Last week I did a photo shoot for Leo's Wisdom, which is a company that makes handmade, high end jewelry. The purpose of the shoot was to provide the client with product shots and lifestyle images for their promotional needs. Their mood board for the shoot was filled with images depicting lush locations and high society. But we were shooting on a rainy day in Columbus, Ohio. So we made lemonade.
You submit your assignment images each year as a staff photojournalist at a major newspaper and never place in the prestigious Picture of the Year International competition. Then, years later as a freelance photographer, you win first place for a body of work that was undertaken solely as a personal venture. This is the story of Bob Croslin's self-assigned "Grounded," a portrait project of injured birds undergoing rehabilitation at a sanctuary in western Florida.
NYC-based commercial photographer Kenneth Volpe sat down with the good folks over at Profoto to give some insight on the way he lights his images and a bit of his philosophy when it comes to his photography business, Transposure. With Bachelors and Masters Degrees in Engineering, Kenneth is a guy that definitely understands fine light and exhibits it in the way he makes his photos. Check out the full write up over at
Posing multiple people can be a difficult task as it is, but throw in parkour performers into the mix and the shoot can quickly become tedious, but if done correctly the results can turn out nothing short of amazing. In this video Benjamin Von Wong walks you through the lighting set up he used to bring a three dimensional feel to the photographs. He also explains the different composing techniques he uses to get the posing and composition spot on for the shoot.
Since last November I have been shooting a photo series titled 'Comedic Value' which consists of NYC comedians shot in NYC locations for NYC charity, Art-Start. Of the 25 comics featured in the project, 1 of my favorite shoots was with Jim Gaffigan and his fantastic family. When discussing concepts with Jim, he mentioned that he needed a shot of him and his kids for his new book, 'Dad Is Fat' which will be out next month.
Pegboard is such a fun material to use when experimenting with lighting. You can change the shape of the light pattern by changing the distance of your light to the pegboard and the distance of the pegboard to your subject. We posted previously about how you can use pegboard to construct an entire backdrop. In this week's diagram I will show you how I used one speedlite and a small strip of pegboard to shape the light in my shoots.
Just the other day a buddy introduced me to hypersync via this video from PocketWizard featuring Chris Garrison. Hypersync is technology in PocketWizard FlexTT5's and MiniTT1's which enables you to sync your camera with big studio strobes at speeds up to 1/8000 with certain setups. PocketWizard has more information on hypersync over at their site. This video is pretty long (over an hour) but Chris walks you through several of his setups as well as talks about how he got his career to where it is now.
Recently I have been wanting to do an avant-garde hair shoot. I just needed to find the right stylist to work with. A few weeks ago I met Devan Aledia Ford who is a fantastic hair stylist. When I told her about my desire to do a stylized hair shoot, she took the idea and ran with it. She conceptualized a spring-themed, fairytale-inspired shoot. She even styled the wardrobe and did the makeup (never underestimate the power of a great stylist).
Have you ever wondered how dance companies and productions get those amazing photographs of their artists in perfectly posed dance stances? Well, Benjamin Von Wong has recently thrown some light over the intricate process of lighting and shooting a complex dance campaign.
Photographer Kenneth Cappello is known for his celebrity portraiture, his advertising work for Nike and Puma as well as his flashy editorial work for Nylon, GQ, Fader and Vibe. Cappello shot musician/DJ DeadMau5 this past month for Vibe Magazine, and, lucky for us, also shot a little BTSV to give us a peek at his process.
As a wedding photographer, I run around a lot and need to be ready for any moment. Because the day of a shoot can always bring surprises, I have a motto of always being prepared with extras of everything. Usually this means my assistant or I lug around a bag or two with extra flashes, batteries, and other accessories. I'm always looking for things to help me smooth out my work flow and make any wedding day easier to handle. So, when Spider Camera Holster released their new Spider Monkey for camera accessories at WPPI 2013, I was eager to try them out.