A new year and a clean state; last year’s resolution was to take wedding photography "back to basics" and capture images that truly matter to couples and their families. At the end of this year, I had the opportunity to look back on the moments of 2014; a new emotional set of images that are imperfect perfection.
For many, the 7’ parabolic umbrella seems like a one-trick pony. The textbook move of sandwiching the camera between the subject and the light for an edgy, high-key look is quickly growing old. In this video, commercial photographer Joel Grimes shows a different way of using the 7’ parabolic to create soft, high-key images best suited for beauty photography.
One of the most noticeable differences between portraits taken outside using natural light as opposed to artificial light is the background. Images using artificial light tend to have darker backgrounds. This is crucial in catching the eye of the viewer and allows him or her to focus on the subject. This article is a guide in achieving this look using natural light only.
Photographers around this time of the year, portrait and wedding photographers especially, tend to have clients banging down their doors for holiday photos and other must have product deliveries in time for Christmas. While the rest of the world is gearing up for a relaxing holiday, we often experience anything but. From Christmas cards to wedding albums — regardless of the client's procrastination all year — we're expected to produce our work in record time.
I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.
It has happened to all of us. We spend countless hours planning, scheduling, and coordinating for a beautiful golden hour photo shoot only to have our parade rained on by weather or other mishaps out of our control. Perhaps you didn't plan for those mountains in the background that's cutting your shoot 30 minutes shorter than anticipated. Maybe the conditions are perfect when you leave for the shoot, but by the time you get there, clouds are hovering above. Or it could be that your client just can't shoot at the ideal time. No matter what the obstacle, this article is going to show you a super simple trick that will allow you to get that golden hour capture at any hour!
Let's face it, it is about to be 2015. As in, 15 years after the change to the new millennium. We are firmly in what we used to call "the future" when I was a kid, and technology is overwhelming us with brutal amazingness every couple of weeks. The youth of today have no idea what life is like sans smartphones (read: access to almost every piece of information in the world at any time in your pocket) or social media platforms. To them, life is one big pile of over shared, overseen and overly celebrated schlock mixed in with useful bits of knowledge, and it is all taken for granted. The digital world isn't coming, it is here, and has been. So who in the right mind gives a crap about a printed photograph anymore?
While people around the world prepare for the holidays, photographers have something else on their mind. For all of us it's that time of year to buy your conference pass, make your hotel reservations, plan shoots with friends and highlight the classes you want to attend at the annual WPPI Photo Conference in Las Vegas from February 26th thru March 5th.
Having an older brother, I have had the privilege of knowing comedians from both his and I's generations, so getting to see a fun series like this brings many smiles from my past and present. Seth Olenick is a photographer based out of New York City releasing a book, simply called Funny Business, featuring portraits of some of the funniest comedians still around. With legends like Zach Galifinakis, Jane Lynch and Jeff Garlin you can see a range of comedians from various eras.
Artificial lighting can be overwhelming, there are thousands of options to modify one single light source and there are dozens of companies that claim they have the best product and best bang for your buck. Regardless, photography equipment is expensive and I know I'd rather not waste money on a gimmick product when the same result could be achieved with just the right strobe placement or accessory.
Our latest article in the Seniors Ignite series with Jen Basford from 3 girls photography covers how to create a year round senior business. Jen has created a studio that doesn’t slow down in the off months. Instead, she is constantly building her portfolio and generating revenue. How does she does do this? In this article, we dive into the four things that have helped Jen create a year-round business.
Danielle Tunstall is a graphic designer and photographer that puts emphasis on horror. She sets out on each photo shoot not to get the person to look their best, but instead their most appalling. Her work ranges from murderous to straight up disturbing, and her fans love it!
Mark Seliger is, without a doubt, one of the great photographers of our generation. Seliger's prolific portraiture, out-of-this-world conceptual work, and his dedication to furthering photography has earned him a place in the ranks of master photographers such as W. Eugene Smith, Ralph Gibson, Richard Avedon, and Walker Evans. In this two-part video produced by Profoto, Seliger takes us behind the scenes of a recent shoot with rock icon, Lenny Kravitz.
Robbie Augspurger is a professional photographer from Portland, Oregon with a grand affinity for the generation of "Back to the Future," big hair, and stone washed jeans. He's started an ongoing '80s glamour shot series that began when a friend asked him to take his actor headshots. To prepare for the shoot, Augspurger bought a 30 year old Photogenic FlashMaster light kit and asked his roommate to pose for some shots in a three-piece tweed suit. With inspiration from photographs found in an old shoe box, or on the dashboard of his dad's pick-up truck, he had a concept in motion: creating vintage thread clad characters for the portrait series "Glamour & Headshots".