My buddy Paul Mckelvie in the UK just showed me this music video for Benga that he worked on a while back as a runner for the video's directors, Us. The concept is fantastic and the execution turned out great. Once Us had the idea for the video, the next problem was trying to figure out how to actually do it. There was a lot of math homework, calculating the number of records per second against the frame rate. It worked out to be that 960 records would be the equivalent of 1 minute and 20 seconds worth of wave form.
Most of you know Mark Wallace as the face behind Adorama TV. He's a very accomplished photographer based out of Phoenix, Arizona and we recently were able to share some drinks with him when we filmed Blair Bunting's Aventador video. Mark gave us a little glimpse about his 2012 Workshop Tour and now the details are finally able to be revealed. If you are a fan of Mark, which we hope you are, click the full post to hear about his new 7 city tour!
National Geographic recently released this video of the creation of one of their cover shots. While there is no exact date on it, I'd bet that it was shot sometime in the early 2000s or late 1990s guessing from technology being used. Some real ingenuity was at work here, as evidenced by the custom-built pneumatic jaw, the hand-cast Tyrannosaurus skull, and not to mention what appears to be at least ten cameras all triggered at the same time via laser in an effort to capture the decisive moment.
This is a pretty cool time lapse of the production of the Wade Brothers shoot "House Of Fly 53". It's a pretty interesting concept that incorporates both a 10 minute video and a series of images used for print and web advertising. The incredible part of all of this was that both the video and stills were shot at exactly the same time, which saved production and talent costs.
As photographers, we are always in search of that new unique lighting modifier to add to our bag of tricks. I recently saw this video on Strobist where Amber Gray claims her Broncolor Para FB could actually reduce the amount of post production on her models. That statement seemed a bit bold when I first heard it; usually I credit a great makeup artist for awesome skin texture rather than a specific light. I've never used a ring flash
We get asked to show our lighting for our Fstoppers Original interviews all the time but it seems like we always forget to shoot our lighting schemes. StillMotion just released a killer video that shows how they light interviews with key, fill, hair, and background lights. By using Profoto's new HMI lights with Air remotes, you can easily change the output of each...
We get a lot of Kickstarter projects emailed to us and sometimes they are interesting and other times they look like a desperate plea for money. We usually don't feature such projects but today I'm making an exception. Benjamin Von Wong has been featured on Fstoppers probably more than anyone else. This year he plans to goto Europe to produce inspiring photoshoots but at the same time film informative behind the scenes videos. Hopefully this post will
Here's a behind the scenes video from Toronto photographer Finn O'Hara. It was for a recent cover story about Toronto smokers in a magazine called The Grid. O'Hara explains that the story is "a confessional tale of the stigmas faced by smokers every day in Toronto, and what it takes to finally kick the habit. To illustrate the commitment of a winter smoker, we enlisted a
These iconic portraits were discovered by Dan Oppenheimer, a stained-glass designer in Memphis. They are the work of the late Jack Robinson, who shot celebrity portraits for Vogue in the 1960s. Later in his life, Robinson took up a career in a stained-glass, where he worked for Oppenheimer. When Robinson died in 1997, Oppenheimer handled his effects. In that closet in Memphis,
If you enjoy looking at fashion images, then the photography duo Sofia Sanchez & Mauro Mongiello should be on your radar. They are ranked as among the top fashion photographers on Model.com and it's easy to see how their work stands out within one of the most saturated fields of photography. In their latest campaign shoot for clothing designer Anna Sui, Sanchez and Mongiello have one of the simplest lighting setups ever: just a single gridded Profoto head.
If you grew up during the late 1980s through early 1990s, then you can remember the Teenage Mutant Ninja Turtles. Using a combination of action figures, about 60 hand-drawn backdrops, and over 4,000 individual images, director Kyle Roberts pays tribute to this classic cartoon with a stop motion animation. This is one you won't want to miss.
Shot with the Red MX Camera, director Andrew Huang created this incredible short film about the gaps between people and the way those gaps are filled. Solipsist is the antithesis of human connection. This video had me glued as the models swayed back and forth in a Yin & Yang fashion, often times co-creating each other.