Printing

With the new Adobe Photoshop CC 2018, a new image enlargement algorithm, “Preserve Details 2.0,” came as an improvement over the previous upsampling algorithm that had been in place since 2013. The 2.0 version provides better details when it comes to preparing the images for large-scaled prints and potentially reduces the need for an ultra-high-megapixel medium-format camera for large prints.

Almost a year and a half ago, I undertook the most technically challenging photo shoot of my career. I was fairly proud of the results and the community rallied around it but Lee and Patrick have publicly criticized the image. This will hopefully settle the debate between us.

Have you ever wondered why magazine publishers and other printed material producers ask you to submit your images in CMYK color space instead of sRGB or Adobe RGB? If you haven’t thought much about the “why” before now, you might be interested in the tidbit of info in this video.

Are you starting to print your photography? Are you looking to sell prints for the fans of your work? This new video gives a great rundown of colorimetry, papers, and the value of the print.

Clients these days prefer to stare at your work on their phones rather than a framed work of art to pass on for generations. This is where the art of selling prints comes in to play. In just five simple steps learn how to take your print sales to the next level and see why once you start selling prints, you'll never look back.

How many megapixels do you need to print a billboard? Much less than you probably think.

Let's face it, these days most of us don't print the majority of our photographs. Typically they will live on forever on the Internet whether it be via social media, cloud storage solution, or your own website. In today's world, people rather compare sensor technology by pixel-peeping and zooming in to a photograph at 300 percent, criticizing the camera for not rendering a leaf out perfectly half a mile away on screen. What if we took a step back, away from our crazy magnification, and actually hit Cmd+p and looked at how photographs were meant to be viewed: printed.

Would you agree that no one likes the idea of the slimy used car salesman? Have you ever stopped to think about and analyze why no one likes that person? It's because that person has no vested interest in the product they're are selling or the people they are selling to. He or she has no interest in the customer or in the car. As a photographer, how do make money selling a service and product to your customers while never treating them like the car salesman would? The answer is pretty simple: take time to find the products that you're actually passionate about and then share that passion with your clients.

In this video produced by The Guardian, Australian Photographer Adrian Cook shows a reporter how he utilizes a mobile darkroom to produce striking images using the Collodion Wet Plate Process. It’s a short video but it has a wonderful tempo to it, mimicking the excitement one might feel when creating an image using this technique. It starts off slow and thoughtful, but the music builds towards an exciting crescendo while the plate is sensitized and exposed, then settles again as the plate is bathed, magically revealing the beautifully toned scene superimposed on the aluminum sheet.

This is a simple yet very personal and special project you can do at home for your clients, family, or your own walls. Traditional online canvas sales proceeding a photo session can be bland and impersonal. So if you have some time to spare for this project, it creates a connection like no other with your clients. I think of projects like this as the cherry on top of a photoshoot. It's one of the few ways to carry your artistic ability all the way through to the hard copy. This technique is usually used in the fine arts and street art world, so adding this to digital photography is a cool way to merge the two worlds. Essentially, with this you will separate your photo's ink from the paper to leave it floating in clear acrylic medium.

The importance of printing your own images cannot be understated. There are a number of reasons, but I believe that it mostly comes down to perspective. Currently most entry-level cameras have at least 24-megapixel sensors, however, most screens are full HD which is only around 2 megapixels in resolution. Even a 4K screen is only around 8 megapixels. Seeing your images on any screen can never truly express the image as effectively as possible whether that is due to the colors or resolution. For this reason, printing your images can not only improve your perspective but also help with regards to improving your photography.

Today I’m testing out a direct to aluminum print from Zor.com, which is supposed to bring out vibrant colors and incredible image clarity. The 3mm Dibond is fashioned from two thin sheets of aluminum, with a low-density core of polyethylene. This makes the print sturdy and durable, but also very lightweight. But to be honest, I’m awfully skeptic of printing on anything other than fine-art papers. Call me a conservative printer. Let’s find out if Dibond can change my mind.

