Strobe light

Hair photography can be a pain to shoot. Having a good hair stylist is incredibly important to make sure you don’t end up spending more time than you should behind the desk for the retouching. When it comes to hair, you’ll already have to spend more time than you’ll like.

Godox is back at it again, this time offering Photokina a sneak preview of a soon-to-be released portable round head speedlight, offering a direct competitor to the Profoto A1.

Interfit, the well known maker of studio flash units and flash accessories, has announced today the release of their new battery powered strobe the Badger Unleashed.

I have been a photographer for almost eight years, and to be honest, it has not always been fun. No career path is without its ups and down, and certainly, the creative industry is no different.

The Profoto B10 is here, and it's one of the most exciting advancements in lighting that I've seen in years.

If you are relatively new to flash photography, you have likely heard of high-speed sync, but might not understand it. Here is a full explanation.

After Sony, Canon, Nikon, and Olympus, it’s now Fuji’s turn to get access to all advanced Elinchrom features such as HS, HSS, and TTL.

Profoto just released a teaser video announcing a new product is about to be released. It may well be an updated B2 or a baby version of the B1X.

For a hobbyist or someone just starting out, the cost of renting your own studio space can simply be too much or something not yet justified by the amount of time you spend on photography. This great video shows how one photographer made a studio space out of a small room in his New York apartment.

When photographing commercial interior images, a common issue is an unsightly glare on reflective surfaces. Removing these reflections by compositing image layers significantly improves your images, separating you from the pack of "run-and-gun" real estate and interior photographers.

High-speed sync is a super useful technological advancement in flash technology that makes life a lot easier for photographers using strobes, but that doesn't mean you should always use it. This helpful video will show you some situations where high-speed sync has an advantage and others where standard flash should be your choice.

Name brand speedlights — like a lot of things in photography — are absurdly priced, and although they carry the big brand names, they also lack in a number of key areas versus the lower cost, third party alternatives. Take a look at my reasoning for steering clear of the big camera manufactures brand speedlights.

Beauty can be a lot of fun to shoot and it’s fun to find different ways to light a face in a flattering way. We might not be perfect in real life, but on camera? On camera we can be as perfect as the lighting setup and editing allows us to be! Magic? No. We still need gorgeous models but a great setup certainly helps.

Colors are very important in a composition and should be considered at the moment of capture. When shooting in still life, for example, gels can bring a good shot to the next level as Dustin Dolby from Workphlo shows us in this video.

Trying to replicate certain looks, especially from our favorite films, is a great way to enhance our skills as photographers, but it's not always as easy as it looks. Gavin Hoey from Adorama TV gives us some great tips on how to light a scene like a film noir.

Earlier this year, I reviewed the Elinchrom ELB 1200. It has become one of my most used lights along with the ELB 500 TTL. However, quite a few users missed the possibility of using the unit as a power pack in the studio instead of relying on batteries.

Canon, Nikon, Sony, Fujifilm, Olympus, or Panasonic, it doesn’t matter what system you use with Elinchrom anymore. All of these are finally or extremely close to being compatible with TTL, HSS, and Hi-Sync.

Although I've been shooting weddings for years, I've always done bridal portraits as a "day of" service. In Colorado, there wasn't much of a market for bridal portraits before the big day. Now that I've moved to North Carolina, it's an entirely different ballgame! Pre-wedding portraits are big business down South. So, how can you separate yourself from the pack? Well for starters, take advantage of the fact that you now have one resource that isn't on your side on the actual wedding day: time.

Elinchrom is joining forces with Red Bull to offer the best action photographers with reliable and robust flashes. It will translate into more behind-the-scenes content and inspirational content for all of us as well.

As is the case with most photographers, I have my usual go-to light modifiers that I know are a safe choice and can guarantee usable shots. However, sometimes, you need to step out side the box.

I recently got my hands on the new Tamron 100-400mm zoom lens and wanted to try a unique portrait idea. Unfortunately, this photo idea involved wind, tides, fast moving kiteboarders, and the ocean. What could go wrong, right?

Mark Wallace from Adorama has produced another great video regarding light in photography. The capture of light is the most important part of photography, and in essence, the light you use will define the look of the photo and define your photographic style.

Light is the most important thing to photographers, it’s our job to recognize it and shape it to help us tell our story.

In the evolving world of photography lighting, it can be challenging to know which lights and modifiers are best suited for maximum impact in different places and situations.

Natural light photography has swelled in popularity as sensors improve, but the persistent battle between off-camera flashes or strobes, and just using available light continues. This video shows Manny Ortiz going head-to-head with Jessica Kobeissi to highlight the differences.

For years photographers and YouTube commenters have been telling us that in order to get the most out of our Profoto B1 and D1 lights, we need to add the Profoto Frosted Glass Dome to our strobes. Today I test this add-on to see if it makes a difference at all, and the results are surprising.

The Elinchrom ELB 1200 is the almost perfect battery pack for any photographer who shoots with flash. Powerful but not too cumbersome to carry, it has a lot of features to seduce you! Find out through this review if it has a place in your kit or not.

When you're first starting out with flash photography, one of the most fundamental skills you'll need is the ability to balance ambient and flash exposure. This great video will show you how to do just that so you can achieve the exact results you envision.

Achieving soft, directional light outdoors can be difficult. Sure, you can use an overcast day for soft, natural light, but often, this will not give you the most flattering light on your subject's face. In this video, we use my largest light modifier to see how you can turn an overcast day into a professional looking catalog image.

If you are under 30 and looking to step up your photography game, here is your chance: Broncolor is launching this year again its Gen NEXT contest.

