Slow motion is, certainly, one of the most beautiful cinematic inventions of all time. It can show us so many things that are not normally visible and can make any "normal" scene look magical and unique. For the past few years the slow motion technologies have continued to improve, and just last year the Phantom Flex4K Digital Cinema Camera was announced introducing some groundbreaking slow motion abilities like shooting at 1,000fps at at 4K resolution. Shortly after its release, Director Brendan Bellomo and cinematographer Greg Wilson got their hands on the camera and took it for a test and created this beautiful video called "Let Me Know When You See Fire."
What happens when two filmmakers get together, fill a suitcase with camera gear and hop on a plane? In the case of Preston Kanak and Brent Foster, a great work of digital cinema. With only a rough idea of what they wanted, much was left to chance as these two spent 8 days in Havana, Cuba. Read on for the final film and some insight from the creators.
EOSHD shared this video shot with a pre-production Panasonic GH4 (now available for preorder) at 96 FPS. In our previous posts about the newly announced GH4 we've been pretty excited about a 4K video camera system with a sub-$2,000 price-tag. This camera is poised to give the more expensive systems a real run for their money and with features such as 96 FPS recording there's even more reason to consider adding this to your bag.
After working with lightweight, compact jib options for DSLR sized cameras, I decided to check out a more affordable and durable option. In this review I’ll show you a sample of the footage from the Taurus Jr. Heavy Duty Jib, and point out where it rocks and where it could be better.
Last week Jerusalem had one of the heaviest snow storms ever recorded in the region. Media outlets called it a "Historic Storm" and "Biblical Snowstorm," and thousands of people lost power and got stuck at home. Some even got stuck in their cars on the highway. This didn't stop photography student Nitzan Yogev (24) from going outside, hopping on the light-rail train and recording one of the most captivating snow videos I've ever seen - and all shot on the iPhone 5s.
YouTuber Mark Rober, the guy who brought us a creative DIY Rotational Filming techique using a GoPro, has taken it 10 steps further with the help of a NASA engineer. Obviously we won't see photographers building rigs like this in their studios but it's a damn nifty idea. Check out the video in the full post to see their, more entertaining, failed efforts with Dustin from Smarter Every Day.
There is something magical about having your 2D photos seem like they're actually 3D. It brings them to life in a way none other method can. The depth, the complexity and the subtle movements give your regular 2D photos more meaning and context, and it makes the viewer focus on the image much more than normal. Joe Fellows is a master of the 2.5D (Parallax) Effect and in this short video he shows you everything you need to know to make this effect yourself on your own images.
The new iPhone 5s sure has left a resounding first impression on consumers since its launch date on September 20th. Now, with the smartphone favorite out of stock and not available for shipping until October people are starting to release photos and video taken with the iPhone 5s. One major upgrade is the new sensor on the iSight camera and its ability to take video clips at 120 frames per second in 720p. Below are the first few glimpses of Apple's new achievement in smartphone technology.
Salience is the name of the five minute short that will probably be remembered as one of the most innovative, experimental (and beautiful) short films of the year. If you do one thing today for your inspiration, please spend the next few minutes checking it out and you'll see what I mean.
It wasn't that many years ago when our very own Lee Morris took me on one of his wedding gigs and totally opened my eyes to what wedding photography could be. I had this idea in my head that weddings were boring, cheesy and a photographic cinch to shoot. But when Lee introduced me to the idea of setting up killer seamless white photo booths at receptions, I realized they could be
Yesterday a colleague Pratik Naik posted a gif of an interesting phenomenon, which coincidently illustrates an issue I have been having (at least it appears to be). When you shoot a job with thousands of images it’s sometimes paramount to quickly view and flag or pick the good ones. Some people even start with quickly rejecting the bad ones. This .gif is a good reason why you shouldn’t start with deleting the bad ones.
Sometimes the greatest tool for creating unique movement is your own body. Using human-powered camera moves, an aggressive color grade, and high-speed cameras, the final video in the full post is definitely worth a watch. In this behind the scenes video, Sebastian Linda explains how his vision came together using a high speed camera to create a fascinating 'dream world' of skateboarding.
Throw a party, toss in 11 kegs of beer and a photo booth with a Phantom Miro shooting at 1500fps and what do you get? The guys over at Bruton Stroube found out and I have got to say I can't wait to be part of one of these events. I could not stop smiling while watching the video and all the fun setups they put together. I imagine being there must have been an unforgettable night. Then again with 11 kegs of beer maybe no one actually would have remembered what happened if it were not for the video evidence.
Do you remember 14 years ago when the Matrix came out and blew some of our minds with filming techniques? One of the most ingenious scenes at the time was the wrap around bullet shot where the camera spun around the actors on a large dolly while they were suspended in mid air. Popular Youtuber Mark Rober has come up a really simple and cheap way to replicate the rotational filming effect of that scene.
To see more of his creative videos, check out his channel.