In the age of digital photography, very few of the photos we take will ever make it to print. There is something special about holding a tangible print of an image you have created in your hands. Here are some great tips for how and why you should be printing more often to become a better photographer and literally enjoy your images in a new light.

When I first discovered ShootProof, I loved it. The idea of handling all of my file delivery as well as print sales from an online platform easily through my website was just amazing. But after a good amount of time, I grew frustrated with a couple flaws in their system that were deal-breakers for me. I then switched over to Pixieset and haven't looked back. Pixieset isn't near the giant that ShootProof is (yet), but ShootProof could take a few lessons from the up-and-comers.

Printing images almost became a thing of the past with the digital era. However more and more photographers are helping their clients embrace the idea of hard copies to hang on the walls rather than in a drawer on a flash drive. New mediums for printing are becoming popular as unique options compared to the standard print. Are you sure you are setting up your files correctly for the color shift issues with printing on these new mediums?

There’s nothing quite like being able to materialize your photography by printing a stunning, professional-quality print. From a business standpoint, it can also be quite profitable to cut out the middleman and produce your own prints for your clients. B&H has an incredible offer going on right now that makes printing your images easier and more affordable than ever.

Since the birth of digital cameras, there has been less need to print your photos. Many of the newer photographers have never printed or even sent their photos to be printed at a lab. Why should you if your audience is all online?

If your work never leaves the confines of a computer screen then you are seriously missing out. Some people might think printing is an indulgence, but seeing your photography in this way will actually benefit your career on many levels.

For decades, business cards have been the most popular way to share personal details for networking and self-promotion purposes. Whilst these clever introductory tools have traditionally taken the shape of a rectangular piece of paper, one young Singaporean wedding photographer, is changing the face of business cards with his innovative idea.

In today’s age, it’s safe to assume that more people are taking pictures with phones than with actual cameras. I’m not here to say that the practice is wrong or that it’s right. I am just here to identify Amazon’s number-one selling mobile printer so you can bring some of those images stored on your phone to life.

I stumbled across this video the other day and ended up watching all of it. It's a great talk on why there are still merits to printing our work in an increasingly all-digital world.

Some artists have dreamed about having their work on display in art galleries since they were young. Others dream of the fame it will bring the moment the doors extend on opening night. There are few inbetween that know the true reality that one does not always follow the other. So how do you know if having your art in a gallery is the right step for you?

A French photographer has shared the results of images he took with his own 3D-printed lens. Mathieu Stern, a freelancer, came up with the idea due to his passion for collecting cheap and unusual lenses.

Hanging a photograph from your wall will always have its appeal. Make that photograph the work of a famous and respected artist, and the appeal starts to rise. This is why well-established artists can demand such a high price tag for their work. But this entire process relies heavily on the person purchasing the piece to actually enjoy the art. If the photograph does not resonate with you, then it loses a lot of its value. With that in mind, would you buy a photograph without actually seeing it first?

Camera resolutions are soaring in recent years, with Canon unleashing a 50-megapixel DSLR and Phase One showing off the new XF 100MP back. The unending argument of why manufacturers bother with such resolution swirls around one thing: printing. Photographers argue that a higher resolution camera will produce a better print with more detail. Technically, that is absolutely true, but most photographers aren't printing much these days.

Spending countless hours on your client's gallery to present to them during the reveal means nothing if you cannot show them options to display. Creating the right line that works with your studio and brand to present to the client will increase sales, as well as referrals from that client. It is all about the workflow and how smoothly the process is during your sales session. (Codes for free gift at the end!)

Just when you thought Amazon's reach couldn't get any bigger, they've launched a new service: Amazon Prints. With competitive prices, it could be an intriguing alternative, particularly for those who are already Amazon Prime or Drive members.

Printing photos is a technical and complicated process, especially when it comes to getting accurate colors on paper. If you want to print your own photos, your monitor, the software you use, your printer, and the paper type should be in harmony to get the same colors and depth you create on screen. To make the color matching process easy and hassle-free, EIZO has created a software solution in collaboration with Adobe, Epson, and Canon: EIZO Quick Color Match.

