Whether you’re just starting out or if you’re a seasoned professional, you won’t want to miss this week’s programming on creativeLIVE. Right now until March 2, they will be featuring some of the best instructors who will be teaching instrumental techniques for photographers. Some of the topics they’ll be covering include retouching and compositing, workflow and automation and using text and brushes. Start watching live NOW for FREE OR purchase the video downloads for $299 and watch them any time. [more]
I am a self-confessed gaming addict, so when I found out about the new ‘Cullinator’ I was beyond thrilled. Finally my insatiable thirst for all things gaming related will no longer derail me from editing my photographs. ‘The Cullinator’ is an impressive program created by Ed Pingol Photography that takes any gaming controller and transforms it to a photo editing controller. [more]
Visual effects artists are very much like our cousins, in the sense that our industry is visually based much like they are. We felt that we had to post about this for the sake of awareness in case you aren’t familiar with the news. Also, we wanted to create an open dialogue and hear from our readers about what they thought about all of this. [more]
For anyone who might have missed it, I did a little review of VSCO 3 last week. VSCO Film emulsions are great at emulating an analog film look for your digital photos and also offers custom profiles for your camera manufacturer, if you are shooting Nikon, Canon, or now Fuji (just for Film 03), to further improve performance of the presets. [more]
Here’s a little cinematography humor to brighten up your lazy Sunday. From the people over at Autodesk and filmmaker Jeremy Hunt comes a coming of age story of a dude. A dude who just wants to go about his business and a visual effects editor who ruins said dude’s day. We all know the importance of ‘getting it right in camera’, but this is what happens when post-processing runs amok. [more]
I’m sure most of you have taken one look at the lens flare filter in Photoshop and decided to quickly over look it. Well I am here to say that you might want to reconsider and give it a chance. With the right steps and processing one can actually make it look decent. Now I’m sure there will be a few people that will still think adding flare is asinine, and to that I say to each their own. [more]
I had to watch this video three times. It simply blew me away. For years movies have been created using green screens, as is the case here with the 2012 hit “The Avengers.” The part that amazed me in this behind the scenes video is the amount of detail that is captured to perfection by the digital artists and how they team up with photographers to recreate reality spheres to insert the actors. Read on to check out some of the facts on how it was created. [more]
“What If My Red Is Your Green?” is a question I ask myself for many years now. As a photographer this question/issue was always on my mind: I work so hard to get (what I see as) the perfect colors, and what I see as beautiful, but I have no way to know if the colors I see are the same colors you see. We all agree that red is red, and green is green. We all know that a lemon is yellow and a strawberry is red. But is it possible that you see yellow the way I see blue? Michael from VSauce did his best to answer the question. [more]
The general idea of Photoshop is to help make someone look flawless, while still maintaining their unique and human qualities. It’s a tactful technique that requires a keen eye and a good understanding of the human face’s shape. This basic concept was completely destroyed for the cover of Harper’s Bazaar China cover featuring actress Sarah Jessica Parker. [more]
I’m kind of a huge fan of fantasy novels, and Game of Thrones (along with The Name of the Wind) is probably my favorite modern fantasy epic. I also greatly enjoy the television series on HBO. In this video you can see how the visual effects artists rendered the 3D for the final scene of Game of Thrones Season 1. Please note, this scene does have nudity. Also, SPOILERS. [more]
Right now on creativeLIVE, photographer John Greengo is going over the fundamentals of Digital Photography. If you shoot primarily with film and are on the fence about switching to digital then this is a class you can’t miss. John is going over all of the basics and much more. As with all creativeLIVE workshops, the LIVE event is FREE. This course will run live until February 22 but if you don’t have time to tune in, you can purchase the video downloads for only $99. [more]
French photographer Renaud Marion’s latest series “Air Drive” is a fun nod to the idea of flying cars with a touch of old school. A retro Jaguar, Cadillac, soft top Mercedes-Benz and even a mid 1970′s Camero have been given a futuristic update right out of The Jetsons.
The cars and the photographer’s imaginary vision give this series a futuristic vintage look & feel worthy of taking a peek at more of the work. Who wouldn’t want to drive any one of these hovering automobiles? [more]
I have been a fan of VSCO since their first film preset pack. Both VSCO Film 01 and 02 have a nice way of giving photos a subtle but believable film effect. This week I got the email that VSCO had released Film 03 and I was dying to check it out. It turns out that the effects seen in 03 are not quite as subtle as 01 and 02, because 03 emulates instant films. So I’ve decided to do a little review with some examples and share it with all of you.
Yesterday I posted a tutorial on frequency separation from Elena Jasic. In case you missed it you should go check it out! Well today she hit me up to tell me she had quite a few questions still regarding the preparation of the layers for frequency separation, so she made a handy little action, and asked me to pass it on to all of you. Who doesn’t like free right?!