Our friend, retoucher and commercial photographer Clint Davis is no stranger to this site. He was nice enough to share this awesome behind-the-scenes video from this recent ad campaign. The most impressive part aside from the images themselves? The fact that he only had about five minutes per setup while working alongside a separate video shoot.
First-person cameras, such as the ubiquitous GoPro, have been filming hours of footage from their owner’s journeys for years now. These lengthy uncut videos don’t hold much interest to most people, but a team of Microsoft Researchers are aiming to change that by using some remarkable technology they hope to release as part of an upcoming app.
Artists all over the world use Photoshop to retouch images and for graphic design. Because of that, Photoshop has become the #1 image editing software out there. We know Photoshop has put a lot more implementation into its 3D capabilities, but that's not what Photoshop is really for and it still has a long way to go. So it's great news that a group of Researchers at Carnegie Mellon and University of California, Berkeley have come out with software that allows for full 3D manipulation of objects in a photograph.
Liquify gets a bad rap. Its misuse accounts for a pretty alarming number of Photoshop disasters. And although it is easy to learn, it does take a great deal of time and energy to master. Luckily, Aaron Nace over at Phlearn is here to help. Known primarily as the "digital plastic surgeon" of Photoshop, the liquify tool can also be applied to tremendous effect when it comes to making clothes fit to perfection - and that's exactly what this video shows.
The premise for the Cutting Edge Tour headed up by Adam Epstein, five year veteran video editor and post production guru for Saturday Night Live, was a tricky one. I know because I spent a few days bouncing ideas around with him and looking at how to structure the thing. This review will set out specifically what you will (and won’t) find in the workshop.
With the announcement of Aperture's retirement, many of Apple's software users are seeking a new home for their image libraries. One of the most obvious choices is Adobe's Photoshop Lightroom. But moving those images from Aperture to Lightroom can be a little tricky. A new app has made it out of Beta and hit the app store that may provide an easier solution.
Alexa Meade, a LA based artist, has been turning human canvases into two-dimensional works of art. With acrylic paint and her intricate knowledge of light and dark Meade is able to play with shadow as she paints human bodies to make them appear as if a 2D portrait. In this TED Talk, Alexa shares her innovative approach to art and how she transitioned careers after college to pursue her artistic passions.
In this Adobe Photoshop Playbook video, Bryan O'Neil Hughes suggests a variety of options to help you tackle noise when processing your photographs. Due to the improvement of pixel quality, noise isn't usually so much of an issue. However, it still can be a problem especially in your low light images.
I recently noticed that a handful of photographers were producing images that had a look as if they were stills captured from films. A couple of the most well known photographers of this genre are based here in New York so I got them together and challenged them to not only come up with a dynamic personal project on the fly incorporating this cinematic look, but to share with us how it is achieved. Read on to find out how it all went down...
Last week we compared Adobe's Lightroom to Phase One's Capture One Pro 7 and discussed the pros and cons of each raw processor. Following that article a lot of people downloaded Capture One (C1) to try it out and others told me that they tried the product before and gave up. Given my own experience of feeling overwhelmed by C1 at first, I decided to make a tutorial video to help guide you through everything you need to know to get started with it.
Professional-quality photo printers and paper are expensive. It can be difficult to justify the steep price of the machine and upkeep for most photographers who shoot as a hobbyist or even a starting professional. Outsourcing your printing needs to a pro photo lab alleviates the cost, but there are some inherent complications in not being able to print from home. These four helpful steps will minimize the disconnect when sending out your images to the lab.
Opening Photoshop for the first time can be pretty overwhelming. But whether you're new, relatively new or looking for a good refresher on the basics, Aaron Nace at Phlearn has assembled a can't-miss, three-part series on the need-to-know elements of Photoshop. In part one, the very basics are covered: opening and saving a file, Photoshop preferences, keyboard shortcuts, color space, basic saving for web, using a tablet, tools and layer masks. In parts two and three, things get a little more complex...
I have only been shooting photography for a little over 3 years now. Things have progressed so quickly during that period of time that I haven't really had the chance to look back at the evolution of my photography. I had to think thing long and hard about the investments I have made over the 3 years and the things that really changed the game for me.
Being a member of the media has a set number of luxuries. One of those being, working with Adobe and getting early access of products, and exclusive news. Thanks to Adobe, I used Creative Cloud for an entire year free by attending a media exclusive Adobe event back in the summer of 2013. However, since I've started paying for it a month ago, my frustrations have hit an all time high.
The guys from Film Riot catch ‘Guy Ritchie Disease’ and in the process teach you how to create the "Guy Ritchie" freeze frame effect. Whether you need an awesome intro title for your film or even a great effect for your own behind the scenes photography vlog, this Film riot video shows you how to create it in Adobe After Effects. If you’re more comfortable in Photoshop, you can put it together in there and then animate it in After Effects.