If you don't know Casey Neistat's name, you probably know at least one of his viral videos (like this). Gizmodo just did a great multi-part video series showcasing Casey's nearly OCD attention to detail that he used when creating his New York City studio and workspace. You have to admit, it's quite admirable the way he meticulously designed his workspaces for maximum functionality. As I am moving my photo and video business to New York City myself, I hope to take a few notes. Click to see the full post with video part 2 below.
In this interview, I speak with Russ Turner, a photographer who is relatively new to shooting fantasy portraiture, but has already received awards and praise for the quality of his work. Russ talks about working with costumed models, how he incorporates Photoshop, and shares some of the places where an aspiring shooter can get started doing photography in this genre.
Have you ever wondered how different diffusing fabrics affect the quality of light that you shoot with? Jay P. Morgan from the Slanted Lens walks you through the different diffusion materials by Rosco. He explains how the different fabrics can lessen the stops of light and how it can affect your color temperatures and look of your shoot.
Today, for the first time I watched this fantastic one-take music video for Brooklyn based band, Eytan and the Embassy. On the Vimeo page for 'Everything Changes' they tout the video as "18 Costume Changes -- 1 Music Video -- 0 Edits!" It has been online for 10 months, is a Vimeo Staff pick, but only has 20,000 views. Well I think it deserves more! Check out this video and click through for a BTS video as well. Enjoy!
You may not have known it, but I'm certain you've seen a Norman Seef photograph. What photo do you think of when you think of Ray Charles? He shot that. Carly Simon? Yup. Steve Jobs? Seef again. After reading our own Douglas Sonders' article on how short the window of time is when working with celebrities, seeing how much Seef could get out of his subjects is awe-inspiring.
As photographers, we usually use two different techniques to capture our images: The first is freezing the moment and capturing the split second we are witnessing. The other option is using a long exposure, to show movement, changes, or show things we don't normally see with our eyes. But what if you combined these two concepts - freezing a moment while adding movement? Check out these creative and unique portraits using this technique.
I woke up this morning to find an email from Chase Jarvis's camp showcasing his new photo campaign for the Samsung 9 Series Monitors. It feels like ages since Chase has released one of his epic behind the scenes videos, so I was excited to see he's still alive and kicking the creative cloud (pun intended). If your imaginative juices don't start flowing after watching this video then it might be time to put your camera into retirement. Check out the behind the scenes video and then
Beauty retouching can be an arduous task in any photographer's workflow. The amount of detail that can go into retouching a glamor portrait can easily run into several hours. Learning the secrets of the pros can be even more difficult. Julia Kuzmenko McKim has made learning easy with her new book entitled 'Digital Photo Retouching: Beauty, Fashion and Portrait Photography'
Recently I have been wanting to do an avant-garde hair shoot. I just needed to find the right stylist to work with. A few weeks ago I met Devan Aledia Ford who is a fantastic hair stylist. When I told her about my desire to do a stylized hair shoot, she took the idea and ran with it. She conceptualized a spring-themed, fairytale-inspired shoot. She even styled the wardrobe and did the makeup (never underestimate the power of a great stylist).
Photographer Kenneth Cappello is known for his celebrity portraiture, his advertising work for Nike and Puma as well as his flashy editorial work for Nylon, GQ, Fader and Vibe. Cappello shot musician/DJ DeadMau5 this past month for Vibe Magazine, and, lucky for us, also shot a little BTSV to give us a peek at his process.
The Einstein E640 strobe from Paul C. Buff is compact, light weight unit capable of shouldering studio work yet portable enough to take on location. The unit weighs in at four pounds and because it is self contained, it does not require a battery pack which cuts down on gear bulk.
I shot around with the Einstein 640 and the 86 inch PLM (parabolic light) umbrella in studio to test the products and see how they stacked up in my work flow.