It's that time of year again! You know, that time when you frantically type "How to photograph fireworks" into Google before heading out of your house into the cold December night to line up next to hundreds of other photographers, all with the end goal of being the first to post an epic fireworks photo on social media. Well, fear not! We are here to help you not only nail those firework exposures, but also show you how to blend them seamlessly in Photoshop.
Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects. If you have any interest in what's coming over the horizon for cutting edge, independent, visual media production, this is for you.
One of the most noticeable differences between portraits taken outside using natural light as opposed to artificial light is the background. Images using artificial light tend to have darker backgrounds. This is crucial in catching the eye of the viewer and allows him or her to focus on the subject. This article is a guide in achieving this look using natural light only.
You read that right. It was rumoured late last year that Google was playing around with the Android camera API to include raw capability, and then we reported that this feature was rolled out with the latest 5.0 Lollipop update on many Android devices, but now we finally have an app that lets us access this feature and use it to our hearts content.
"Mayokero" may be the best music video that came out in 2014, yet you probably never heard of it before. In the video, famous vinyl album covers come to life and they all lip-sync to Roy Kafri's singing. Michael Jackson, Abba, Madonna, The Beatles, Elton John and Bob Dylan are only few of the "collaborators" in the video. Check out the BTS video below and also the amazing final result.
Photographers around this time of the year, portrait and wedding photographers especially, tend to have clients banging down their doors for holiday photos and other must have product deliveries in time for Christmas. While the rest of the world is gearing up for a relaxing holiday, we often experience anything but. From Christmas cards to wedding albums — regardless of the client's procrastination all year — we're expected to produce our work in record time.
At the Photo Plus Expo a couple months ago in New York, a new photo management software solution was introduced to much fanfare: Mylio. Mylio aims to solve a lot of problems that other companies seemed to be floundering around. It would give us complete access to our images no matter what platform we were on, and would regularly back them up across platforms and in the cloud or through whatever system you were currently working. It also brought something else to the table that immediately caught my interest: an in-house, custom built raw editor that worked on iPad, iPhone and desktop computers.
San Francisco-based commercial photographer, Erik Almas, is known for his flawless composite work as well as shooting campaigns for many major companies such as American Airlines, Toyota, Microsoft, and Nike, just to name a few. In January he is offering a workshop where he will take you through his entire workflow, from shooting the background plate and model, to editing. What makes this workshop even better is the fact that 100 percent of your money will be used to help build a school through Pencils of Promise!
If there is one thing I get asked, and that has been answered online time and again, it's "How do I get my photos to look like I want them to look on Facebook?" followed immediately by "Why does Facebook ruin my photos anyway?" and finally "I just want my photos to look awesome on Facebook." The bottom line is, Facebook does give us options, loopholes if you like, and we just need to adhere to them and our images will look stellar. But, what are these magical settings? I decided I was going to fuse my two careers together into one article, and explain it all as best I can.
I feel like I'm constantly hearing about new shortcuts in Lightroom that make my workflow increasingly painless. This is one that's been around for a while, but you have probably never used it. This short video is an easy to follow tutorial from photographer Matt Kosklowski about an exposure feature that will surely speed up your editing process.
Ever since the first mention of the Lytro camera system, I have been intrigued by how exactly it works and what possibilities it opens for photographers wanting to have complete control over their image, right down to the depth. With Lytro's announcement of the new Focus Spread feature built into their new software you can now pick and choose, in post-production, which sections of a photo that will be in focus.
While people around the world prepare for the holidays, photographers have something else on their mind. For all of us it's that time of year to buy your conference pass, make your hotel reservations, plan shoots with friends and highlight the classes you want to attend at the annual WPPI Photo Conference in Las Vegas from February 26th thru March 5th.
Through Premiumbeat.com's Vimeo channel and blog, motion graphic designer Kevin Gater did the world a huge favor by recently providing a tutorial on creating realistic, falling snow with RED Giant's After Effects plug-in. There are a ton of settings in After Effects, let alone in the RED Giant Trapcode Particular plug-in, that would take forever to navigate; but Gater does a great job going through which settings to ignore and which ones to pay attention to so you'll know exactly what to tweak for your needs. Thankfully, in 15 minutes, you can be ready to add great snow effects for the holiday season or that high-mountain horror short with just a few careful clicks.