After looking at all of the great submissions for our April POTD contest, it took a few weeks to narrow them all down and come up with commentary for what were some outstanding photos. Like I said in the original post, it was truly humbling to have people from all over the world send us their images to view and judge against others. It was great to see images from all over the world of various cultures and places, and I’m happy to announce that we’ve finally settled on our top portraits and the winner of the $100. [more]
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Recently, I was hired by a corporate client to take the portrait of Rod Stewart here in New York City before a concert. After a day of pre-planning logistics, 4 cancellations/reschedules (same day), and 3 location changes, the shoot finally happened… and it took place in two shutter clicks. Now, this is not a complaint post or to prove what an intense shoot this was. This is merely the stark reality of what it’s like to shoot celebrity portraits. You have to be ready for anything.
For a couple of years now, I have been shooting a personal series about movie and tv cars, and the people that either own the original vehicles or build replicas for themselves. I call it the Unicorn Project (see more from the series here). Recently, I had the chance to photograph one of the screen-used Black Beauties from the 2011 film, The Green Hornet. I thought this would be a perfect opportunity to try out my new automotive rig from Rig-Pro for the first time to simulate high-speed action shots.
Phase One asked me to go on a speaking tour through China (Hong Kong, Shanghai, Beijing) to share about my photo career, creative inspiration, and being a Phase One shooter myself, to demo their innovative new IQ2 digital medium format camera back system. After flying in to Hong Kong from Washington DC just hours before, I had the great honor and pleasure to be a part of Digital Rev’s Cheap Camera Challenge. A broken Holga + jet lag + beer + a goof like myself = What could go wrong?
Phase One announced their new Capture One Express 7 raw image processing software today and it’s free to try for 60 days and only $99 to buy! Express 7 is actually a streamlined version of their advanced Capture One Pro 7 software, which is what I personally use, focusing primarily on RAW processing. Also, I’m excited to mention that they are using my Mad Max photoshoot on the marketing material.
Every Week Benjamin Von Wong releases new behind the scenes content for your viewing pleasure. This week Ben takes off for Paris and tackles the challenge of shooting a piece of fine art called the “WOM dog” by Cyril Anguelidis. Ben and his talented fire-wielding partner-in-crime, Andrey DAS, took their time in pre-production. They sketched out what exact effects were to be used around the expensive sculpture for the most dramatic look, while still keeping the crew and subject safe. [more]
A few months ago, I hit up my buddy Paul Miller, who is a movie director out of Southern California. Regular readers of my personal blog site may recognize Paul from my previous Mad Max Interceptor shoot. Paul told me that he is part of a group of folks that essentially constructs clothing, weapons, and even vehicles to re-enact the Mad Max post apocalypse in the Mojave desert, much like some re-enact the US Civil War. They are often referred to as “Wastelanders” after their annual gathering entitled “Wasteland Weekend”.
Everyone, thanks to your support Fstoppers was nominated as one of the top ten Online Media/News Resources for the 2013 [Framed] Awards! The nomination itself is a huge honor, and we would be hugely appreciative if you would help us win by voting for us. [more]
I’m driving a beautiful triple-black Aston Martin DB9 V12 down a florida highway. Its nose so long that the sun striking it practically blinds me. AC/DC is blasting on the radio and the car’s 12 cylinders roar at the slightest touch to the throttle. One client has loaned me his beautiful British exotic so I could drive 90 minutes away to briefly meet another private client about photographing his multi-million dollar Bugatti supercar collection. Surreal, right? This sort of experience has become sort of commonplace for me recently, but it never becomes any less mind-blowing. Sometimes I just sit and wonder: how did I even get here? This is just crazy.
Let’s be honest, writing for a photography website, you notice that a lot of us photographers like to gripe at each other. Hey, you’re more than welcome to express yourself as you wish since this is the internet and all. Although, I wanted to do a short positive post about how and why we should be a little nicer to each other. Sometimes it equals more resources and more money. Reason enough for you?
I did this post for my personal photography blog, but I figured this is an important subject that I hope the Fstoppers community will benefit from. By all means add to this list in the comments below if you have any suggestions!
I get this email all the time: “I’m a new/aspiring/struggling/young photographer and I want to know what advice you have for me?” I literally get this email or tweet or facebook message daily. [more]
I was recently hired by the team over at TheRealMach5.com to shoot new marketing images of the “the only officially licensed Mach 5 in the world that was built to the Speed Racer cartoon Mach 5 specifications”. As you can see from the video, it was a hot hot day. I was probably suffering from heat stroke and a wicked farmer’s tan by the end of the day, but I got to tear around in the Mach 5 on Florida back roads after the shoot (thankfully she’s street legal if you don’t drive with the spinning saw blades on it haha), so it was completely worth it.
I had the pleasure to be hired to shoot an amazing car collection last year, which included 2 ultra-rare special Bugatti Veyrons. For example, the silver Bugatti, as you will watch, is a one-of-a-kind 100th anniversary Bugatti called the Sang Bleu… literally 1 of 1. We also had a decent-sized portion of a private airport at our disposal to use for the shoot. Pretty incredible experience. Read on to learn more about the shoot itself and my lighting.
I first met Glyn Dewis while we were both teaching at a Photoshop World conference in Las Vegas. He’s a pretty nice guy and talented photographer/retoucher if you can get past the whole being British thing (kidding kidding). I figured this post would be very fitting since the new James Bond film is opening here in the United States this week. Learn how one can make the iconic James Bond gun barrel shot!
I love zombies and wanted to commemorate them in a holiday e-card I created to send to my client mailing list. I did this a couple of years back, but never really promoted on other sites until now. I called on some friends for props, extras, zombie makeup, and styling. My total expense was probably around $150-200 to pay for zombie clothing and rent a big industrial fog machine. I used 4 lights, including one behind the fog machine to create that great glow.