A Spanish organization called “Aid to Children and Adolescents at Risk” (ANAR) created a new ad campaign to bring awareness to kids at risk, using a cool new idea (but a very old technique). By using Lenticular printing, they were able to show two different ads in one print – one for kids, and one for adults. Adults see a different image and message than what the kids see. Smart, creative and important. [more]
The other day my brother told me about 2 of his friends, Stephen Potter and Jackson Stephens, that have created a very cool service called Prints Forever. Prints Forever sends you prints from your Facebook and/or Instagram feed and mails them to you automatically! For the next few months the service is in beta mode and they are sending out prints free of charge to everyone that signs up, no strings attached. Click through to the post for the registration link. Enjoy! [more]
If you’ve dug through your camera’s settings a few times, you’ve likely ran into the Color Space setting. You may have asked another photographer what it all means, and they’ve probably just told you to set it to one or the other, and forget about it. However, both sRGB and AdobeRGB have their advantages and disadvantages, so how do you distinguish one from the other? [more]
The wonderfully affordable and easy-to-use mobile printing app for the photos on your phones has arrived for Android. I personally love this app because of… well, everything. It does everything right, and the final product is of great quality. For those of you originally disappointed that it was only on iOS, be disappointed no more. [more]
Pascal Dangin is the founder and chief of Box Studios, a retouching house based out of NYC. They’re known for retouching some of the world’s best photographs, some of which grace Vogue and Vanity Fair. He also works with Annie Leibovitz and Steven Meisel. Unofficially, he’s credited as being the world’s most sought after retoucher in the industry. He is also very mysterious and so is Box. Here, we get an in depth look at what goes on behind the scenes at Box. [more]
Marketing and advertising treads a fine line. Put too little into an initiative, and the audience never engages. Go too far, and it becomes cliché and unattractive. But if you can hit that perfect balance and walk that fine line, perfection can be truly beautiful. When the guys from Golpeavisa were tasked with shooting a cover photo of two-Michelin star chef René Redzepi for Premier Class Magazine, they walked that line with unmatched poise. [more]
We all take a lot of photos with our phones. And you know what? That’s ok. The camera on the iPhone takes pretty darn good images, and the plethora of mobile editing apps gives us all more flexibility than we would ever need. But what happens to all these photos after we edit them and post them to Facebook or Twitter? We forget about them. Well now we can actually make use of those photos, and bring them into the physical world hassle free, insanely cheap, and unexpectedly gorgeous. [more]
In this scientific project, a group of researchers decided to find a way to make normal 2D prints react to light the same way 3D objects react to it. As you can see it works really great, but the photo quality is still not so good. I’m sure that with some more research and development it will get much better. This can change the way we print and see physical pictures the same way Lytro Changed the way people take pictures.
Photographer turned wet-plate artist Ian Ruhter basically dropped everything and cashed in his life’s savings to follow his passion, morphing his van into a massive camera and making enormous wet plate prints as he travels the country. From hand-making the silver emulsion to the financial risks of shooting at a whopping $500 a plate, this video “Silver & Light” gives an in-depth [more]
As any photographer knows, understanding color space and color management can be one of the most difficult concepts to wrap your head around. What is the difference between Adobe RGB and sRGB? Why do magazines always print my images with funky colors? Why do I need different profiles for different devices? I still have trouble with these concepts. Luckily photoshop guru Kevin Kubota has made a really useful video explaining how [more]
Before switching over to photography in college, I studied Graphic Design. I’ve always had an appreciation for typography and still do to this day. Today, changing size, color, typeface, etc. can all be done in a matter of seconds. Paul Collier, Letterpress and Typography Technician at Plymouth University shows us the beauty of what we did before Illustrator and InDesign. Click the full post to see the video.
The Washington Post published an HDR photograph on the front page which caused the public to react in a negative manner. Do you think HDR is acceptable in photojournalism? Where do you draw the line? Check out the full post for the story and let us know your thoughts.
When Dwayne’s Photo, based in Parsons, Kansas, ceased processing Kodachrome film, it was the end of an era spanning 75 years. This ten minute mini-documentary by Xander Robin affords us a view into the history of Kodachrome, the process used to develop it, and insight from the employees of Dwayne’s who worked with the film regularly. Check out the full post for the video.
Just ran across and really interesting video that explains how to create a “wooden print”. Basically you want to use a standard laser print on standard paper. Glue the paper face down onto the wood and then wash/wipe the paper away. The toner will then stick to the wood and give a really unique look. I wasn’t quite sure what a “wooden print” was before watching this but I may actually have to give this a try.