing more than a lighter.
Along with our recent release of How to Become A Professional Commercial Wedding Photographer, we've featured several behind the scenes videos on how other photographs prepare for and shoot weddings. It's always worth a look to investigate what other wedding photographers outside of your area are doing differently. Rest assured, Doug Gordon will keep you entertained in his upcoming workshop on creativeLIVE.
It's no secret that many people have predetermined opinions about strippers and the private lives they may lead. In a recent project by photographer Bronwen Parker-Rhodes, their lives and their method of self-expression via exhibitionism are put on display.
Parker-Rhodes' began this project after forming relationships with some of the dancers at various clubs she would DJ at. It begs the question, 'How do you capture the private lives and intimate moments of someone that exposes everything (or almost everything) regularly? What do you choose to reveal?'
Couples spend a lot of time, effort and money to make sure their wedding day will be captured the best way possible - after all it's one of the most important days in their lives. But what about another major life event, like the proposal itself? Most times, unless it's meant to be a viral proposal, the proposer is not thinking of documenting it and the moment will never be shared or shown to family and friends. Wedding photographer Richard B Flores proposed earlier this week, and he knew he wanted to have this memory documented forever.
Benjamin Von Wong has finally wrapped up his long and productive European tour, Von Wong Does Europe. The very first shoot that he was able to do was also ironically the last to be published and for good reason. It will blow you away. Taking over 60 hours to retouch Ben collaborated with talented retouching guru, Chester van Bommel.
This might be an extreme take on the all-too-common client request of "get it done quickly," but it serves as an excellent benchmark of what can be done in a short amount of time. Odds are, you won't ever be asked to do a full post-production retouch in such a short amount of time, but the idea behind what Aaron Nace of PHLEARN is showing here is solid: with the right tools and knowledge you can streamline your workflow with extreme effectiveness.
You may not have known it, but I'm certain you've seen a Norman Seef photograph. What photo do you think of when you think of Ray Charles? He shot that. Carly Simon? Yup. Steve Jobs? Seef again. After reading our own Douglas Sonders' article on how short the window of time is when working with celebrities, seeing how much Seef could get out of his subjects is awe-inspiring.
As photographers, we usually use two different techniques to capture our images: The first is freezing the moment and capturing the split second we are witnessing. The other option is using a long exposure, to show movement, changes, or show things we don't normally see with our eyes. But what if you combined these two concepts - freezing a moment while adding movement? Check out these creative and unique portraits using this technique.