French artist and photographer Sébastien Del Grosso combines his talents to create a literal photo illustration series of self-portraits titled “L’esquisse d’une vie” (The Sketch of a Life). Using photo manipulation, Sébastien takes his skills and creates an exceptional series of uniqueness and creativity.
Have you ever considered creating an accurate and detailed 3D model from 2D photos? Probably not, it's incredibly difficult. Now, if you try to do it on a truly massive scale and have a huge castle as your subject, it makes it almost impossible to do by hand. The guys at Pix4D took it as a challenge to their software and not only modeled the outside, but also the inside of the castle, all in one interactive 3D model. To prove that it can be done by anyone, they decided to use only consumer cameras (GoPro, DSLR and a Mirrorless).
From a retouching standpoint, there are few things more unpleasant or challenging than dealing with chunks of hair on the face, missing patches of skin texture and large folds of skin. Generally the existing tools in photoshop such as the healing brush or patch tool fail in these situations and we often end up with unnatural or unpolished results. When all else fails I often turn to a technique called texture grafting to deal with a multitude of issues.
The combination of two visually striking methods resulted in this surreal video by Vincent Brady. After checking the video, read on for some more information on the rig Vincent used to shoot with, and some insight on the programs he used to painstakingly stitch his images together for the final timelapse video.
In just a few days, I'll be teaching on Creative Live! Watch me over the course of three days (June 26-28), as I will be teaching and presenting about the art and business of retouching. We'll start right from the beginning of a shoot all the way to the finishing touches! I have the pleasure of bringing in Felix Kunze to shoot the photography portion of the event.
This past week I've been sleep deprived, socially inactive, and holding a camera in my hands for more than I ever have in my entire life. You see, this past week I've been working with RGG EDU to film my first tutorial series to go on sale at the Fstoppers store this summer. Though learning a lot about my own work and process, I think I learned the most when I used a rented PhaseOne IQ250 system for one of my shoots.
When someone tells a photographer that “their camera must be really good,” chances are the photographer will respond with an eye roll. The debate surrounding gear verses skill in the photography world is a tired albeit consistent discussion. Let’s not kid ourselves, gear does in fact matter. However, does a photographer need top of the line equipment to produce mind-blowing images? Take a look at this collection and decide for yourself.
Adobe is hosting a special event on June 18 to show the world what's new in their Creative Cloud set of applications, but today they released a short video highlighting one of the features they're working on in Photoshop: a new way to make automatic selections based on pixels in focus against those out of focus.
Alien Skin Exposure 6 was announced last month and previous versions are considered some of the best plugins available according to both myself and Lee Morris. Well, yesterday Exposure 6 was released and they were kind enough to give me a beta copy to use for the last few weeks, so I wanted to share with you my top 5 favorite features from the version of the highly functional software.
I've had some pretty amazing experiences in my life. Fstoppers.com has given me incredible opportunities like meeting Bon Jovi, or riding in the first Lamborghini Aventador in America. Our international workshop last week took a year of planning and insane amounts of stress. On top of it all, I had the flu during the entire week. Even still, last week was the most rewarding week of my life.
In this behind the scenes video, photographer Brent Humphreys is tasked with creating images of emergency situations. These included animal attacks, driving a car off a bridge, and more. With a resourceful crew working to pull all of the elements together, you can see how they were able to safely reenact these events, and add subtle touches to increase the level of drama for the final images.
Lauri Laukkanen, photographer and editor over at SLR Lounge, recently posted an image to the Fstoppers Facebook group that's been getting a lot of buzz. The popular image came out of a personal project that he developed and shot over the course of just two days. The behind-the-scenes video shows Lauri and his team on location at Yyteri, Pori (Finland), their extremely minimal setup, as well as the final images.
Have you ever wanted to take photographs like Richard Avedon, Diane Arbus or Martin Schoeller? Don't have time to put in all that pesky hard work to learn masterful control of lighting and post-processing? Soon, you may be able to have images just like theirs! Well, sort of. Researchers at MIT, in conjunction with Adobe, have developed an algorithm that mimics styles of iconic photographers transforming flat, lifeless photos into masterful imitations of art. No word yet on if there will be "taste" sliders or "restraint" clipping warnings.