It's been going on for decades. Film chemicals that coat the film and react with the various colors coming through the lens weren't made to cope with a diverse set of skin tones.

Nick Carver is no stranger to going big. Not only does she shoot big negatives on big cameras, but he's immensely passionate about printing and framing and making sure work both fills and compliments a space. In this video he goes through the process of scanning a panoramic 6x17 Portra 160 film negative, sizing up a space on the wall for the final 6-foot print, and even building a custom frame for it.

Online photo community Photocrowd.com, which recently launched a platform allowing photographers to create their own online store and sell prints of their work, has just gone public with a crowd-funding campaign. Fstoppers thought it was time to take a closer look at this community that’s drawing favorable comparisons with the likes of 500px and Flickr.

Color management can be one of the most boring topics to learn as a photographer, right up there with topics like digital asset management and accounting. They all have one thing in common, however: they’re important parts of being a photographer. Learning how to manage color doesn’t have to be difficult, however. Consider this your crash course introduction in learning how.

It's strange to think that I have been a photographer for over 10 years now, yet I have never printed my own work larger than an 8x10. Unfortunately we live in an age where sharing low res digital photos on social media has become the end all be all for the majority of our images. Recently I decided to celebrate some of my favorite personal photographs by printing them LARGE and installing them in the Fstoppers Studio. The resulting 60"x40" acrylic prints I made through WhiteWall.com has me wondering why it has taken me this long to install fine art on my own walls.

I'm generally not a fan of the opt-out model. It's an easy way to push unwanted features, changes, or price increases onto an end user, often without them noticing until it's too late. It's like someone slipping a steak into my all-vegetarian cart at the grocery store when I'm not looking. Unfortunately, Zenfolio just slipped a big T-bone into its users' carts.

If you have ever tried to create an album from an event that you have photographed, you know the difficulties that can come along with the creation process. If you have experience using Adobe InDesign, you are off to a good start and most definitely have full control of your album. However, InDesign is a complex program that takes time to learn and even more time to become timely and proficient with. A ways back while listening to a podcast I heard about Fundy Designer. Fundy is an all-in-one design suite that can be used to design, sell, proof, and print with ease. The application goes beyond album design and covers many aspects of your photo business, helping you focus on providing your clients with beautiful, timeless prints, along with a variety of other options to help your brand grow.

When Pixellu came out with its too easy to believe drag and drop album creator that synced with every popular album company's layouts, those who were not Mac users were certainly bummed to hear they would be missing out. But today, after Pixellu released SmartAlbums 2 for Mac, the SmartAlbums version for Windows is here and it comes at a generous $50 discount for those who have waited so patiently.

Why is my print dark? Why are the colors off? I believe we all found ourselves asking these questions inside our head (or worse, yelling at our photo printer!) during our first steps into our journey in photography. Monitor calibration is the solution, bad settings and bad color reproduction by the monitor are the culprit. Grab a cup of coffee or your favorite energy drink and read on, I'll tell you everything about it, what you have to do, what you gain, how it's done, and what you need to correctly calibrate your monitors.

In the digital age, we spend a lot of time in front of screens. Many of us retouch our own work, distribute it digitally, and even only have a digital portfolio. Some sell prints of client work, or fine art prints. And, some get published in magazines. In a past article on reinvigorating your love for the craft, I touched briefly on printing your work, and would like to expand on that today.

When your printer is telling you it's time to change that cartridge, it's probably fibbing about how much ink is actually left in the tank. The folks at Bellevue Fine Art Reproduction had an inkling that their Epson Stylus Pro 9900 large format printer was lying to them every time it said a cartridge was empty and since printer ink is one of the most expensive consumer liquids on earth per fluid ounce, that could equate to some serious coin being thrown in the trash with each replacement. Watch them go step-by-step, weighing the cartridges and calculating how much ink is left inside when the printer won't use it anymore. Not only can you see their results, but you can do it yourself at home with their instructions.

