<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" > <channel><title>Comments on: Monte Isom Uses Nikon D3s For Stop Motion Video In NYC</title> <atom:link href="http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/feed" rel="self" type="application/rss+xml" /><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc</link> <description>Video Blog for Creative Professionals</description> <lastBuildDate>Wed, 22 May 2013 08:21:00 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <item><title>By: Shadi Eideh</title><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/comment-page-1#comment-21797</link> <dc:creator>Shadi Eideh</dc:creator> <pubDate>Sun, 05 Jun 2011 13:31:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=8743#comment-21797</guid> <description><![CDATA[Monty.. Just saw your reply. Respect.:)]]></description> <content:encoded><![CDATA[<p>Monty.. Just saw your reply. Respect.</p><p>:)</p> ]]></content:encoded> </item> <item><title>By: Monte Isom</title><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/comment-page-1#comment-21443</link> <dc:creator>Monte Isom</dc:creator> <pubDate>Sat, 28 May 2011 04:39:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=8743#comment-21443</guid> <description><![CDATA[The specific reason to use the Nikon D3 was the full chip and 11 fps.  I own and shoot Canon but their 1Ds cameras with a full chip all have slower motor drives.  I wanted a full chip so my lenses would match between the 5d markII I was shooting video on and the camera shooting stills.  ]]></description> <content:encoded><![CDATA[<p>The specific reason to use the Nikon D3 was the full chip and 11 fps.  I own and shoot Canon but their 1Ds cameras with a full chip all have slower motor drives.  I wanted a full chip so my lenses would match between the 5d markII I was shooting video on and the camera shooting stills. </p> ]]></content:encoded> </item> <item><title>By: Payam Jirsa</title><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/comment-page-1#comment-21442</link> <dc:creator>Payam Jirsa</dc:creator> <pubDate>Sat, 28 May 2011 03:58:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=8743#comment-21442</guid> <description><![CDATA[Monte, I am curious if there was a specific reason the D3 was used vs the 1D. I mean a reason other than being a Nikon or Canon fanboy; Is there anything about the D3 that make it a better camera for shooting stop motion? ]]></description> <content:encoded><![CDATA[<p>Monte, I am curious if there was a specific reason the D3 was used vs the 1D. I mean a reason other than being a Nikon or Canon fanboy; Is there anything about the D3 that make it a better camera for shooting stop motion?</p> ]]></content:encoded> </item> <item><title>By: Monte Isom</title><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/comment-page-1#comment-21418</link> <dc:creator>Monte Isom</dc:creator> <pubDate>Fri, 27 May 2011 17:50:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=8743#comment-21418</guid> <description><![CDATA[Shadi, it is a DIY dolly home depot special.  30ft of 2&quot; pvc rails. Put together in 6 sections (10 ft-3 on each side) with wooden dowel rod inside the pvc to prevent sagging and 36&quot;metal rods establishing the width.  Easy to setup and break down for 8 location changes in 2 night.  Be sure to label each section of PVC so all your holes you drill for the metal rods line up.  Bring lots of rubber door wedges and adhesive felt feet  to stabilize. ]]></description> <content:encoded><![CDATA[<p>Shadi, it is a DIY dolly home depot special.  30ft of 2&#8243; pvc rails. Put together in 6 sections (10 ft-3 on each side) with wooden dowel rod inside the pvc to prevent sagging and 36&#8243;metal rods establishing the width.  Easy to setup and break down for 8 location changes in 2 night.  Be sure to label each section of PVC so all your holes you drill for the metal rods line up.  Bring lots of rubber door wedges and adhesive felt feet  to stabilize.</p> ]]></content:encoded> </item> <item><title>By: Shadi Eideh</title><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/comment-page-1#comment-21415</link> <dc:creator>Shadi Eideh</dc:creator> <pubDate>Fri, 27 May 2011 10:27:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=8743#comment-21415</guid> <description><![CDATA[what was the track used under the dolly ? ]]></description> <content:encoded><![CDATA[<p>what was the track used under the dolly ?</p> ]]></content:encoded> </item> <item><title>By: nickturpin</title><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/comment-page-1#comment-21414</link> <dc:creator>nickturpin</dc:creator> <pubDate>Fri, 27 May 2011 10:04:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=8743#comment-21414</guid> <description><![CDATA[I don&#039;t see what the stop frame animation brings to this that straight video wouldn&#039;t do better. Its a great tool for the right subject but it doesn&#039;t  ring anything to this IMHO.]]></description> <content:encoded><![CDATA[<p>I don&#8217;t see what the stop frame animation brings to this that straight video wouldn&#8217;t do better. Its a great tool for the right subject but it doesn&#8217;t  ring anything to this IMHO.</p> ]]></content:encoded> </item> <item><title>By: Linus Pettersson</title><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/comment-page-1#comment-21409</link> <dc:creator>Linus Pettersson</dc:creator> <pubDate>Fri, 27 May 2011 05:06:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=8743#comment-21409</guid> <description><![CDATA[Nicely done! Poor shutter=)]]></description> <content:encoded><![CDATA[<p>Nicely done! Poor shutter=)</p> ]]></content:encoded> </item> <item><title>By: Payam Jirsa</title><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/comment-page-1#comment-21404</link> <dc:creator>Payam Jirsa</dc:creator> <pubDate>Fri, 27 May 2011 00:01:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=8743#comment-21404</guid> <description><![CDATA[Way cool technique, amazing final results, and Monte, dude, I know how long that must have taken in post. Amazing work man. Would love to see some of your other edits. Peace. ]]></description> <content:encoded><![CDATA[<p>Way cool technique, amazing final results, and Monte, dude, I know how long that must have taken in post. Amazing work man. Would love to see some of your other edits. </p><p>Peace. </p> ]]></content:encoded> </item> <item><title>By: Monte Isom</title><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/comment-page-1#comment-21387</link> <dc:creator>Monte Isom</dc:creator> <pubDate>Thu, 26 May 2011 06:38:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=8743#comment-21387</guid> <description><![CDATA[Gus, you can go to youtube and view the same video at a reduced resolution and quality (360).  It has the same video title as on the higher resolution Vimeo.]]></description> <content:encoded><![CDATA[<p>Gus, you can go to youtube and view the same video at a reduced resolution and quality (360).  It has the same video title as on the higher resolution Vimeo.</p> ]]></content:encoded> </item> <item><title>By: Monte Isom</title><link>http://fstoppers.com/monte-isom-uses-nikon-d3s-for-stop-motion-video-in-nyc/comment-page-1#comment-21386</link> <dc:creator>Monte Isom</dc:creator> <pubDate>Thu, 26 May 2011 06:35:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=8743#comment-21386</guid> <description><![CDATA[where trouble comes into paradise is a single frame of 24 fps of video is not nearly as clear and sharp as a single frame from a still camera.  If it were, we as photographers would only shoot video and pull stills for publication.  So achieving the sliding environment with video stills would be a little like the beavis and butthead resolution/refinement of stop motion animation...but it did work for Mike Judge]]></description> <content:encoded><![CDATA[<p>where trouble comes into paradise is a single frame of 24 fps of video is not nearly as clear and sharp as a single frame from a still camera.  If it were, we as photographers would only shoot video and pull stills for publication.  So achieving the sliding environment with video stills would be a little like the beavis and butthead resolution/refinement of stop motion animation&#8230;but it did work for Mike Judge</p> ]]></content:encoded> </item> </channel> </rss>