Dodging and burning for cleaning skin is very common amongst high-end retouchers and for a reason: when mastered, it gives you natural, yet almost perfect results. The downside of the technique is that it can eat up a lot of time. When I say a lot of time, I mean up to a couple of hours for a single image, depending on the problems that need corrections. While spending this much time on big projects or perhaps on personal projects is conceivable, for someone that shoots portraits every day and has to retouch quickly, this is simply not viable. A couple of tricks exist to help you go faster, while retaining a high quality and natural-looking image. I have listed four of them here with the hope that they will save you as much time as they do for me.
It's always impressive to see a subject that's shot so often used in a new and creative way. This conceptual shoot of the Milky Way by George Malamidis was beautifully conceived and executed. George picked two possible names for the image, both of which perfectly describe the outcome, "The Iris of God" or "The Peacock Milkyway." Want to know how he got the shot?
Recently, SmugMug featured the amazing artist Renee Robyn, based in Canada in a touching tribute video called "Dream Of A Digital Artist', and I recommend you take the 3 and a half minutes and check it out. If it doesn't leave you in awe and full of inspiration, then you must not have a pulse.
This week we get to look at yet another style of retouch, a sports styled image. Each genre, weather it be fashion, beauty, landscape, or sports is going to have different parameters to follow and slightly different goals to achieve. With a female athlete it can be particularly tricky, because it can be challenging to find the line between doing to much or not enough especially as it come to skin retouching. In this post we will look at some of the steps and tricks used in this particular image that can be applied to your own sport retouch. We will also take a look at what else can be done to this image.
As I am writing this Apple is having a press conference about their new products. The Apple Watch is getting a software update, the Apple TV is getting a total overhaul, the iPhone is all new (and can finally shoot 4k video), but potentially the most exciting news for photographers is the Apple iPad Pro.
Creator and editor of Lonely Speck, pro night sky photographer Ian Norman is back with another great tutorial. Being nothing short of passionate when it comes to astrophotography Ian always seems eager to share what he has learned over the years. In his latest video Ian gives us the rundown on how he post processes Milky Way photos in Lightroom.
This week's winning image comes from Photographer Daniel Nordholm. It's a stunning landscape image that he captured in Lofoten, a beautiful archipelago in Norway. I was very excited to break from my norm of beauty and fashion retouching to tackle and share a landscape retouch. Many of the techniques and the workflow of a landscape can be very different from portrait retouching, while the philosophy can be quite the same. In this article, you will see the full retouch of the image in the short two-minute video. In all, the retouch took about an hour. I will also share some specific techniques for landscape editing that you can use in your images as well.
Oh the world of high end retouching. This week cosmetic company Dior released a new video and ad campaign featuring their hot spokeswoman, Jennifer Lawrence. With a not so subtle nod to Sharon Stone in Basic Instinct, this new lipstick commercial isn't so bad upon first watch. Social media has gone ablaze however once screen grabs from the video have been making their way across the internet. Where are Jennifer's eyelids! We have the behind the scenes video to see where things went wrong.
VSCO Keys is no more. There is no glorious explanation, no plans for a big, better, more badass version.
Today, mass emails filled the inboxes of photographers everywhere letting us all know that the maker of some of the most popular photography mobile software and editing presets was calling it quits with the beloved Lightroom shortcut plugin.
It's Monday so it's time for another speed retouch and episode of Retouching Mondays. This week image comes courtesy of last weeks winner, Ben Scott. If you would like me to retouch your image and send you back the full-high res final image, all you have to do is post your image in the comments and wait to hear back. I will email the winner on Thursday morning, so post your newest favorite image that you want retouched. It can be any genre, beauty, fashion, landscape, wedding! I'll record the retouching and send you the final image to use as you wish! Take a look at the speed retouch of Ben's image and let me know in the comments if you have any questions, I'm happy to answer them. Now lets take a look at the before and after and the challenges for this week's Monday Retouch.
A couple of weeks ago, Serif released its powerful photo editing software called Affinity Photo. This Adobe Photoshop competitor has since been downloaded by numbers of users and has already seen a couple of improvement through an update. Its price and its speed are probably two of the most notable advantages the software offers over Photoshop. While the reviews are slowly making their way to different websites, many photographers and retouchers seem to be wondering if the software is worth its price.
In my recent Natural Light Tutorial with RGGEDU, I went through every aspect of natural light photography and retouching... Or so I thought. During a shoot this week, I realized I missed one thing: enhancing freckles with Photoshop. In this article I will show a simple method to making those freckles pop.
I'll preface this today by making it clear that I know very little to nothing about architectural retouching, landscape retouching, or product photography retouching. That said, I've dedicated the last two decades to Adobe Photoshop, and the last seven years specifically to portrait retouching. As such, I've come to realize one key thing: If your skin work is no good, everything else in your retouch just falls apart, if you will, as the basic foundation is already substandard.
Last May, Adobe gave the world a sneak peek of their forthcoming mobile retouching platform. While the video only showed off modest implementations of the liquifiy, paint, and vignette tools, it's clear that Adobe and their army of software engineers have been hard at work beefing up their iPhone and iPad apps.
Erik Almas, one of the best commercial composite photographers, has recently teamed up with the team at RGG EDU to create a fully comprehensive tutorial on his complete shooting and retouching process. In this video Almas takes us through an hour-long tutorial, retouching and completing the backplate for one of his tutorial images. I'm always impressed when photographers and retouchers, especially those at the top of our industry, open the doors and reveal their entire process and Almas has done no less here.