Right now on creativeLIVE, photographer John Greengo is going over the fundamentals of Digital Photography. If you shoot primarily with film and are on the fence about switching to digital then this is a class you can’t miss. John is going over all of the basics and much more. As with all creativeLIVE workshops, the LIVE event is FREE. This course will run live until February 22 but if you don’t have time to tune in, you can purchase the video downloads for only $99. [more]
French photographer Renaud Marion’s latest series “Air Drive” is a fun nod to the idea of flying cars with a touch of old school. A retro Jaguar, Cadillac, soft top Mercedes-Benz and even a mid 1970′s Camero have been given a futuristic update right out of The Jetsons.
The cars and the photographer’s imaginary vision give this series a futuristic vintage look & feel worthy of taking a peek at more of the work. Who wouldn’t want to drive any one of these hovering automobiles? [more]
I have been a fan of VSCO since their first film preset pack. Both VSCO Film 01 and 02 have a nice way of giving photos a subtle but believable film effect. This week I got the email that VSCO had released Film 03 and I was dying to check it out. It turns out that the effects seen in 03 are not quite as subtle as 01 and 02, because 03 emulates instant films. So I’ve decided to do a little review with some examples and share it with all of you.
Yesterday I posted a tutorial on frequency separation from Elena Jasic. In case you missed it you should go check it out! Well today she hit me up to tell me she had quite a few questions still regarding the preparation of the layers for frequency separation, so she made a handy little action, and asked me to pass it on to all of you. Who doesn’t like free right?!
Frequency separation is an amazing technique used to retouch skin. It separates the color from the texture and allows you to work on them separately. In this tutorial, Elena Jasic goes over how she uses frequency separation in her retouching workflow. [more]
When Adobe launched the Creative Cloud more than a year ago, it was not met with much fanfare from actual users of the software. Those around me heard about it, shrugged and moved on. I’m pretty sure many of us didn’t really fully understand what it exactly was. Fast-forward to today, and Creative Cloud has turned into something that is obviously Adobe’s future, begging the question, “Is it good for Adobe, good for consumers or both?” [more]
Greek law enforcement officials are facing investigation after ‘allegedly’ airbrushing out a black eye and face lacerations that the police may or may not have given to a young man and his three other bank robber friends.
Greek government officials have admitted to some photo alterations, but they would really insist you believe that it was done only to make the robbers more noticeable in public. It has nothing to do with making them look like half a Japanese Anime character. [more]
The internet has become a gold mine of resources for photographers of all different genres, experience levels and styles. It’s so easy to find inexpensive Lightroom or Photoshop presets to help create interesting post-processing colors and effects without spending hours trying to create them yourself. The only problem is: which ones do you use? SLR Lounge has released an all-comprehensive Lightroom 4 Preset System that is user-friendly and takes the headache out of using presets. [more]
Jim Kazanjian’s surreal architecture images are a dreamlike scene that teeterings on turning into a nightmare at any moment. The dark dreamy mood and beautiful decay of crumbling elements allows the viewer to peek into a darker scene of a fictitious location. The hyper realism of the photographs was perplexing and I assumed that the images were shot and pieced together, little did I know that Kazanjian doesn’t use a camera for his creations. [more]
So, how do you shoot at the legendary Disney Concert Hall without breaking their rule of ‘No Professional Photography‘? You do it with finesse. Benjamin Von Wong was faced with the task of shooting the Trio Dinicu at the location without looking like a professional photographer. In this behind the scenes video he shows you how he accomplished that and also walks you through cleaning any distractions from your photo using Photoshop. [more]
If you’ve seen the promotional videos for Lee and Patrick’s new DVD, How To Become A Professional Commercial Wedding Photographer, several different wedding photographers are interviewed about how they run their wedding business. Being able to have insight into their workflow, their way of thinking when they’re shooting is such an amazing opportunity. For the next two days, our friends over at creativeLIVE are offering just that. [more]
In a fun and unique approach that combines many different facets of art and multimedia, production group CanCanClub out of Buenos Aires worked with Antonio Balseiro from Gazz and 1st Ave Machine, Art Director Hernán Aragunde, and the crew from Nintendo to create a 30-second commercial for “Paper Mario Sticker Star.” In this first of two behind the scenes videos, you catch a peek at the live action video shot, [more]
Sometimes your favorite shot out of a series would be perfect if only one little thing was fixed. For me, that is often shadows obscuring details I really wish were more visible. PHLEARN has released an extensive tutorial on how to get those shadows to reveal details in a way that doesn’t look super fake, which an issue I have with other methods I have seen. [more]
Here is a gorgeous photo from Miss Aniela. She was commissioned by the Kai Mayfair restaurant in London to create a photo that embodied Chinese culture. Upon first inspection, she has nailed the topic wonderfully. But closer look shows the amazing level of detail, with hours of editing, spanning hundreds of years of ancient Chinese paintings. [more]
Very few of us have been involved in photography and art long enough to truly appreciate how much change has taken place in when it comes to cameras and photographs. David Hockney, a British artist who has dedicated much of his life to painting and photography, thinks some of the art in imagery has been lost along the way. In short, Photoshop is boring.