When it comes to shooting portraits, photographers almost always reach for an 85mm lens or even the 70 - 200 mm lens. As great as these two lenses are for portraits, they often fall short when trying to capture an environmental style photograph. In this video, I'm going to show you the most widely used lens in my camera bag and how shooting wide angle can sometimes create a better photograph than shooting telephoto.

Just when you thought zeroing in on, and staying put with the copious amount of camera and lens options was enough to alone cause sleepless nights, you then discover this wild world of high power flash photography. Good news is help is indeed on the way, depending on your needs as a photographer one of these three advanced flash options will get the job done.

When I first started shooting flash, I would lug my big studio lights and battery packs from location to location. But after a while, this became such a hassle that I stopped doing it. I instead settled for using a hot shoe flash or just shooting with no flash at all. But this may change now that Elinchrom has the new ELB 500 TTL. Not only does this light offer a significant increase in power compared to a traditional hot shoe flash, but it also does it with a much smaller package than standard studio lights while maintaining the benefits of TTL and HSS.

On-location photographers have a new piece of lighting gear they’ll want to look into. Elinchrom just introduced the ELB 500 TTL with high-speed sync, active charging, a built-in Skyport trigger, TTL, and 500 Ws of power.

Lighting can be a major pain in the ass and that is especially the case if you're not a technical person, like me. After picking up the camera 7 years ago I am still constantly learning about the many different aspects of lighting.

The first time I shot in this style was accidental to be honest. I'd love to say it was an artistic epiphany but sadly the truth of the matter is that I was too darn lazy to close the windows. However when I took the test shot, I realized I absolutely loved the effect! To think that I was rewarded for my lazine...err....creative moment of clarity!

Most photographers have a tendency to light their subjects from the same side. I personally like to set up my key light on camera right and I also always have my subject look toward that light. Not today.

The lust for better photo gear is something every photographer struggles with. In our photography industry, many people swear by the quality of light of this brand verses that brand, but in the end isn't light just light? In this video I create a classic beauty lighting setup with $10,000 worth of lighting equipment and then replicate that same setup with only $425 worth of lighting equipment. Will they look the same? This is the Rich Photographer vs Poor Photographer lighting test.

Patrick and I decided to create a video series where we compete to see who can come up with the best image based on a set of randomly chosen rules. This week, one of us got to use an iPhone and the other had the entire studio at their disposal.

The Godox AD600 Pro Strobe was recently announced to the public. Having myself recently shifted from a fantastic (but also pricey) pair of Profoto B1s to jump into the Godox (Flashpoint in the U.S.) system, I took notice.

One way to spice up your photography is to add gels to your lights so you can produce colorful and edgy looking imagery. Adding wild colors to your photos can offer a lot of creativity but gels can also be used in a much more subtle fashion to slightly alter the color of your background and sky. In today's video I want to share two simple techniques I use to help make my backgrounds on location look more interesting.

I can still remember the first time I saw the effects of bounce flash. The soft natural light looked unlike anything I had seen from my little point and shoot's direct flash, and the resulting image looked so natural. Soon afterward I was introduced to off camera flash and a variety of light modifiers. The results between all of these lighting techniques were not subtle and I became obsessed with finding my favorite tools to light people. In today's video, I explain how one single flash both on and off camera, and a few light modifiers can give you the perfect light quickly and easily.

At first, you could wonder how a hairstylist found inspiration in deep sea creatures and avatar to make a collection. But then, when you see the actual looks and how a talented photographer such as David Sheldrick can make the most out every element to create masterpieces out of it, you actually start to hate yourself for not thinking of it earlier! This is probably the most stunning project I’ve seen in months, and I’m blown away by how much talent there is in these frames.

Flash duration is one of those terms you hear in the world of flash photography but may not know exactly what it is, or why it matters. It’s really quite simple, and pretty much exactly what it sounds like. The measurement of time from when the flash begins to fire until it’s completely off is what’s known as flash duration. Like a light bulb filament slowly burning off when it’s turned off, a flash tube does the same thing, but much quicker.

While our brains are conveniently set to auto white balance and our eyes view a properly adjusted color temperature, our cameras, try as they may, are not quite as advanced and sometimes rely on us to provide assistance to them. For our image color and tone to be as accurate as possible, we have to command control of this setting ourselves.

Within a couple of years, Godox has grown from a small Chinese flash manufacturer no one cared about to a brand that most photographers know. Their products are affordable and offer what most of us need. They are far from being in the high-end market and able to rival the Europeans that are Profoto, Broncolor, or Elinchrom, but that may be changing. At least, the leaked page of the AD600 Pro seems to indicate that Godox is learning fast and improving its products.

Depending on your project or assignment, commercial photography can allow for some creativity to be added to the photo. Creating splashing in the background or even having the splashes hit the product or subject can be one way to add some interesting factors to the shot. How would you set up the shot?

No matter if you photograph headshots, weddings, portraits, or sports, one of the most important skills you can have as a photographer is picking out interesting yet non-distracting backgrounds. Many photographers prefer shooting with fast prime lenses but in today's short photography tutorial, I'm going to show you why I prefer the power and versatility of a telephoto lens.

Since TTL and other fancy features have been introduced to strobes, flash manufacturers have had to develop a different remote for each camera brand. Profoto and others have tried their best to offer as much choice as possible, but the Fujifilm compatibility was lagging behind. A few days ago, Broncolor announced their RFS 2.2 for Fuji would arrive before the end of the month, and today its Profoto turns to introduce its Air Remote TTL-F.

The only times my strobes see the light of day is when they are facing down onto the surface of the water from poolside for my underwater work. In the studio, the amount of natural light that fills the space has created a look and signature feel to my images. However, I started to wonder if I was just taking advantage of this light and not truly challenging myself to the work that can be created using a strobe light.