Videography

When trying to get creative, we often get discouraged thinking everything has been done, and no matter how hard we try, our work is going to be inspired or a remote copy of someone else’s idea. However, there are still some exceptionally brilliant minds that find ways to innovate and make the impossible possible. Valentin Delluc, a French speed rider, and Dino Raffault managed to create a unique video that will make your eyes light up even if you don’t know what speed riding is.

If you're into travel photography and video you've heard of Sam Kolder. You can find tutorial videos about how to get his transitions and how to shoot to make your videos flow like his does. This video breaks it all down and gives an overview of what gear he uses and how he shoots in a certain way to be sure to get the transition from one shot to the next down so he can edit it in the style he's known for.

If you're just starting out shooting video, you may have heard of log profiles. This great video will give you a practical breakdown of why you should consider shooting with them and what to do if your camera doesn't have them.

Since we’ve propelled so far forward, so fast in gimbal technology, it seems that shooting on a gimbal is almost a necessity for most videographers or filmmakers these days — but it shouldn’t be that way. The convenience that’s provided by most gimbals can’t be understated and I would be 100 percent wrong if I implied that they’re not useful tools. They are absolutely powerful tools that we’re lucky to have, and in such small packages. But because of that convenience and functionality, we’ve lost the importance of the decision making process when lining up a shot.

Some of you may have woke up early on Christmas morning to rush to the tree and unwrap your shiny new drone. Unfortunately, the unusually cold conditions in parts of the US meant that many of you were grounded. So while you were there holding your new toy in your hands, staring wistfully at the crisp air outside, you may have had to justify the large price tag to yourself or to your partner/parents.

I'm no cinematographer. I mean I dabble, like a lot of still shooters do, but I wouldn't put myself under the category of video expert by any means. That being said, I do know what I like and what I think looks good. What I've always really liked is the depth and feel of large format in still photography and, now finally, in video. You don't need to spend a $100,000-plus to do it either. See for yourself how Zev Hoover from Massachusetts accomplished it.

On virtually every front, 2017 was a year of change, turmoil, and upheaval. A year comprised of moments that affected our every day lives in ways that societal and political movements haven’t in recent years past. The tension that has defined this year has found itself mirrored in the art that we create, and in more obvious ways in the documentary subjects captured by filmmakers across the globe.

As a Nikon shooter myself, the stats on the Sony a7R III have my head turning. After watching Sony grow over the past few years and seeing how good their cameras are, I think it is safe to say that this new camera will not disappoint. Being that I mainly shoot photography, the “R” definitely calls my name and I think one of the biggest factors is the fact that this body can also shoot some pretty good video. These videos really have me thinking about what my next step could be when shopping for gear.

Brandon Li reviews a pre-released demo version of the Moza AirCross Gimbal by walking through the city of Hong Kong. He goes through the paces of covering the technical aspects, but what I am most interested in, and what he's best at, is showcasing his style of shooting and his way of moving through the city and getting the shots he's known for.

Filming with a DSLR is always an option, unless you want to capture some behind-the-scenes videos of your shoot or if you are on the go. Then, filming with your smartphone is probably the most straightforward alternative if you don’t want to lug around a camera just for that. The options available are actually more advanced than you may think, at least that is if you rely on Filmic Pro. The people at Moment Lenses created a video to help you out and get started with all the different settings Filmic Pro has to offer.

The iPhone seems to have become much more than a phone in the past few years. It is highly recognized for its sleek, simple design and its camera. During the past year alone, I have found myself using the iPhone's camera more and more for so many different things. In this video, four guys take the iPhone X and test out a bunch of different Moment products on it as they set out on a little venture to the Pacific Northwest.

We’ve noticed the trend. Video is becoming the way most people communicate online these days. How can you as photographer use video as a tool to influence the personal brand you are constantly building, and how can you expand your product offering to clients? There are various types of videos you can focus on to produce, and the aim should be to make videos that you would like to make for a client. Therefore, it needs to be professional, and something clients might actually use as their marketing and advertising materials.

There aren’t many brands that have been so thoroughly lambasted over the past few years as Canon, and for good reason. Despite their reputation as a manufacturer of durable, functional camera tools, they are notoriously tight fisted with their technology. But what has looked like antiquated engineering is starting to look more like a calculated long-term strategy to play the field as it lays. With rumors emerging about a new 6K cinema camera to rival Sony’s Venice, Canon looks like it might be ready to play a new game.

I remember when GoPro first came out with their action cameras and owned that corner of the market for a while. Fast forward a few years, the action cameras have been reduced in size while being able to capture higher resolution photos and videos. Also, several other companies joined the action camera market with their own versions many sharing similar designs that of the GoPro action camera.

For as long as I can remember, there has been a tension between photographers and videographers at events. Why, why I say, can't we all just get along? Watch as an angry mob of photographers go to war against a small group of brave videographers in an epic battle for the ages. The grossly outnumbered videographers face off against the likes of Sal Cincotta, Lindsay Adler, Chuck Arlund, and more during a workshop in Tucson, Arizona.

