Sometimes it's a pain to bring a client to your studio, or maybe you don't even own a studio. In these situations you must figure out a way to bring the studio to the client. Diana Deaver shows us a quick glimpse of her last shoot that involved bringing a paper background and a single large parabolic reflector into a clothing store.
Yuri Arcurs is probably the most successful stock photographer on the planet. The last time we featured him on Fstoppers he was explaining a lot of his lighting setups for great stock images as well as how to get great reactions out of your models so the images sell. Now he has a new ridiculously expensive studio filled to the top with profoto gear, and he is giving us a first person tour of the place. I can't imagine how anyone could need this amount of gear but at the rate he turns images out it is all probably well justified. Does anyone know how to use the lowering metal mount he has for his lights? It seems like making adjustments would be difficult when they are suspended that high above you.
Director Paul Clements produced a pretty amazing commercial for Cat Footwear. By using a single high frame rate video camera and a large array of DSLRs he produced something that I am having trouble describing with words. You'll just have to watch it for yourself. Check out the BTS below and the finished product in the full post.
If you have ever wanted to frustrate yourself as a photographer, try shooting food and actually make it look appetizing. Edward Gowans, a photographer based out of Portland Oregon, has made a living shooting food for almost 20 years. Edward learned there was a big market in the northwest looking for stylized culinary images. Using the lighting knowledge he gained from shooting fashion models, Edward began creating stylized culinary images for his clients. As you can see in this video, some of his setups are pretty extensive and sometimes take full days to design. With food, the light often needs to be scrimmed, flagged, and reflected perfectly to showcase both the textures and colors of a well plated dish. Check out more of Ed's work in his portfolio here.
I know a couple of Fstoppers that go by the names of Tiffany and Gianna that are going to love this one... Jay P. Morgan is back again with a really unique concept. In this video Jay explains how he created a super hero concept from nothing and then shows us every minuscule detail that goes into making that image come to life. As always, Jay does an incredible job of packing his video with priceless information that every photographer can use, even if you don't ever plan to shoot Wonder Woman.
EA Sports has been allowing fans to vote for the cover of their newest installment in the college football series NCAA Football 12. For the contest, they filmed four short behind the scenes videos from each player's photoshoot which can all be found in the full post. The photoshoots consist of two primary setups: hall of fame style portraits and on the field action shots. Each portrait was created with a gridded beauty dish and a hard background light while the action shots were lit with a huge octabank, some stripboxes, and a bunch of white v-flats acting as both gobos and reflectors. I'm not sure that the final images are online yet since the contest just wrapped up, but you can see a lot of them on photographer Tim Mantoani's site. My vote goes to Mark Ingram; roll tide roll!
I was going to post a video showing Rafael Nadal's latest Armani underwear shoot but figured Megan Fox might be a little easier on the eyes. Now you are probably thinking that any photoshoot with Megan Fox wearing little to nothing would probably produce strong images from any photographer and you'd be right. But what I found interesting was the way photographers Mert and Marcus used hotlights and large scrims to light the entire set creating a natural light feel. You can see the setup around :35 seconds. Not everyone has access to large HMI lights but it's still an interesting way to shoot and could probably be reproduced firing strobes into white walls in a room. Click the full post to see the final video and you can see the photos here.
I can't remember the first time I saw this video by Gregory Crewdson but I'm glad it came across our desk again. Gregory is more or less a conceptual photographer who uses both sound stages and real locations to create images that make you stop and question what is going on in the shot. His lighting is very similar to what you would see on a big budget movie, and the amount of resources required for these sorts of productions is probably beyond what most photographers would even consider.
I'm a pretty big fan of Hip Hop music and I have seen every one of the pictures in these two videos. What I didn't know was that they were all taken by a single person. Jonathan Mannion is extremely talented but he also seemed to be around in exactly the right time to shoot the faces of this growing genre of music. Check out the full post for the second video.
I created the iPhone Fashion Shoot to attempt to prove this point. 50% of the people who saw it "got" it and the other 50% claimed that it only looked good because I used $10,000 worth of light. Well I've always said "light is light" and all those expensive light modifiers do is make the light source bigger or smaller. Don't believe me? Bert Stephani will take over where I left off shooting with these work lights (the same ones that I used for part of the iPhone shoot) and a shower curtain.
I've seen a lot of videos that attempt to explain why you would use a beauty dish over a softbox but I've always had a hard time understanding the subtleties. Jay P Morgan created a video that not only explains everything in great detail, but he also shows 3 lighting examples with each type of dish configuration. If you have always wondered about the magic of the beauty dish, all your questions will now be answered.
When I received an email from Marie-Louise Cadosch saying she had a behind the scenes video featuring "Lord Vader" I may have rolled my eyes. Chances were good though that her photoshoot would be badass because her previous videos on Fstoppers are some of my favorites. I have come to expect the worst when photographers use famous super heroes or villains in their shoots, but what Marie-Louise did with this theme is pretty stunning. I can't remember the full story of the Twi'leks but the story told here in these images is pretty interesting. It looks like everything was shot with large softboxes in a cross lit position with a final key softbox up above. I'll try to get someone from Marc & Louis Photography to leave some additional information in the comments because these images are pretty cool.
Karl Taylor is an excellent photographer from England who has become a leading teacher in the "how to" photography market. In his latest video he explains a few lighting techniques he uses in the studio while shooting some crazy hair styles. Karl is using a single Elinchrom monolight but is pairing it up with two Canon 580EX flashes. In the video he explains why this setup is ideal for his lighting style and useful for many applications. If you enjoy his teaching, check out his instructional videos on his website as well as some crazy location photos in his port.
Bara Prasilova is a photographer and artist from Prague with quite a list of awards to her name . Recently she teamed up with Quicksilver Women in Europe and began photographing some of their ambassadors. What I love about her work is that she creates a very dreamy mood with muted colors and often unorthodox poses. Click the full post to view more photos from this session and head over to the news section of her website to view the entire collection.
The girls over at [Framed] have started a really great web series that profiles photographers and shows them in action behind the scenes. In this video they dive into children photography with Shannon Sewell. I know a lot of photographers have made a side business out of shooting families and children but what Shannon is doing is completely different. Her images are straight up commercial in style and are really amazing to look at. Children can be really really tough to work with which makes me appreciate her ability to connect with and control her subjects. And if you are interested in the Photoshop Actions Shannon uses you can check them out over at Flourish Actions. What do you guys think about her statement at 13:30?