A lot of times, what appears to be light effects in my work is actually done in post production, using Photoshop, to enhance or exaggerate existing light sources in an image. I actually get asked a lot about this, and decided I would do a "blind video" on the subject. That is, I would add atmospheric type of effects to an image that I hadn't practiced on, thus showing the full process I go through as I figure out what I want to do with it.
Brand new to Photoshop? Literally got hooked up on Adobe Creative Cloud last week? If so, more than likely you're fumbling around trying to make sense of the damn thing, and are looking for some help. Online videos about Photoshop techniques number in the hundreds of thousands, and it's quite likely you've watched at least half of those by now. If you've had trouble finding video tutorials for you, the bare bones beginner, then my Beginners Basics Series videos are for you, and I welcome you...
RGG.edu has released its newest tutorial, "The Complete Guide to Product Photography and Retouching." This in-depth tutorial features over 20 hours of content on shooting and retouching, taught by Tony Roslund. The tutorial is currently available and being sold with a $25-off early-bird discount, this week only. Use the promo code 25OFF to recieve the discount at checkout. RGG brings us a curriculum based approach to teaching photography with 55 Pre-production, 11 Photo Shoot, and 11 Retouching tutorial videos.
We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?
Black and White conversions programs are a dime a dozen. You have the ability to do black and white conversions in Adobe Lightroom and Photoshop and also in third party software like Silver Efex Pro and Perfect B&W, but if you're just learning how to edit, I always recommend sticking with Adobe Lightroom because of the easy user interface.
I have spent the last 6 years cultivating a photography service brand and working to hone my image making skills on a daily basis, but the fact remains that photography is a relatively new endeavor for me. I was a graphics designer from 1990 or so until arguably 2012 (or today), with the occasional design job popping up that I cannot say no to. However, there was also this era in the 1990's where I was a videographer and video editor, shooting everything from local TV spots to interactive media clips to weddings. The embryonic days of digital video are mercifully long gone, but what happens when an old dog jumps into the modern world of video? I aimed to find out.
How do you move beyond using someone else's actions and presets to tone your images? It’s a lot simpler than you’d think. There are so many different ways to achieve similar results in post-production, and having so many options can be extremely intimidating when you’re just learning how to edit. This is the reason that many photographers will rely on actions and presets to “color grade” and tone their images when they are first starting off.
I can assure you that this isn't another boring tutorial on how not to overdo eyes with Photoshop. Searching for the perfect method has come to an end. Before diving into the simple method, it’s crucial to understand everything about the human eye and how it reacts to light.
It is no secret that a picture will rarely look the same on every media. Even from one screen to another there can be a huge difference! Blacks that might look like pure black on your laptop might be a very dark grey on your phone. Having so many media support and manufacturers makes it really hard for a photographer or a retouching to have a picture that will look great despite of it.
Anyone who is interested in portrait, fashion or/and beauty retouching knows how wonderful the Dodge & Burn technique is for skin retouching. We have talked about various methods and the fundamental knowledge of light and shadow rendering in 2-dimensional art before, and I would like to offer you yet another important piece of the D&B puzzle - the brush settings in Photoshop, which will help you achieve greater results when using this technique.
It's already been a couple weeks since Serif announced the release of the Affinity Photo beta. I, along with literally thousands of others, have downloaded the program and started putting it through its paces, trying to fit it into my own personal workflow. In this little first impressions review I'll focus on Affinity Photo as a raw converter, a basic retouching platform, and put it up against the big dogs: Affinity versus Lightroom, and Affinity versus Photoshop.
If you're planning on attending Lin and Jirsa's Ultimate Wedding Workshop 101 down in the Bahamas you will want to act fast. With only 6 seats left in this class, Pye and Justin will be covering proper exposure and how to shoot in manual, how to pose your couples, how to modify natural light, on and off camera flash, and much more. If you have seen the wedding work of Lin and Jirsa Weddings then you know Pye, Justin, and the rest of their team are at the pinnacle of the wedding genre. Their 101 workshop takes place May 13th through May 14th.
Matt Kloskowski from onOne has released another great Lightroom tip video that can help with recovering shadows from your images. In some situations, you might need to recover more out of the shadows than you originally intended when taking the photo. Basically, by reverting the Lightroom Process Version to 2010 or earlier you can tap into some recovery options that could make all the difference to your image.