For the last month I have shared a useful tip in Lightroom each week and I look forward to continuing the series. For this week I show you how to use the often overlooked color sliders to control the hue, saturation and luminance of each color in your photo. In the short video I also show how to get those mint saturated greens that are currently very popular.
Phase One has officially announced the release of Capture One Pro version 8 with a host of new features and a new purchasing model option. More than just minor enhancements, version 8 brings with it truly useful features that allow you to perform more of your work within it and not have to turn to Photoshop or additional plug-ins.
Along side the announcements of the PL mounted Cinema and Production Cameras, Blackmagic has also supplied some updates and new software for videographers everywhere, including an update to their DaVinci Resolve system - a multi track color correction system for videographers. Alongside the announcement of the update to DaVinci Resolve, is an all new software suite, entitled Blackmagic Videohub.
What are certain photographers doing that make them popular? Surprisingly enough, things like gear, location, social media skills and post production have very little to do with it. Believe it or not, it's something far more important and it's not often discussed. Here is the common secret all five photographers shared that makes their work stand out.
Like Photoshop, Lightroom is a powerful piece of software. Sadly most of us learn the basics and don't take advantage of all that is has to offer. One powerful feature is called the "Survey View." Are you taking advantage of it? If not, take a couple minutes to watch this two minute video where I go over how to use the tool and the shortcut to get there.
Back in August, while preparing for my latest trip - Seattle on this particular weekend - I found myself casually scrolling through Instagram to kill some time while taking a short break. After just a couple of minutes of this, something I had known quite well for years suddenly became clearer than ever: photographer's images are routinely modified by their clients, with the various filters and image manipulation tools Instagram offers, before they post them. I decided I was going to do what little I could do to speak out against it that afternoon because, by golly, I was all self righteous at that moment, and I was going to be heard. Well, at least on my Facebook anyway.
Martin Melnick is a Portland-based director and colorist. His studio, Tree House Post, specializes in color, VFX, editing, and motion graphics. Recently he along with his team put together an amazing music video for the band Adventure Galley based on classic 50s and 60s scifi shows such as Men into Space, Destination Moon, and Dr. Strangelove. The video has already received quite a bit of attention from various film and music video festivals and Martin was kind enough to share a behind-the-scenes look at the creation of the video in a brief interview.
A common issue that we're often faced with when using hard light modifiers such as a beauty dish or open reflector, is that of over-exposed highlights on our subject's forehead, nose and under eye areas, which also results in lost skin texture in those regions. While raw processors offer up the ability to recover highlight detail, this rarely leads to satisfactory results. In this tutorial I'll show you how to recover the texture while leaving the overall luminosity in-tact to produce a well-balanced result.
The state of California is simply unmatched when it comes to beautiful, picturesque imagery in the United States. As the birthplace and home of timelapse photographer Hal Bergman, it was his goal to compile as much of the visual wonders California has to offer in to a tight four-minutes time. His newest video, aptly titled “California,” combines four years of filming in to a marvelous treat for the eyes that any citizen of the world can appreciate. Beyond the video, Hal also speaks to Fstoppers about the behind-the-scenes work and equipment used in the making.
Adobe Lightroom is a program full of many different little tips and tricks just waiting to be discovered. In this short video I show you one of my favorites which allows you to apply a selective focus technique to your photo without having to open it in Photoshop. This technique is especially useful if you want to draw your viewers attention somewhere specific in the photo.
You read that headline correctly. After making a huge splashes in the motion-capture industry since 2005, Red has big plans to be the only camera system you use on set for both your motion AND still photography needs, and it's closer to being a reality than you would think. Prepare to have your minds blown.
I hang out with a lot of wedding photographers and have heard them raving about RadLab, the Photoshop-based editing platform from the guys at Totally Rad!, for the last three-or-so years. The thing they love most about RadLab is the ability to visualize the change a setting will make before applying it — no more Command Z. Over the last couple months I've been using RadLab in tandem with my normal Lr and Ps workflow and have, overall, been very pleased with the results.
You might have heard of Stu Maschwitz before, possibly from his work on these Red Giant video projects, or perhaps the Plastic Bullet app he made a few years ago. His latest creation is a custom set of presets that integrate with Lightroom, and gives the user a set of vintage photo looks to choose from.
As a wedding photographer I often fill up 3 or 4 memory cards at a wedding and it is important that I get those images downloaded and backed up as soon as possible. Rather than download one card at a time I like to do them all at the same time using multiple card readers. I usually use Photomechanic to do this but recently discovered that it is actually very simple to download multiple cards at the same time in Lightroom as well. I put together this quick video tip to show how.
The advantage to downloading multiple cards at the same time is so one doesn't get accidentally forgotten...
So it goes without saying that there are a ton of different ways to match skin tones across your subject or between images in Photoshop so it's often just a matter of picking the option that is most convenient or intuitive. Despite the wide array of choices, I seldom see people use the selective color adjustment layer for this task. The beauty of selective color is that it allows us to go off the numbers rather than intuition and achieve an accurate result in little time.