On Sunday, San Francisco celebrated the 75th anniversary of the Golden Gate Bridge with one massive fireworks display. For all of us who weren’t able to attend, no worries; the guys over at The Seventh Movement captured the entire event with several Canon 5Ds (MKII and IIIs) and a Red Scarlet (at 48 fps). The editing job on this is amazing and all the shots were planned out really well…the twilight harbor shot is worth a watch alone!
Most of us have seen some masterful camerawork when it comes to breathtaking time-lapses. Sean White sets a new precedent with this creation by gathering images from a total of 24 countries on all seven continents over the course of six years. The project was funded by Art Wolfe.
Joerg Niggli created this timelapse video of Venice, which shows a day in this gorgeous Italian city, from sunrise to sunset. If you haven’t yet traveled to Venice, this video is a cheaper alternative for you, so thank Joerg for saving you some cash! He used a Canon G10 to shoot the timelapses, and for editing he used After Effects and Final Cut Pro X. Enjoy!
At first I thought this was just another time lapse video with a few skating shots mixed in. Then I realized the shots really were mixed. Although the combination isn’t present in every shot it’s a pretty cool effect to watch. Anyone want to guess how he did it?
If you want to take a peek at a little more of Russell Houghten’s work, check out is blog
Videographer/Photographer/Artist Shawn Reeder spent two years in Yosemite creating the footage that would be cut to make this video. Shot mostly under moonlight and with a variety of dollies and cranes, the end result is a masterclass in the art of the outdoor timelapse. It’s not often that we get to see such an intimate portrait of a location shot over such a long time period. Be sure to view fullscreen, with HD enabled.
Ready to drop your jaw? Richard Kendall doesn’t really care if you’re ready or not, and he’s decided that it’s going to drop. This is seriously cool. He took the bullet-camera idea from The Matrix/X-Games (think the whole “40 cameras in a ring shooting simultaneously” thing that we’ve all seen a hundred times), [more]
This is what it looks like when day and night meet in a single image. Including the prep time, it took photographer Chris Kotsiopoloulos thirty hours to capture the hundreds photos needed to stitch this together. The shot was taken in Sounio, Greece. It got so cold at times that he had to use a hairdryer to keep the lens from fogging up. See the full post for more details! [more]
Here’s a breathtaking perspective on the city of Dubai, created by UK filmmaker Richard Bentley. It took him two and a half weeks to capture the footage, shooting one to two sequences a day from various balconies and rooftops. He shot with a Canon 7D, and edited in Avid Media Composer. The final product is fascinating. The only problem I have with this video is that it reminds me that I have yet to see this city in person. That needs to change. [more]
My buddy Paul Mckelvie in the UK just showed me this music video for Benga that he worked on a while back as a runner for the video’s directors, Us. The concept is fantastic and the execution turned out great. Once Us had the idea for the video, the next problem was trying to figure out how to actually do it. There was a lot of math homework, calculating the number of records per second against the frame rate. It worked out to be that 960 records would be the equivalent of 1 minute and 20 seconds worth of wave form. [more]
There are some styles of photography which have been beaten into the ground. Take, for example, the trip to an old asylum; it seems like we’ve all seen a thousand HDR images of the local loony bin. Graffiti-covered walls, derelict operating rooms and spooky wheelchairs ad-nauseum. But every once in awhile, something comes along which makes my jaw drop and revisits what is possible in an ages-old subject. Drew Geraci’s Asylum is exactly what I’m talking about.
Here’s a great behind-the-scenes time lapse video from photographer Finn O’Hara. It’s from a photo shoot he did for the Toronto Maple Leaf hockey team. They set up on the ice and it was an 18-hour production. You’ll see the ginormous maple leaf backdrop, measuring 55 ft by 85 ft. Fantastic work from our neighbors to the north!
These stunning nightscapes were captured by German advertising photographer Michael Schnabel. He calls the series “Stille Berge” which is German for “still mountains.” The images were taken in the Alps during the dead of night. It was so dark in fact that a one-hour exposure was required. At first glance they look a lot like film negatives, right?
Let’s Colour is a worldwide initiative to transform grey spaces with colourful paint, and the results are quite incredible! This film was shot by Adam Berg over four weeks in Brazil, France, London and India. Every one of these locations has been transformed by a palette consisting of 120 different colours. The people in the film who rolled up their sleeves to transform their community with colour. I love this unity through art. Enjoy!
Doing video or photo projects for fun and experimenting can lead to some really unique images, and this video by Marc Donahue and Sean M. Williams is a perfect example. While having some fun with a DP Stage Zero Dolly and Canon 5D, they used several different timelapse and stop-motion techniques to achieve a really slick movement and feel to this video. How many different techniques can you spot?
JESS3 is a creative agency that specializes in data visualization that is based out of Washington DC. They do some pretty awesome stop animation videos and here I have their latest Gmail ad, including a BTS look at how they did what they do so well. Be sure to check JESS3′s site for more of their projects and quirky videos. Enjoy!