My good buddy and fantastic car photographer Richard Thompson (check out his facebook page) shared a unique shoot he just completed recently. He photographed over $20 million in rare exotic cars using the Phase One IQ180 (80 MP medium format monster) in an extremely rare and beautiful location over 3 days. Even better, the shoot benefitted a children’s charity. Check out the full post below to see more images & to learn more about how everything came together on this remarkable shoot! [more]
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One of my regular followers, Mike Nelson, said that there are plenty of resources on WHERE to buy portfolios, but very little information on HOW to make a photography portfolio. He suggested I do a blog post and share my personal perspectives and advice on the subject. I’ve also included contributions and tips from other photographer friends (such as Luke Copping whose work is featured in the video above) in the industry. Hopefully the following post will teach you everything you need to know.
As some of you may know by now, I’m a commercial photographer that gets some great opportunities to shoot epic movie and tv cars. Honestly, most of my paid shoots are portrait-related, but I just love all things cars and my clients know that. Last year, I came across a rad company called Flash Rods that makes custom memory storage (hard drives and thumb drives) based from 1:18 scale models and matchbox cars, including movie and tv cars like the Ecto1, Back to The Future Delorean, and A Team Van to deliver my files to clients.
Photographer Brian Braun is a dreamer. He has made plans to restore an Airstream trailer so he may travel the United States adventuring and capturing images for a new photo series, which you will learn more about in the video above. Several creatives will be joining Brian on part his road trip journey including myself as well as our new buddy Vincent LaForet. This is an exciting prospect and I’m looking forward to seeing how it all turns out!
Detroit may be known for things like its extreme crime, car theft, Robocop, and the Detroit Auto Show by the outside world, but it also happens to be a very creative town of possibilities and one of my new favorite places to photograph in. In fact, despite being a Washington DC-based photographer (soon to be relocated to NYC full-time), I’ve done 4 separate paid photoshoots in Detroit this Spring alone. Detroit has some of the most incredible grand locations, which you will learn about in the blog post below. [more]
Whether I’m going out for a short hike, a weekend camping trip,
shooting the zombie apocalypse, or assisting someone for their personal project, there are many times when I’ve needed to be light and fast in my video rig setup. Besides going with a single camera and lens, the accessories I choose enable me to be versatile and get better clips in the end. Here’s my top 8 list of items that keep me on the move while I’m shooting video. [more]
You may not have known it, but I’m certain you’ve seen a Norman Seef photograph. What photo do you think of when you think of Ray Charles? He shot that. Carly Simon? Yup. Steve Jobs? Seef again. After reading our own Douglas Sonders’ article on how short the window of time is when working with celebrities, seeing how much Seef could get out of his subjects is awe-inspiring. [more]
After looking at all of the great submissions for our April POTD contest, it took a few weeks to narrow them all down and come up with commentary for what were some outstanding photos. Like I said in the original post, it was truly humbling to have people from all over the world send us their images to view and judge against others. It was great to see images from all over the world of various cultures and places, and I’m happy to announce that we’ve finally settled on our top portraits and the winner of the $100. [more]
Recently, I was hired by a corporate client to take the portrait of Rod Stewart here in New York City before a concert. After a day of pre-planning logistics, 4 cancellations/reschedules (same day), and 3 location changes, the shoot finally happened… and it took place in two shutter clicks. Now, this is not a complaint post or to prove what an intense shoot this was. This is merely the stark reality of what it’s like to shoot celebrity portraits. You have to be ready for anything.
For a couple of years now, I have been shooting a personal series about movie and tv cars, and the people that either own the original vehicles or build replicas for themselves. I call it the Unicorn Project (see more from the series here). Recently, I had the chance to photograph one of the screen-used Black Beauties from the 2011 film, The Green Hornet. I thought this would be a perfect opportunity to try out my new automotive rig from Rig-Pro for the first time to simulate high-speed action shots.
Phase One asked me to go on a speaking tour through China (Hong Kong, Shanghai, Beijing) to share about my photo career, creative inspiration, and being a Phase One shooter myself, to demo their innovative new IQ2 digital medium format camera back system. After flying in to Hong Kong from Washington DC just hours before, I had the great honor and pleasure to be a part of Digital Rev’s Cheap Camera Challenge. A broken Holga + jet lag + beer + a goof like myself = What could go wrong?
Phase One announced their new Capture One Express 7 raw image processing software today and it’s free to try for 60 days and only $99 to buy! Express 7 is actually a streamlined version of their advanced Capture One Pro 7 software, which is what I personally use, focusing primarily on RAW processing. Also, I’m excited to mention that they are using my Mad Max photoshoot on the marketing material.
Every Week Benjamin Von Wong releases new behind the scenes content for your viewing pleasure. This week Ben takes off for Paris and tackles the challenge of shooting a piece of fine art called the “WOM dog” by Cyril Anguelidis. Ben and his talented fire-wielding partner-in-crime, Andrey DAS, took their time in pre-production. They sketched out what exact effects were to be used around the expensive sculpture for the most dramatic look, while still keeping the crew and subject safe. [more]
A few months ago, I hit up my buddy Paul Miller, who is a movie director out of Southern California. Regular readers of my personal blog site may recognize Paul from my previous Mad Max Interceptor shoot. Paul told me that he is part of a group of folks that essentially constructs clothing, weapons, and even vehicles to re-enact the Mad Max post apocalypse in the Mojave desert, much like some re-enact the US Civil War. They are often referred to as “Wastelanders” after their annual gathering entitled “Wasteland Weekend”.
Everyone, thanks to your support Fstoppers was nominated as one of the top ten Online Media/News Resources for the 2013 [Framed] Awards! The nomination itself is a huge honor, and we would be hugely appreciative if you would help us win by voting for us. [more]