The darkroom has been replaced with Lightroom these days and many of today's photographers do not have the experience of processing their own prints the old fashioned way, much less anything larger than a common size. Here is a video from Norwegian photo assistant Oystein Gronvold which shows the process of producing a large 4x5 foot print in the darkroom.

Here at Fstoppers, we all know Canon makes some pretty cool cameras, but you may have forgotten they also make really nice photo and document printers. Canon realized that, in this digital age of Facbeook, Instagram, RFID devices, and Apple Pay on your iPhone, many of us have dramatically decreased or stopped printing things out. You know, things like photographs, tickets, business documents, and maps. Thus, in response, they started the "Never Again" campaign and made this hilarious series of videos to promote their PIXMA printers. Read below to watch them all.

Some photographers like that soft, ethereal feel as they specifically seek out types of plastic to stick in front of the lens, or even go so far as to buy defocus control lenses and LensBabies that will allow them to distort an otherwise true image. That has its value. But this isn’t for that. This is the new go-to guide for absolutely everything to know about how to get your images to be tack sharp. Get ready to dive in: this is a no-questions-left-behind study on sharpness.

A few weeks ago, I wrote an article pitting the venerable Nikon D800 against a lowly Nikon D40x in a portrait shoot. The purpose of the article wasn’t to see if the D40x was as good as the D800 (it obviously isn’t), but to ascertain whether a beginner would be better off getting something cheap to start out with than starting with a behemoth of a camera.

Electrophotography is a medium that was never intended to be used for photography. Electrophotography, later changed to xerography, was originally intended for use as a photocopier. This video follows Tom Carpenter as he uses the electrophotography method to create a portrait. The results certainly won't be putting Canon out of business, but they are interesting from a creative and experimental photography standpoint.

"A Book of Beards" is exactly what it sounds like. Dudes and huge gnarly beards documented in black and white by photographer and art director Justin James Muir. What started out as a simple idea, evolved into something much much bigger.

A lot of us became photographers not so much for the pay check but because we were passionate about photography. Still we all have to pay the bill and please our clients which means a lot of the time we have to shoot whatever comes our way. But every once and awhile we get the opportunity to do something fun and inspired like this creative collaboration by photographer Steve Shaw and painter Gregory Siff for Treats! Magazine. I know not everyone will get what these artist have to say and there will be plenty of trolling but when peers come together to create, how can we not want to celebrate the process?

In this age of an increasingly competitive photography market, we shooters need to utilize every tool possible to make us stand out in the pack. My buddy Matthew Jones has gone back to basics with his printed pocket portfolio. He has found that in a world of modern digital portfolios, these printed books allow prospective clients to not only have something that they can take home and remember his work by, but it even easily fits in their pockets! Jones shares his thoughts on the benefits of having a pocket portfolio below.

Yes, the instant print camera popularized by the one and only Polaroid is back and in a new form factor for 2015. The long awaited Socialmatic doesn't use film but rather snaps and shares your photos via the web and social media options along with delivering nifty adhesive prints of your photos. Wrapped in an Android based OS that shares to Facebook, Twitter and of course Instagram, I'm interested in seeing how people respond to its release come January.

Each year, TIME Magazine picks and highlights the best photography books of the 12 months prior. This year, they’ve put a special focus on the growing trend of bucking the traditional publishing system as many of their choices fall in the realm of self-publishing and self-promotion. This was made most evident when many of TIME’s editors picked the same book for the top spot, Magnum Photographer Peter van Agtmael’s self-published Disco Night September 11, an often brutal look at America post-September 11.

Flickr's tumultuous history has been well documented over the years, but this photo sharing site has been fighting back with revamped designs, generous storage for users and new photographic services. Among these initiatives is a new Wall Art service, allowing users to make prints from a mind blowing 50 million freely-licensed Creative Commons images as well as Flickr hand-selected collections. While this service provides an opportunity for photographers to have greater exposure and to make money from their work, some are very upset with how their photographs are being treated.