You may already be familiar with Dustin Farrell. If you’re not, you should be. His time-lapses are incredible. Dustin’s shoots all over the world, but some of his most epic are from the American West. In this video, we get to follow Dustin on location in Utah and the step-by-step process that follows. [more]
Chances are you have already learned what Frequency Separation (FS) technique is, as it became mainstream in the past few years. However, many FS technique users actually know very little theory behind it, thus have little control over its implementation. I’ve set out to research and collect all the important and useful information about it, so we can together learn how to become better at it.
As filmmakers, we often find ourselves in less-than-perfect circumstances; we may be losing sunlight at the end of a shoot or trying to capture a fleeting moment before it disappears. Often times you’ll find that you’ve captured great moments with an undesirable camera shake. I’ve found myself in this situation countless times and I want to share something that has changed the way I deal with shaky footage. [more]
Whether you’re a photographer or you focus on video, this article highlights the high octane visual set piece created by Slaughterhouse Pictures, who successfully combined principles of both stills and motion work to create high impact visual media with zero budget and very limited resources. Read the exclusive FStoppers article and watch the BTS video to get some simple and highly effective little tips that you will be able to apply to all aspects of your own work.
Verily magazine is doing something completely different than all of the other magazines out there. They have decided to use no Photoshop at all for the models in the magazine. Celebrating a person’s flaws rather than taking them away is their intention. They believe this is what society wants to see and they may be correct. Even more impressive is their stance on using real women as models. [more]
It’s almost impossible to sign into Vimeo without getting sucked into the latest and greatest timelapse video. It’s easy to understand why these videos find such great success. They allow the viewer to experience something incredibly surreal, yet familiar. Something as simple and beautiful as a sunrise can now be devoured in seconds. [more]
How can you take HOURS of footage from completely different projects, and edit together a montage that’s only a few minutes? Here is the second part of the Making A Better Demo Reel article where I’ll share a few techniques on reducing the number of clips you have, selecting music, and more. [more]
For those of you who shoot video, want to get better at shooting video, edit your own video, or edit video shot by others, this article is all about you wonderful guys and gals. As someone who is editing a lot, I thought this short video was fantastic. The great hints and tips provided here are totally free, you don’t have to buy anything to get something out of this article, and if you aren’t doing this stuff already, this is guaranteed to make you both a stronger video shooter, and a producer of stronger edits.
I’ve been using Adobe Lightroom rather intensely for several years now. Overall I’ve been quite happy with how the program streamlines my workload, organizes my photos, and how often it get’s an update. Having said that, I am rather surprised that Adobe hasn’t improved one area of Lightroom and it’s wasting both me and my clients valuable time every week. The following letter is written on behalf of photographers everywhere that use Adobe web galleries. Please share this so Adobe listens and improves. [more]
Have you ever taken a great portrait, but the subject’s skin was distractingly shiny? I think this has been an issue faced by every portrait photographer that doesn’t travel with a makeup artist in tow for every shoot. Lee Varis takes you through an extensive detailed process on how to realistically remove oily skin shine on your portrait subject’s face. Check out the post below to learn more:
There are probably 50 different ways to convert your images to black and white in Photoshop. It could be done by using plugins, playing with the channels, by changing the Hue/Saturation bar, or by using the ‘Black and White’ tool. And these are just few of the ways. In this video, Glyn Dewis shows you how he converts his images to B/W just by using a gradient map. It’s a one-layer solution that gives you a lot of control over the final result. Fast and useful.
Like a kid in a candy shop, I stood on the bright fresh green grass, eyes wide open watching the Arizona Cardinals on their practice field. I wore my media badge like an Olympic gold medal. This was my first time shooting professional sports and I was quite excited to be there. At the end of the day I walked away with some great photos, but even more important I learned a lesson in the art of mastering your craft. [more]
If you’ve ever struggled to put together a video demo reel, or you’re planning to make one in the future, this post is for you. Below, I’ll share some tips that will help you be more efficient in your process to prepare for editing hours of your footage down to a montage of a couple of minutes. [more]
British comedian Richard Herring‘s new comedy tour poster needed to have a creepy Halloween theme to it. His new tour’s theme was death and what better way to illustrate that than having the comedian climb his way out of a grave. London-based photographer Steve Brown walks us through how he planned for the shoot, built the set and shows a time-lapse on his post-processing. It just shows that a properly planned shoot can have amazing results. [more]
Have you ever found yourself thinking: “If only I had <insert expensive camera body/lens/lighting gear>, I would be shooting better images/be winning bigger jobs/get better and higher paying clients”?
If you’ve never had this thought, congratulations, skip this article and move on because you’re already part of ‘The Enlightened’ few. [more]