For those of you waiting for Canon’s latest 20MP DSLR the EOS 70D, the wait is over! B&H now has the 70D in stock at only $1,199.00 for just the body, $1549.00 paired with an 18-135mm f/3.5-5.6 lens and $1349.00 when paired with the 18-55mm f/3.5-5.6 Lens. Both lenses are excellent for beginners and advance amateurs and give you plenty of flexibility for your money!
The battery grip for the 70D is also available and shipping today!
Most photographers know that a cloudy or overcast day produces really soft light that can be flattering on the human face. But many of my wedding clients naively say “Oh it’s overcast today, the photos will turn out much better!”
Sometimes Most of the time overcast light is actually pretty boring and removes any and all contrast from your scene. There is a little trick I explain in our Wedding Tutorial that has saved me from producing boring, flat images on a cloudy day, and I think all photographers should have this technique in their bag of tricks. [more]
If you are a photographer with children, then you may want to consider sharing photography with them via the Bigshot camera. Founded in 2011 by Kimera LLC, the Bigshot is a build-it-yourself kit camera designed as an educational tool illustrating the science and engineering behind digital imagemaking. After building the camera, you take pictures using a wheel-like lens system that offers a standard view, wide angle and stereo prism view. [more]
Last week I posted a gorgeous video from Wolfe Air – their promo reel for aviation cinematography, and explained a bit of the process behind it. This week, I’ve found and put together a few videos which detail how they equip their planes and helicopters with some of the most advanced camera technologies available, and it’s pretty mindblowing. In these videos, Wolfe Air loads up a Learjet with [more]
Sean Madden, creative director from the ad agency Brains On Fire, reached out to me earlier this year and asked if given an arsenal of stunt drivers, the newest high performance BMW’s, and a closed race course, could I create a 58 foot long composite print for BMW. My answer? “When can I start?” Watch the video and read the post below to learn how the shoot came together. [more]
When was the last time you looked back at an image and noticed something about the lighting that you wished you could tweak or alter slightly? I’m sure most of us have been in this position at one time or another. Up until now, it’s simply not been possible to even imagine being able to do this. Welcome to the strange new world of “computational lighting design”
When this post is published I will be on my way to Moscow, Russia somewhere above the North Atlantic Ocean. I have a couple of shoots booked with my regular clients there, and my relationships with those clients are so great and long-lasting that they inspired me to write this article.
One of the reasons I love working for a magazine is that it forces me to be a Jack of all trades. While Automotive Photography and Portraits are my focus, Product Photography, Event Photography, Documentary Photography and any other discipline you can think up will also present itself from time to time and I’ll have to adapt. The image above is the perfect example of the daily challenges I face as the Photo Director of RIDES Magazine, we needed something high speed and I had a day to teach myself how to do it. Here’s how I did it. [more]
Sony announced 2 brand new cameras and 3 new lenses today, all of which are now available for pre-order! There’s The Sony Alpha A3000 DSLR and Alpha NEX-5T Mirrorless with a 16-50mm Lens as well as a the Vario-Tessar T*E 16-70mm f/4, Sony E PZ 18-105 f/4 G and Sony E 50mm f/1.8 Prime! Plus they’ve announced a soft carry case to keep it all together! Check out the links below for more information or to pre-order the latest batch of Sony goodies!
Ever had to use your high tech gear for a really low tech purpose?
B&H has an awesome contest for those of us who have ever had to use any of our high tech gear for a purpose that’s not exactly what it’s meant for! Submit your funny videos today of how you use your gear in an unintended way and you could win the first prize of a Canon EOS 6D or a Nikon D600! If that’s not enough, second prize is a Canon EOS Rebel SL1 or a Sony Alpha NEX 5R Mirrorless and Third Prize is a Canon Powershot S110 or Nikon CoolPix P330! [more]
A big part of the appeal for composite photography for me has always been one’s ability to imagine a scene, then use different components of the world around them to make it a reality. In this behind the scenes video from Erik Johansson, we’re given a breakdown of one photo from the beginning sketches, to the different components and method, post production, and the final product.
Guest writer, Corey Rich is primarily an outdoor/adventure photographer, but last winter he decided to do something totally different and shoot CrossFit—the masochistic athletic craze sweeping the nation. More than anything, he was keen to experiment with heavy-duty artificial lighting in an indoor environment–not exactly what he’s known for. His goals were simply to elevate his lighting skills, unlock his creativity in different ways, learn some new things, and have fun in the process.
Django Greenblatt-Seay and JJ Dreier joined together to form Tree Speed, self proclaimed as “A of couple of Mid-Western guys who spend vacation time traveling the country shooting time lapse photography.”
Based out of Omaha, Nebraska, the duo recently took to the road and self produced a 10 day trip to Utah to create a series of time lapse videos. In order of appearance, the team shot in Latuda, Utah (a ghost town), Arches National Park, Canyonlands National Park, and Lake Oahe. [more]
While on a kayaking trip in the Great Lakes, I stopped just after sunset to shoot some images on the beach. The sky was still bright and very saturated, while the sandy ground was losing light and getting dark in my exposures. My kit was small, and I had no graduated ND filter, but I came up with something that worked well in a pinch. [more]
Restaurant’s interiors can be just as beautiful and recognizable as the dishes that they create. When shooting a dish, you may want to include some of a restaurant’s interior elements in the shot. These can be chairs, walls, light fixtures, or anything else that shows off the restaurant’s character. To do this, you will need to be able to balance the light you are creating with a flash and the ambient light in the restaurant. Here is a look at how I did this on a recent assignment involving a burger and beer.