Last week, we featured an interview with the awesomely talented retoucher and photographer Marina Dean-Francis. This week, she's shared a video with Fstoppers showing her retouching on a hair and beauty image. Although the video has been sped up tremendously, it's not hard to see that there aren't many quick tricks in play here. It's no secret that maybe the greatest skill in retouching is...
Inspiration spurs creativity and it is often you find a photograph or artist that influences your practice. In this Photoshop tutorial Ben Secret helps you recreate the look and feel of an image by matching contrast, tone and saturation. With these brilliant tips get a handle on colour and tone through imitation, but then have fun adding your own unique style.
Slow motion is, certainly, one of the most beautiful cinematic inventions of all time. It can show us so many things that are not normally visible and can make any "normal" scene look magical and unique. For the past few years the slow motion technologies have continued to improve, and just last year the Phantom Flex4K Digital Cinema Camera was announced introducing some groundbreaking slow motion abilities like shooting at 1,000fps at at 4K resolution. Shortly after its release, Director Brendan Bellomo and cinematographer Greg Wilson got their hands on the camera and took it for a test and created this beautiful video called "Let Me Know When You See Fire."
Curves are by far, the most powerful and versatile color and tone manipulator in Photoshop. Many photographers like Erik Almas & Brooke Shaden swear by it, and is a major part of their workflow. Curves can be very intimidating at first, but once you truly understand how to use them, they will substitute the sliders of Brightness/Contrast, Color Balance, Shadow/Highlights etc. that you are used to.
After watching a great film, it is rare that we give conscious credit to the editing (which is actually a silent compliment to the editors). However, how the film was cut creates most of the powerful feelings we get while watching and is a major contributor to our final thoughts on a film. CineFix has put together what they believe to be the top 10 most effective editing moments of all time, and it's certainly worth noting the editing mastery at work.
While the beta has been out since February and can still be downloaded here, according to a June 26th press release, Nikon will be releasing its new Capture NX-D software July 15th for free. The previous version of Capture NX-2 still goes for $140, so it's nice to see more value added to Nikon's products for us Nikonians out there.
In this great tutorial, Aaron Nace from Phlearn teaches you how to change hair color in Photoshop. He shows the trick to changing red hair to brown, black and blonde and this video also gives great insight into and cause for practicing your skills with blending modes as well as selective color and levels adjustment layers.
One of the most versatile and powerful secrets of Photoshop is the luminance mask. Similar to a channel mask that allows you to select very precise parts of your image based on color, the luminance mask allows you to select parts of your image based on tonal range. Using Photoshop to select those tonal ranges for you, you can quickly and effortlessly make very specific color and contrast adjustments to color grade like a pro.
With Facebook’s reach going down hill, we’re all looking for something that will allow us to get in touch with as many people as possible and Instagram is that link. If you need persuading, follow up this article with Dave Geffin’s post about how to fully harness the app. Once you’re convinced, here are some things you can do to make sure your followers are getting the most bang for their buck and you're showing off your best work.
After spending a fair amount of time looking through the best images that the Fstoppers community has to offer, it's pretty easy to see what sets them apart. Not only are the shots themselves exceptional, but the post processing is world class (Julia Kuzmenko McKim and Michael Woloszynowicz, Photoshop extraordinaires, hold a few of our top spots). Photographers often take on their own post work either because of budget or wanting to maintain their full creative vision. Sometimes, even great photographers call on the retouching gods to lace their images with a bit of perfection. Marina Dean-Francis is one such retoucher (and photographer) with that incredible power.
Late last year, Trevor Dayley wrote an article which introduced me to the Mastin Labs Portra 400 film emulation preset system. As a long time Kodak Portra 400 shooter I was thrilled to see side-by-side comparisons of Portra 400 against digital with the preset. They looked darn near identical. Now Kirk Mastin, the mastermind behind the presets is gearing up to release his Fuji 400H preset system and I couldn't be more excited.
It's hard to look at our photography with objective eyes. We know how much planning went into the shoot. We know how complicated the shoot was. We know how many hours in Photoshop we spent. The sad truth is, none of that matters. Your image should speak for itself. Let me help you rate your photography fairly.