Camera theft is always a concern to photographers. Unlike many electronics that connect to the internet or cellular service, cameras that are stolen are inevitably gone forever. There is no deactivating, no locking, and no real recovery methods (CameraTrace & Stolen Camera Finder aren’t perfect). However, Nikon is looking to change this, with password protection of your gear. [more]
500px took the industry by storm in 2010 when it was released to the public. It seemed to have all the best parts about flickr, without the messiness. Since then, it has grown to be among the most popular portfolio websites available for photographers, and they’re about to do another overhaul, at a price of course. [more]
While walking the floor at WPPI, there was one item we kept seeing over and over again: the MeFoto tripod. It seemed like everyone had one, and we had never heard of the brand. So we spoke with the guys at the MeFoto booth who agreed to let us test them out. Now after using all three sizes of MeFoto tripods, I can see why they were everywhere: they’re excellent. [more]
Camera stabilization is always a tricky game, with no easy solution. Cheap stabilizers are often difficult to balance, and expensive ones are often bulky, and make mobilization a problem. Introducing MōVI by Freefly, a stabilization system that is expected to change the DSLR movie scene forever, and its already got award winning videographer Vincent Laforet’s stamp of approval. [more]
The Einstein E640 strobe from Paul C. Buff is compact, light weight unit capable of shouldering studio work yet portable enough to take on location. The unit weighs in at four pounds and because it is self contained, it does not require a battery pack which cuts down on gear bulk.
I shot around with the Einstein 640 and the 86 inch PLM (parabolic light) umbrella in studio to test the products and see how they stacked up in my work flow. [more]
As many of you know, Google+ has quickly become one of the top social networks for photographers. There is something beautiful about how the photos are displayed and how they scale as you roll your mouse across them.
When Google purchased Nik software in September, photographers were left wondering how the tech giant would assimilate Nik into its fold. It was clear that the company was lured by Nik’s mobile editing software Snapseed. Yesterday, Google, which had been mute on the subject since the purchase, unrolled a retooled suite of Nik software tools at a heavily discounted rate — $149 as compared to $499. [more]
There is no doubt Adobe Lightroom simplified the post processing workflow for photographers and retouchers since it came out. The simple layout, the easy to use sliders and the useful presets – all made post processing a much better experience. Then came Paddy, a personal code project by Dorfl, and made the process even easier. OK, not just easier – but way cooler. Paddy connects a MIDI Controller Desk to Lightroom, and lets you edit the photo directly from there. [more]
There are a few companies out there known for high-quality medium format digital solutions. But few are as highly regarded as PhaseOne, whose popular ‘won’t get crushed by an elephant‘ and various freezing and heating Youtube videos helped people see its products’ durability. Today, they’ve sent a round of emails announcing their revised IQ series, offering wireless capabilities, revamped sensors, and top-of-the-line 16-bit image production with 13 stops of dynamic range… [more]
The 35mm focal length is one of the most popular primes made, probably only second to the 50mm if second to anyone. It’s popular because it is good for so many things, making us feel like we have to own fewer lenses to capture more amazing images. Most of you know that I’m very attached to my Sigma 35mm f/1.4, but when shooting with Canon’s new 35mm f/2 IS, I did my best to remain objective. [more]
Magic lantern is by far the best thing to happen to the DSLR cameras. It offers so many options not given to you by the normal Canon firmware that it should be sin not to install it. This is a quick little walkthrough on how I use ML for easy, accurate free-lensing. [more]
I’ve always been fascinated with underwater photography. As you may recall, I even featured some of it from Nick Pugay last month. Not only is underwater photography incredibly complicated in terms of lighting, but its incredibly expensive too. Outex is looking to change that with their new underwater kit, but they need your help with their latest Kickstarter project. [more]
Photobooths have become a standard attraction at any big shindig and snapshots of people wearing mustaches and funny glasses on sticks have become the norm. So what is next in the evolution of photoboothing inebriated party people?
Meet PHHHOTO, a party guest that would be sure to draw a crowd. With it’s animated & social sharing appeal, this looks to be a cool step into a new way of shooting and sharing party partakers. What could be better than shooting a GIF, putting it up on a cloud via iPad and share with everyone to see? [more]
Often, we’re talking about the latest and greatest camera body or lenses to help our photography business flourish. However running a photography business requires many more tools than just a fancy camera, lens or even lights. We are all using other tech tools to help us manage our lives easier, and run our business more effectively. So without further ado, here is the list of seven tech items all photographers should be using. [more]
Do you like to remotely trigger your camera? Do you also like iPhones? Enter Satechi’s BT Smart Trigger. For $44.99, this little guy will happily trigger your camera’s shutter via Bluetooth. It also works as an intervalometer, meaning you can time lapse with the greatest of ease…in between Angry Birds Star Wars. At the moment it only works for iPhones and Canon DSLRs, although they are planning to add compatibility with the Galaxy SIII and the Galaxy Note 2.