Zeiss is preparing for the availability of their Touit line, lenses for E-mount and X-mount cameras. For those who love Zeiss glass and compact cameras like those from Fuji and Sony, getting these high quality lenses might be a must. For the rest of us, we can still appreciate the beauty of the precision that goes into producing lenses of this quality. Check out this video just published today on Zeiss’ YouTube channel. [more]
Print is not dead and celebrity portrait photographer Sam Jones has created offCamera magazine — part print magazine, website, web television series and podcast — to showcase and profile actors, musicians and artists working at the highest level of their professions. Jones, whose work frequently appears in Rolling Stone, Vanity Fair and Men’s Journal, intends for offCamera to be an artistic vehicle for further exploration of the casual chats that often occur on set during his editorial photo shoots. [more]
The Canon 50D doesn’t get a lot of love much anymore. The system is 5 years old, and was among one of the last DSLRs to come out without video capabilities. When searching through the firmware, it was later found that video functions existed for the 50D, but were disabled by Canon. Upon opening these features, EOSHD forum member Julian has found a beauty hidden in this old beast. [more]
This is one of the most interesting, and almost bizarre behind the scenes video I’ve seen. Musical artist Jack Conte came up with an idea for a video to go along with a music track he created called “Pedals”, and through building his own spaceship set, using real working robots, and even getting Jeff Orlowski to shoot it, everything came together for an inventive final product. [more]
Canon has recently come out with their short film, “Rhythm of Life’ showcasing their new line of cine lenses. Shot with the Canon C500 director, Dean Hargrove and cinematographer, Steven Poster ASC, explain how the different cine lenses affect the footage and change the color and feel of your shots. The BTS video was shot with the Canon C300. [more]
The hilariously creative people over at Grovo (gogorovo on YouTube) posted this video yesterday showing what life may look like in the future of GWC photography/videography if Google Glass ever becomes the next big innovation it claims to be. While it’s obvious that this is just some tongue in cheek humor, I’d imagine that as with any popular product with a built-in camera someone will try to find their niche (ever see someone taking photos with an iPad?) and soon youtube will be flooded with videos of wedding photographers running around the ceremony staring at people.
Filmmaker J.J. Abrams; Star Trek, Star Trek Into Darkness, Super 8, Lost, Revolution, Fringe, the upcoming Star Wars movie (the man is everywhere these days,) gives us a peek into his process during a recent sit down interview with the British Academy Of Film And Television Arts.
Abrams discusses the transitions between television to the big screen, balancing hyper-reality with intimacy, why television leaves room for surprises, the best advice he’s ever been given and what advice he would give to future filmmakers. [more]
Whether I’m going out for a short hike, a weekend camping trip,
shooting the zombie apocalypse, or assisting someone for their personal project, there are many times when I’ve needed to be light and fast in my video rig setup. Besides going with a single camera and lens, the accessories I choose enable me to be versatile and get better clips in the end. Here’s my top 8 list of items that keep me on the move while I’m shooting video. [more]
Bulb ramping is a technique used by time lapse photographers to adjust the shutter speed throughout the time lapse to compensate for natural changes in exposure. If you’re looking to shoot timelapses of sunrises, sunsets or any change from day to night, this technique is critical. In his latest tutorial video, BC based photographer Joel Schat takes us through the steps needed in order to create a bulb ramping time lapse with ease. [more]
Today, for the first time I watched this fantastic one-take music video for Brooklyn based band, Eytan and the Embassy. On the Vimeo page for ‘Everything Changes’ they tout the video as “18 Costume Changes — 1 Music Video — 0 Edits!” It has been online for 10 months, is a Vimeo Staff pick, but only has 20,000 views. Well I think it deserves more! Check out this video and click through for a BTS video as well. Enjoy! [more]
So as a lot of you have probably seen, you can now record full 1080p 14Bit Raw video on the Canon 5D Mark II and Mark III. This is truely incredible. However, you can not just import the video and get to editing right away. To be able to use the RAW video, you have to convert the RAW files to DNG. Here is a quick workflow tutorial on how to do that. It’s really not that hard to do, just a little time consuming. [more]
Still hot with news on the Canon 5D Mark III being able to shoot continuous raw video footage with Magic Lantern, comparison videos are starting to hit the net. In this video, you’ll see the Black Magic Cinema Camera footage alongside the hacked 5D, with ISO information to give you a better idea of the noise difference. Even with Vimeo’s compression, you can see the difference for yourself. [more]
Excuse me while I pick up the brain fragments scattered across my office. In the last few months, there have posts and chatter about raw video recording being enabled in Canon’s popular DSLR through new developments in Magic Lantern‘s firmware. It appeared to be only useful in bursts of less than a second, but now news is coming out now that they have unlocked the ability to record, without issue, continuous raw video at 24fps. [more]
Do you remember 14 years ago when the Matrix came out and blew some of our minds with filming techniques? One of the most ingenious scenes at the time was the wrap around bullet shot where the camera spun around the actors on a large dolly while they were suspended in mid air. Popular Youtuber Mark Rober has come up a really simple and cheap way to replicate the rotational filming effect of that scene.
To see more of his creative videos, check out his channel.
This is one of those projects that is almost beyond words. Astronaut Chris Hadfield shot this music video to express his feelings of leaving the International Space Station, and it’s basically the coolest possible way to go out. If you haven’t yet seen this (which you probably have but heck, it’s so amazing I just had to share), quit reading and hit the play button. Your life needs this music video. [more]