We love to look at beautiful, flawless people in our ads, tv shows, and movies. For some reason drenching someone's face in makeup is totally acceptable but for many people, Photoshoping skin imperfections or removing fat is unrealistic, disgusting, and dangerous. Well most of these people haven't even considered video retouching.
As video becomes more widely adopted by companies, it's clear that you may be approached to shoot video. However, when it comes to shooting video there are a lot of rules, some similar to photography, to keep in mind. Setting up a check list is the best way to make sure your video shoots go off without a hitch.
While there’s never been a sure fire way to win work and sustain a living as a photographer or film maker, and particularly not today given how much change we are seeing, having your own unique vision can help set you apart from the crowd. Young film maker Paul Trillo has shown time and again how an interesting perspective can separate him and his work from the pack. After watching his recent innovative short, you'll likely never be able to look at your phone in the same way again.
A few weeks back I spoke about one of the advantages of mobile videographer. One of the key features I highlighted was the ability to shoot in slo-motion in 720p on most mobile devices. Let's not forget other DSLR's and video cameras that are able to shoot slo-mo in even higher resolutions.
The biggest question now is how do you go about utilizing the footage you've shot for yourself or a client? There are a variety of techniques we as filmmakers and videographers can use. One of the being speed ramping, which is...
Have you ever wanted to watch all six Star Wars films in under three hours? Ever wondered if Lucas hid Easter eggs only viable when double-exposing certain movies? Two months ago, YouTuber "marcus" (Marcus Rosentrater, senior illustrator for FX's series, Archer) teased a super-mashup of all six Star Wars films with this nine-minute sample. The entire video, now released in it's two-hour-twenty-two-minute glory is oddly watchable and possibly fit for its own gallery show as seen in the curated screenshots below.
In the growing wake of low-budget, special effect action minis whose audience has become larger and larger on YouTube, Sam and Niko's "Real GTA" steps the game up once more with a perfect assimilation of the popular "Grand Theft Auto" video game into real, Los Angeles life. Complete with sound effects recreated as similarly as possible within the actual game, the same Los Angeles street scenes, and smashing special effects (like the famous wads of cash exploding out of recently killed bystanders), "Real GTA" reminds us both how ridiculous and subsequently fun it is.
The era of 360-degree filmmaking is upon us. Google, in collaboration with The Mill and production company Bullitt, has released the 360-degree short film "HELP" for free on Google's mobile storytelling platform Spotlight Stories. The film is full of explosions, aliens, and action all within a beautiful 360-degree world.
With less expensive gear being introduced all the time, we have seen a boom in time-lapse films in recent years, making it easier for just about anyone to make their own time-lapse clips. But with the deluge of videos comes innovation and the need to differentiate yourself. Filmmakers have used time-lapse in some creative ways with production techniques like multi-axis motion and post-production software like After Effects to achieve wild results. A relatively new approach is compositing live-action footage over time-lapse video, and it is pretty easy to do.
The Shot on iPhone 6 World Gallery launched at the beginning of March and features some of Apple's favorite customer photos in a global outdoor and print campaign that spans 70 cities in 24 countries. It is a truly transformative year for videography and filmmaking, and we are now more than ever seeing more filmmakers achieve their vision by using the iPhone 6 as their weapon of choice to produce films. For example, "Modern Family" producer Steve Levitan shot an entire episode on iPhone and iPad earlier this year, opening the doors to more possibilities shooting with our mobile devices in a creative way.
Google has announced Jump at their 2015 I/O conference, a new 360-degree virtual reality platform that will be launching this summer. Google's hope is to make virtual reality more accessible. Jump will use raw video footage to assemble a 3D virtual reality space. It's aiming to be the premiere workflow for assembling virtual reality worlds.
In just about every video I edit, during my last or second to last round of revisions I find myself having to add titles, credits, name graphics (lower thirds), and one or two other pieces of text to help explain and give context to the video. Here are my go-to techniques for cranking out decent looking graphics both quickly and efficiently.
When I was young, I first fell in love with photography as a kid in summer camp. I then went home and started pouring over the Time Life Photography books from the local library. All through grade school and high school I stayed up countless nights studying, reading, and learning everything I could about great photographers and their amazing photographs.
Joey Shanks, better known by his YouTube handle Shanks FX, has released another YouTube video based around the idea that Hollywood effects can be achieved by anyone and with only household items. This time he attempts to recreate the legendary Aurora Borealis (or Northern Lights), one of the seven wonders of the world, with just some sheets of fabric and a handful of fans. Combining those few fans, fabric, and just a little bit of precise lighting with just a touch of videography editing magic, he suddenly has one of the world wonders in his garage. Check it out!
Hollywood's latest A.I. thriller, "Ex Machina," promised to take viewers on a fascinating and thrilling philosophical, ethical, and human journey. The Turing test, man's domination over machine, artifically intelligent machines' potential and perhaps inevitable self-awareness and domination over man, and an eccentric Silicon Valley-like billionaire-type leading the helm... how could this not be a great film? More on that later, but to make all of this happen, director Alex Garland and VFX supervisor Andrew Whitehurst had to create a robot that would connect so well with audiences that we would treat it as any other human character.