Robert Seale is a high end sports portrait photographer who was recently commissioned by Sports Illustrated to photograph Evan Longoria of the Tampa Bay Rays. His attempt to create something unique and a bit off-kilter involved using a huge 8′x5′ piece of Plexiglas that was 1.25 inches thick and 400 pounds. He then set the huge piece of Plexi on a 5 foot tall frame of scaffolding. Using a couple of Profoto Pro-7B strobes and a unique ‘below the player’ angle, Robert was able to create this photograph for the magazine. The concept and image are fantastic but unfortunately the BTS video is just a timelapse. If you have a hard time imagining what is going on in this video, head over to Rob Galbraith’s post for a traditional write up.
Allstate created a pretty clever advertising campaign for motorcycle insurance that showed super slow motion motorcycle wrecks without their riders. Their tag line is “Bikes never crash alone.” I think this ad makes a really strong statement without being gory. Check out the BTS below and the finished product in the full post.
Novak Djokovic is currently ranked alongside the top tennis pros in the world. Only a crazy person would put his life and talent in jeopardy…but that is exactly what Head Tennis Racquets have done for their Untek IG Speed MP racquet commercial. The full commercial is really awesome with mysterious briefcases, seductive women, vintage prop planes, and music straight out of a Tarantino film. As far as I can tell there are no special effects here just lots of conjones by Novak and his tennis trainer.
I remember seeing this video a long time ago and really enjoyed it. Maybe we thought it was not educational enough to post it but after watching it again I think it’s worth sharing. For those of you who have not already seen this short story, the Dark Side Of The Lens is a poetic journey into mind of surf photographer Mickey Smith. The cinematography is outstanding and the locations are breathtaking. It’s this sort of presentation that truly makes me appreciate what we all do as artists.
Lately there has been a trend of showing super slow motion videos slowed beyond the native frames per second the original footage was shot on. We love the results of Twixter but nothing can compare to seeing the real thing especially when combined with an extreme sport. The BBC has a great DVD on the South Pacific which features some amazing underwater slomo camera work of waves crashin, and this short surfing clip was the highlight for me. Rudi Diesel shot this on a Typhoon HD4 which at the time could do 500fps at 7 seconds or 1000fps at 3.5 seconds. If you enjoy this segment, check out a longer clip from the documentary in the second clip below.
I can’t tell you how many photographers I encounter think being successful has to do with being at the right place at the right time. Sure a bit of luck on your side always helps, but if you are looking to quit your day job to become a professional photographer, increase your photography income over last year’s earnings, or catapult your career as one of the industry leaders then you need to work hard and work smart. The guys over at Photoshelter sat down with professional photographer Brian Smith to talk about what it takes to push your career to the next level. You simply can’t wait for your big break, you need to create them.
Yesterday I got an email from one of the Red Bull brand managers inviting me out to 2010 Illume Photo Exhibit here in Charleston, South Carolina. Illume is a traveling exhibit where dozens of images from the world’s best action and extreme sports photographers are displayed on huge 6′x6′ backlit panels. I have to say it was one of the most interesting photo displays I have ever seen, and the winning photos are nothing short of spectacular. The next stop on the tour is Miami, Florida but you can check out the images and future tour dates at Red Bull Illume Online. Also, check out this BTS video we posted last year of one of the winning images.
Harry How is a sports photographer without any prior photography training. With hard work, determination, and a pressing urge to create images that hold up against his peers’ photographs, Harry now has a career shooting for Getty Images. In this video Harry explains in detail what it takes to make the transition from hobbyist to full time professional and outlines his gear and little tips throughout his own transition into a sports photographer. If you enjoy this type of candid interview, be sure to hit the full post to watch part 2 and part 3 of this video series.
In the video below Jay P. Morgan shows us the setup for his latest sports image. Using a special body harness, the goalie is able to move in a very realistic way without the potential for injury. As always, Jay does a fantastic job of also breaking down his lighting scheme.
This is such a crazy idea and as I was watching the video I kept thinking about ways why this wasn’t going to work. Well I was wrong. Scott Serfas had an incredible concept and he created an incredible image from it. More info and the final image can be seen here.
Mike Tittel takes us behind the scenes of his most recent photoshoot at Salt Lake Swimming and Tennis Club. This video is beautifully filmed and edited and I’m sure you will take away some great concepts and lighting ideas.
Thank goodness for the GoPro HD or else this viral video wouldn’t exist. If you are ever near a cliff, make sure yours is recording too.
Earlier in the week I posted a video featuring commercial photographer Monte Isom photographing comedian Colin Kane. We’ll it turns out Monte has been filming great behind the scenes videos of his photoshoots all along. In this video Monte shows you not only how he created the fun ad campaign for the EA Sports FIFA 2010 video game but also how he secured the job in the first place! It’s really great to see photographers like Monte having a good time on their shoots and also showing exactly how they took a concept, pitched some images, and ultimately won the bidding war to secure a high end project. If only every photographer would be so open with sharing their success stories we might have more videos like this. Monte gives some exclusive insight on the shoot and the final image on the packaging in the full post.
Jay P. Morgan just sent his newest video over to me and it is once again top quality. Jay was commissioned to create a professional looking image from a drawn composite and he takes us through each step of the process. The entire project is really amazing but my jaw is still dropped after seeing his lighting setup.
Our friend Tyler Kaufman from New Orleans is a young sports photographer who had the opportunity to go and photograph Super Bowl XLV. Understandably, he was so busy shooting that he didn’t have time to create a proper behind the scenes video on what it must be like shooting one of the largest sporting event in the world. Luckily for us, Max Morse was able to make a video showcasing many of the Sport Illustrated photographers in attendance. During our own interview with David Bergman, an SI photographer also in attendance of the big game, I learned that sports photographers do not simply show up and try to frantically track each player and each play for the perfect shot. Instead they are stationed in strategic spots which allows each photographer to cover their section of the field and specific players….assuming the play does come in their direction. I’ve always thought shooting sports at this level must be extremely difficult, and that might be why I have such respect for great sports images. Click on the full post to see a video on Tyler’s experience in Dallas!