Our friend Glyn Dewis has been sharing his straightforward and very helpful post-production tutorials with us for a long time. This time he shares about how to add dramatic sun beams to your photos in post-production. Something I've been trying to master for a long time! Read below to learn more about how Glyn created this cool elephant image from a safari park snapshot.
Recently I had an opportunity to try my hand at creating the new hotness in cyberspace, Flixel Photos Inc.’s Cinemagraph Pro for Mac, what they are calling a living photo creation software. Cinemagraph Pro allows users to easily create Cinemagraph images, a media form that combines elements of a moving video to a high quality still photograph or referred to as 'hybrid photography.'
Merely two years ago, Stanislav picked up his first camera: a Lumix G3 for $600. From that point forward his inspirational journey began. The majority of his mind-blowing work was taken in his attic using friends as models. Now he is known as Sean Archer - a natural light photographer who specializes in female portraits. His work is proof that it’s not about gear. It’s about the photographer; it's about the vision of the artist.
This week at NAB, Adobe Premiere and After Effects are getting some new features, including Live Text Templates (After Effects text effects can be directly edited in Premiere), and keying effects in After Effects to provide better keying results with compressed footage among a host of other improvements.
Software company Red Giant has been making the plugins that video editors have been using to sweeten their edits since the days of MiniDV. Fan favorite Magic Bullet Looks has long offered stylized, preset looks for its users. It has just been announced that Red Giant will be updating Magic Bullet to version 2.5, along with updates to PluralEyes and BulletProof.
In recent years Photoshop has garnered more negative attention than any other platform that is utilized for image manipulation. Photoshop can be used to create unnatural product resulting in unrealistic expectations. As photographers and retouchers, we have the power to control what the media perceives as attractive.
Aaron Nace from Phlearn released a great video yesterday which highlights his technique into removing unwanted and distracting objects off of an image. In this case, he decided it was best to remove a bra strap off of the model in the photo using the spot healing brush in Photoshop.
Creative writer Kendra Eash wrote a painfully accurate article for Timothy McSweeney's Internet Tendencies that put into perspective what most brand and corporation videos look and sound like. Taking it to the next level, stock clip site Dissolve realized it was indeed generic, and pulled together their own stock clips cut to Kendra's writing, resulting in a hilarious edit.
With the multiple methods of sharpening in Photoshop, a big issue is that many of them are applied globally without any consideration to edges and areas with varying level of per-existing sharpness. The result of these techniques can enhance issues of fringing or inconsistent results across the image. This method by Michael Woloszynowicz is by far the most intelligent method I've seen so far.
Sharpening is a mystery to many, some do it well and others don't. There are quite a few methods to sharpen an image including the use of a High Pass Filter, Unsharp Mask, Smart Sharpen and Camera Shake Removal in Adobe Photoshop CC. However, it’s similar to hearing nails on a chalkboard when I see an image that is over sharpened. I'm no saint, I'm certainly guilty of cranking Unsharp Mask, I just never found the right solution. Until now.
Color banding is a problem we encounter when retouching many of our images or making them ready for print, but in many of the cases we just ignore it hoping no one will notice. In this long and detailed video, photographer / illustrator Lee Varis explains why banding appears in our photos, how we can recognize it, and shows the best methods we can use to fix it.
If you haven't spent any time on Phlearn.com then you are missing out on some amazing post production tutorials. Phlearn founder Aaron Nace has teamed up with Fstoppers for our first ever Fstoppers Workshops! During May 28 - June 1st, Aaron will be teaching a 2 day workshop in the Bahamas where you and 7 other students will plan and execute your "dream photoshoot".
Much to my dismay, I've recently discovered that many photographers are unaware of the power of selective coloring. With its versatility, I'm convinced it's one of the most powerful tools for photographers today. It sounds insane, but I've used selective coloring for the majority of my photos over the last few years, and have left largely everyone impressed with my techniques. And no, I'm not trolling you.
By now, we’ve all seen the gigapixel landscape shots over the years, but I’m pretty sure never seen anything like the 900 gigapixel portrait series Swiss photographer Daniel Borschung has undertaken. I’m not much of a numbers guy, but when you have a robot arm taking 600 pictures of your subject with a macro lens, the results are a tiny bit mind blowing.