Canon's EOS M was a good first-try mirrorless, compact APS-C camera that fell a bit short. After withholding the EOS M2 for other markets, the M3 comes to the United States after two generations of much-needed improvements. Those features, however, just might launch the platform into best-in-class territory -- at least on paper.
Canon's rumored 35mm follow-up is finally here. Apart from the obvious general increase in quality with the standard aspheric and ultra-low dispersion elements, the new lens specifically promises to further reduce chromatic aberration (important for wide-aperture lenses) while being the "ideal complement to the latest generation of Canon's high-resolution DSLRs" (i.e. the 50-megapixel Canon 5DS and 5DS R cameras).
It seems that every week a new camera bag hits the market, and while the majority are stylish and functional they all have one unifying trait. They all seem remarkably masculine in appearance. Whether this is a reflection on the industry of photography as a whole (seeing as men outnumber women) the fact of the matter is that there isn't a whole lot of selection for women... until now. Introducing, the Cologne camera bag/purse by Pompidoo.
The tripod is an essential piece of gear for many photographers, and as they become lighter and more portable they become less of an inconvenience to carry. Gitzo has just released a sleek-looking line of travel-friendly tripods that aim to be smartly compact while increasing stiffness and performance over previous versions.
The Feiyu 3-Axis Wearable Gimbal is a miniaturized version of Feiyu's handheld gimbals, offering motorized 3-axis stabilization in a compact, wearable form factor for the latest GoPro and similar action cameras. Designed with flexibility in mind, the FY-WG features 1/4"-20 threaded holes for horizontal, vertical, or inverted mounting onto a variety of support devices. It can also be used with any accessory that uses the standard GoPro three-prong mount, letting you capture all of the immersive action camera shots that you're accustomed to, but with full motorized 3-axis stabilization.
We love photography. We love gear. And we love this guy: New York City-based headshot photographer Peter "Shabang" Hurley. So when B&H put out this episode of, "What's in Your Bag?", featuring Peter and his kit, of course we were going to watch and post it with all the same excitement and exuberance that Peter himself puts into everything. Watch as Peter tears through his bag to reveal his set-up while running down what gear he uses and why.
Ricoh recently refreshed their flagship Pentax K-3 DSLR camera with the Mark II version featuring an eye-catching bump in specs and abilities. These new additions, including built-in GPS, AstroTracer star tracking, and Pixel Shift Resolution in the $1,035 K-3 II are really pushing the meaning of “bang for your buck.” In particular, nature photography enthusiasts should really be paying attention to what Ricoh has created here. In this review I cover how the camera performs shooting nature, landscapes, and wildlife to determine if this feature-rich DSLR is an underrated trail boss that deserves a spot in your pack.
Nikon's newest AF-S 24-70mm f/2.8E ED VR isn't any ordinary lens. Aside from the obvious addition of VR, the lens features a number of other features, including a new 82mm filter size and increased weight. While it's hard to consider those last two qualities "features," if you thought it was a bit odd, you were right. There's a reason behind everything -- and the reasons behind the design changes prove this might be a lens to think on more than you otherwise would. It also starts making that hefty price tag feel a whole lot cheaper.
While this is more than your average lens announcement on all counts, Nikon's updated 24-70mm f/2.8E ED VR with electromagnetic diaphragm and vibration reduction technologies certainly reigns supreme on fans' hit lists of lens replacements for 2015. Meanwhile, Nikon's 24mm f/1.8G ED fits snuggly between the 20mm and the 28mm variants of the same range, filling a final gap in an otherwise perfectly covered potential f/1.8G video lens kit. The 200-500mm f/5.6E ED VR gives lovers of the refreshed 80-400mm f/4.5-5.6G something to think about with its combination of extreme affordability and extra reach, despite its narrower wide end.
You may have heard of "Skyfire" last year, a web-based platform that used custom weather forecasting models to predict the best times to shoot sunrise and sunset. Now, there is a new mobile app available for iOS that uses the Skyfire platform, called "The Photographers Ephemeris," that brings this service to a new level.
Metabones, best known for their magical lens adapters that actually make cameras more sensitive to light, has added another adapter to their micro four-thirds lineup. Along with this new adapter, (aimed at users of the Panasonic GH4) autofocus functionality will now be available for certain Canon adapters as well.
Ultra wide-angle lenses are a staple for landscape photographers but most cannot accept a regular threaded filter due to their protruding front glass elements. As such, photographers need to use a filter box which clamps to the outside of the lens and holds a large glass filter in place. Thus far lenses like the well received Tamron 15-30mm f/2.8 have not had many options. That is until I got my hands on this new filter system from NISI.
Whether you’re just starting out in product photography and are trying to figure out where is the right direction to head, or have been in the business for a long time and want to hear another professional’s perspective, this interview with Tony Roslund is going be well worth watching. From starting up and getting his first clients, to maintaining relationships with those clients and running a business, to establishing a style and making an impression on potential clients, Roslund’s stories and experiences that he shares are a perfect mix of interesting and informational.