This is not a movie review. While I'm definitely ready to offer some opinions on the film, I'm not here to review the movie. You can find plenty of reviews already out there and there certainly won't be any spoilers found here. Rather, this is an appreciation article for one aspect of the "Justice League" movie (and other DC superhero/Zack Snyder films) that is done very well. Visually, "Justice League" looks pretty damn cool. It looks and feels dark and moody, like the pages of a comic have been brought to life. For everything that they don't get right, the visual mood of the DC superhero movies are stellar.

Edelkrone has a knack for creating technology that captures the imagination in ways that other brands don’t. With the release of the original Edelkrone SliderONE, we saw that ingenuity manifest itself in what looks like the future of video camera support. That same ingenuity has guided the development of the new SliderONE PRO.

Adobe has called the new additional Effects menu category "Immersive Video." They've made it easier to apply transitions and to add text or logos that look natural to the viewer. I'm a regular screen viewing type of person, and I can't imagine buying some head gear so I can walk around in a virtual space, but in an industry that moves as fast as the video and photography industry, I think we should know what the latest developments are and how the software we use enable us to edit great videos. Clients are going to start asking for 360-degree videos, and you will either be able to do it or not. This video shows what you'll be able to do in Premiere Pro when editing "Immersive Videos."

Filmmakers Justin Pelletier and Adam Maruniak of Brick Films have been hard at work over the last three months to produce this “volcano epic,” and it does not disappoint.

Since GoPro released their first action cameras, many other brands have tried to take on this market and offer alternatives. One of them is called Aukey, and they designed the AC-LC2 to be a very affordable yet still capable action piece of equipment. It can shoot in 4K at 25 fps, can produce time-lapses, and even has a Wi-Fi connection. I’ve had one for a little while and wanted to share with you why having one in your bag might be fantastic, but also why it may probably not replace a higher-end action camera.

When you’re running your own photography or videography business we all know that going out and shooting is only a small portion of the job. You have to make the connections to get the job. You have to go through the process of meeting with the client and assessing the needs to get the desired finished product. Then you have to find out the client’s budget and figure out how to accommodate them while charging properly for the shoot. After all that is said and done, and the project is finally coming to fruition the final thing left to do is send out the invoice for the job.

Filmmaker Matt Mangham has been working on an ongoing series entitled “Analog: Stories of Film Photography,” and I’m very excited to share episode four with the Fstoppers community. In this episode, Mangham explores creativity through the eyes of San Diego native, Matthew Lawless.

If you’re one day hoping to market your magnum opus of a movie to Netflix, better gear up.

Over 56 million acres of land in the United States is owned and controlled by approximately 500 Native American tribes that received federal recognition and sovereign land from the U.S. government. Living on this land, although a blessing, has made us invisible to the public eye. In addition to the geographical invisibility, our history, modern culture, and social issues have been swept under the rug for decades by mainstream media and the U.S. government. They typically stay out of the reservations altogether, but unfortunately, people can't fix a problem unless they view it with their own eyes, after all, "seeing is believing." This is the reason our own cameras are crucial to healing our indigenous communities.

As a budding YouTuber myself, every time Peter McKinnon uploads a new video, I'm taking notes. His growth on YouTube has been nothing short of spectacular and a lot of this comes down to his ability to create videos that are visually engaging with great storytelling.

Freefly has spent the last several years making some of the most impressive handheld gimbal-based stabilization systems and high-end drones for use with cinema cameras and advanced DSLRs. Today, however, Freefly introduced the Movi, a small stabilizer for your iPhone that brings their gimbal tech to the masses.

With the advent of digital photography, more shutterbugs than ever have taken to calling themselves photographers and many have even gone into business for themselves. Now, with those same digital camera manufacturers offering better and better video options embedded into each iteration of their flagship still cameras, more and more photographers have added the word “filmmaker” to our business cards and taken aim at everything from short films to features. But being a real filmmaker requires more than the ability to just produce stunning images.

In a world where flipping our images between color and black and white is as simple as the click of the mouse, photographers and cinematographers today aren’t often tasked with knowing the complexity of how those vibrant colors actually come into existence. But in the early days of cinema, when competing processes for color reproduction took turns as the next best innovation, one name reigned supreme: Technicolor.

Everyone wants to shoot better videos, and as we all know, it doesn’t require the best gear and the production. You can even spice up your videos by using simple tricks during the shoot and the editing. The well-known YouTube Channel, Cooph, shares six simple tricks that will make your videos more interesting and professional looking.

A black rugged box that costs $50,000, has an "8K" label, sometimes it's called а "weapon," and it also shoots. What is it? A RED camera, of course. In this video, you will see the process of how these professional cinema cameras are manufactured.

While cameras haven’t yet caught up the standard, the HDMI forum has no problem pushing the envelope out and looking far off into the future.

Eric Flores Garnelo has made a short film using mainly cinemagraphs to create the scenes. The audio is well produced, and the production of the scenes are done with craftsmanship. Watching each of these shots with only one item moving opens up the capacity to contemplate. Being a photographer, the first phase was to think how he did it and what it must have taken to actually get the shot. Secondly, it takes you deeper, into the human condition and the small moments during the day that can seem insignificant, but holds so much beauty if we just opened our eyes.

