With the multiple methods of sharpening in Photoshop, a big issue is that many of them are applied globally without any consideration to edges and areas with varying level of per-existing sharpness. The result of these techniques can enhance issues of fringing or inconsistent results across the image. This method by Michael Woloszynowicz is by far the most intelligent method I've seen so far.
Sharpening is a mystery to many, some do it well and others don't. There are quite a few methods to sharpen an image including the use of a High Pass Filter, Unsharp Mask, Smart Sharpen and Camera Shake Removal in Adobe Photoshop CC. However, it’s similar to hearing nails on a chalkboard when I see an image that is over sharpened. I'm no saint, I'm certainly guilty of cranking Unsharp Mask, I just never found the right solution. Until now.
Color banding is a problem we encounter when retouching many of our images or making them ready for print, but in many of the cases we just ignore it hoping no one will notice. In this long and detailed video, photographer / illustrator Lee Varis explains why banding appears in our photos, how we can recognize it, and shows the best methods we can use to fix it.
If you haven't spent any time on Phlearn.com then you are missing out on some amazing post production tutorials. Phlearn founder Aaron Nace has teamed up with Fstoppers for our first ever Fstoppers Workshops! During May 28 - June 1st, Aaron will be teaching a 2 day workshop in the Bahamas where you and 7 other students will plan and execute your "dream photoshoot".
Much to my dismay, I've recently discovered that many photographers are unaware of the power of selective coloring. With its versatility, I'm convinced it's one of the most powerful tools for photographers today. It sounds insane, but I've used selective coloring for the majority of my photos over the last few years, and have left largely everyone impressed with my techniques. And no, I'm not trolling you.
By now, we’ve all seen the gigapixel landscape shots over the years, but I’m pretty sure never seen anything like the 900 gigapixel portrait series Swiss photographer Daniel Borschung has undertaken. I’m not much of a numbers guy, but when you have a robot arm taking 600 pictures of your subject with a macro lens, the results are a tiny bit mind blowing.
What happens when you combine a GoPro Hero +3, a DJI Phantom II, an actor dressed as Superman, and some clever video editing? How about one awesome simulation of what it must be like to be Superman as he flies through Los Angeles. If you were upset with our recent Phantom 2 Gopro height test last week, you are definitely not going to want to watch this video. Be sure to check out Sam and Niko's behind the scenes video
About 5 years ago, when I was still in my Photography college in Australia, our teachers would regularly introduce us to the new and noteworthy Australian photographers' and digital artists' work. Among others there was one artist, whose work really grabbed my attention and I have been watching her growth and success ever since.
When retouching in Photoshop, there are many different ways to achieve the same thing. Personally, I've always struggled to find the best method to remove shadows under the eyes. Like everything else in Photoshop, there are a slew of methods to correct this, but each of them had their weaknesses. Check out this simple - yet slightly hidden - method that you probably never knew existed.
There is an old quote that says, “If you want to shoot fashion, shoot in color, but if you want to shoot emotion, shoot in black and white.” I don’t know who said it, but I tend to agree. I do love myself a good black and white portrait. There is something special about black and white imagery which has the ability to cut through all the baggage and display both the inner beauty and turmoil which can be so easily hidden away by color photography.
Red Giant, the plugin supergroup that is responsible for filter packs like Magic Bullet Looks, Trapcode, and PluralEyes, has recently announced a new plugin model, Universe, where new and updated filters will be provided to members at low to no cost. If you're a motion graphics designer, or love sweetening your video edits with funky filters, check out the video and see if Universe is for you.
This video was incredible! Ten By Fotolia brought two talents together and gave us an all access pass at their creation. Eric Paré is a Montreal based creative photographer who is a master at light painting. Mike Campau is a brilliant digital artist who is skilled in retouching, image design, and CGI. Together, they bring us a great video filled with lots of information that everyone can take away from.
The guys at no film school have done it again. In a recent guest post by the awesome director, Rubidium Wu they show you how to make a cheap DIY multi-camera video rig. The cool thing about this setup is that you can shoot multiple focal lengths in one take giving a similar ascetic to Tommy Wiseau’s in his 2005 film, The Room.
The thought of removing stray hairs in Photoshop conjures up thoughts that are equivalent to torture. It's not uncommon to hear your fellow colleagues gripe about retouching hair. However,Michael Woloszynowicz has come to the rescue. He is becoming one of our favorites here at Fstoppers when it comes to Photoshop tutorials. Check out this efficient way in tackling stray hairs!
Talk to a photographer long enough and the question of screen calibration will be brought up. Often many will say it's an incredibly important tool in your post production workflow, and often many more disregard it all together. So what is screen calibration? Is it still a viable issue within photography today, or is it becoming more and more obsolete, like sync cables and light meters? I'm here to explain it to you.