What ever happened to loving a camera for the camera? Why does everything we buy have to fill a utilitarian hole? What happened to a love for the craft and as much as for the tool? There has been a lot of chatter around the Nikon Df and if we as photographers need it. It's gone so far as to suggest that it represents all that is wrong with photography these days. I want to argue the opposite. I want to argue it represents what many of us have lost as photographers: joy in the craft.
The theme of Lee's article of distaste stemmed from the question of use and features and business growth. I don't think that's what Nikon envisioned with this camera. Watch those Df teaser videos again. You'll notice the man isn't in a studio. He isn't at a wedding. He isn't posing a model or a couple. He is wandering a beautiful space and capturing moments that mean something to him. This is not accidental. Nikon knows what they want this camera to do and did their best to express that in short videos.
This is a walk about camera for camera and photography lovers. It bears a design that is reminiscent of what many of us shot our first images on. It reminds us why we started shooting to begin with and pushes us to find that part ourselves again.
I might shoot with my iPhone a lot, but that doesn't mean the photographer in me shuts off. I look at the pictures and still find myself wishing for better dynamic range or a higher quality image. I can't help it. This is also the case in the cameras Olympus, Samsung, Sony and others make (with the exception of the new Sony full frame which I have not yet shot on). The Df won't have that problem. I can shoot what I like shooting, shooting for myself and not a client, and also love the image quality. I rarely shoot video on my iPhone, so it's a feature I won't miss in a walk-about camera. I don't know how to shut off the video man in me, and I won't be shooting without the right gear, which I sure as heck won't be toting around Scotland when I'm walking around with my Df.
"Ask any photographer their earliest memory of photography, every one of them will have a different yet impactful story. In all of our careers, there is a moment, not the one that deals with being a professional photographer, but one far more simplistic. It is the moment when we fall in love with photography.
"Like any relationship, photography is a journey. There will be times when we struggle through the feelings that we have lost our creative visions. However, there is balance in times that we feel the clarity from producing imagery that matches your mind’s eye."
This isn't a camera to grow your business. This isn't your second or third wedding body. This isn't your do-it-all camera. This is the "grow yourself" camera. This is a gift to yourself for a job well done. This is a camera to remind you why you are a photographer.
Those of you hating the price for lack of features, quit looking at this camera from the perspective that it needs to be something it was never intended to be. Try and look at it as the answer to a problem you long forgot ever existed. Look for it to be the partner for when you need to get away, the camera that can be there as a physical reminder of why you picked up a camera in the first place.
"I see plenty of people complaining about the lack of video, the high price tag, the fact that it isn't designed like a normal, modern DSLR. I think this camera is not for you. It's not meant to be a second body for weddings. It's not designed to shoot corporate videos with your slider. This, is a pleasure camera.
"A 5D or D800 with big proper lenses is a bit like a pick-up truck or a van. Great for work, but not so nice to go for a spin on the weekend. This camera is a Porsche. I want a Porsche. I want it to look good. I want it to be a bit different than my Monday-Friday camera.
"This camera isn't for everyone. It wasn't designed for everyone. I see a lot of comments that are similar to people who hate Apple for making beautiful things that cost more than ugly things. You can drive your Pontiac Aztek, I'll pay a bit more for an Audi."
Love the tool as much as the craft, and you might find yourself a much happier person. It sucks when a love becomes work. It can be hard to go back on the studio or with your eyes glued to a monitor for hours on end, editing. The Nikon Df wants you to be able to get away from that for a while without giving up the love for taking pictures.
That's what it aspires to, and whether it actually succeeds at that aspiration is eventually up to you, the purchaser. But the price point tells you this isn't a general consumer camera. It's not meant to be a "hipster" body or go against popular vintage looking Fuji or Olympus bodies. It's a different animal entirely.
I expect to catch quite a bit of flak for this opinion, and that's ok. Much like the Df, I stand for something whether or not it's fully understood by everyone. What actually matters is that these opinions and my purpose matter to me. In the end, isn't that what is important to all of us?