Motorola has really done something different with their Moto Mod offerings. They have put out an entire line of products that are compatible with multiple Moto phones via a sturdy magnetic docking system. The idea is a genius one in that it finally does not have to live within the tight space requirements of today's wafer-thin phones. Taking the Moto 360 Camera Mod for a spin did not disappoint.

There are many things we have to remember to have with us while on set for a shoot, sometimes those things can be really questionable until you need them. Some of those things can be as simple as carrying extra screws with you, something you might not need but really helpful when you do.

Sound and image go together like chocolate and peanut butter, so if one is a little off, the whole concoction is spoiled. This helpful video will give you some very practical tips and tricks for creating realistic and effective sound design for your video work.

It's always a polarizing topic even from the time a new camera body is rumored. The 4K specification brings forward the passion of the most vocal in the video community. But for all the back and forth, will it alone actually make your video better?

As filmmakers and photographers, we tend to guess how other people shot specific scenes. Depending on our level of experience, we may be right or wrong. In this video we can see the approach of master DPs to deconstructing the cinematography of their favorite moments from "Blade Runner."

In the last few years, filmmakers all over the world have been expressing their creativity by shooting short and feature-length movies using their phones, showing that you should never be afraid to tell a story if you don’t own a $50,000 camera. Here are five great ones, shot on five different generations of iPhone, including one shot entirely on the new iPhone X.

Life as a videographer or photographer would be awesome if every shoot and subject had the time and patience to allow us to think through every shot and experiment with our creativity, but that's simply not the way things are. Even if you're not sure how to tackle a project, this helpful video will give you a list of shots that will help you get usable footage.

There’s nothing quite so frustrating to anyone in the business, as having your camera become outdated in less than a year. When I look at the current line up of camcorders, I’m beginning to think that they’re about to be replaced by the cameras that should have been released in the first place. The camcorder market is falling behind.

Sharp made a new camera—well, not a camera per se. It’s a camcorder. But that doesn’t really sum up what it is. Sharp made an 8k camcorder that’s decidedly not for cinematographers. Also, it’s $77,000. In short: I have many questions about all of this.

When grading videos, it’s not rare that we have to transition grades between different sequences or within one single shot. Using DaVinci Resolve 14, it’s quite easy to achieve a perfect transition from one grade to another. In this three-minute long tutorial, Casey Faris shows us just how to do this.

"Mindhunter" is one of the recent Netflix releases that has me hooked. It has psychology, mystery, analysis, and how the FBI and police went about training for the serial killers who didn't have a motive. It's based on true events, and because the series is set in in 1977, which has different cars and fewer people and buildings than we have now. In this video, you'll be able to see how these shots were altered in postproduction to give the story the 1977 setting. Buildings and trees are added, marks on roads replaced and colors changed to give the series its moody, raw film look.

In April 2016 I featured a video of one of my favorite places on Earth: Lofoton, Norway by the brilliant filmmaker, Dennis Schmelz. Well, Schmelz is back at it again, this time with The Beauty of Greenland in glorious 4K.

Being involved with video more and more recently, I have been wondering this myself, why choose a cinema lens over a regular photography lens when it comes to video? Photography and Videography are similar in many ways, however, video seems to be a whole different world when it comes to codecs, shutter speed, lighting, lenses, aperture, focus, and so on. In this video, Greg and Caleb share some knowledge on what lenses should be used where.

Philip Bloom is a world-class filmmaker with an impressive body of work in broadcast TV, feature films, and independent productions. Most recently he has been the cinematographer on the acclaimed CNN show “The Wonder List.” When I found out that he was partnering with MZed to create an immersive course on filmmaking, I jumped at the chance to review it and also had the opportunity to speak to him about the project.

If you've seen our latest comparison between the iPhone X and the Panasonic GH5, you see that the iPhone suits the run-and-gun type of shooter who makes videos on the go where you want the gear to get out of the way with a small and light form factor. In this video, the team at AmnesiArt made a professional video for Elise Lepinteur, the protegee of Christopher Adam, a worldwide famous pastry chef based in Paris, France.

Snap Inc. is still alive and well but they begin to look at new ways to revive its social presence with Snapchat. Snapchat has been getting some bad press for months in the wake of Facebook and Instagram essentially stealing their entire platform and adapting it to their own social networks just over a year ago. Though Snapchat still continues to grow, every so slightly, each quarter with monthly active users they are no match for Facebook and Instagram Stories. Their answer, to begin paying top contributors to the app like YouTube has done with their biggest creators.

When you get in the video world, you soon realize that editing can go pretty far, but it’s not as easy as Photoshop. It tends to take more time to get to a decent result, and a tremendous patience to achieve perfection. In this short tutorial, Steve from MiesnerMedia shows us how to smooth out skin in our videos using DaVinci Resolve 14.

Outdoor Adventure Photographer Chris Burkard has spent much of his career documenting the harmony of man and nature around the world. Best known for his surfing photography, Burkard recently directed a documentary called "Under an Arctic Sky" about a group of surfers venturing to Iceland in the dead of winter in search of waves. This recently released behind the scenes showcases the daunting and treacherous production.