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              paranorman
              August 22, 2012
              Rebecca Britt

              ‘ParaNorman’: Stop Motion With The Canon 5D Mark II

              We’ve heard of entire theatrical films being shot with DSLRs before, but what about stop motion masterpieces? Usually they’re handled by bigger guns like the RED EPIC, or IMAX cameras.  ’ParaNorman‘, a stop motion animation film was released a few weeks ago. The film used over sixty Canon 5d Mark IIs to capture the 400,000 frames needed to create the movie. Since the movie was shot in stereoscopic 3D, the camera had to shoot both on the left and right side of the puppets.

              The heavy workload was spread across five different teams and fifty units in LAIKA‘s  151,000 square foot studio. The studio considered the Canon a perfect fit due to it being lightweight and compatible with a variety of EF series lenses.

              The story follows a young misfit boy who is forced to fight supernatural forces including zombies, ghosts and adults to save his hometown.

              You can read the entire article via: Canon 

              LR CANON 5D Mk II PARA.0480 ParaNorman: Stop Motion With The Canon 5D Mark II

               

              LR CANON 5D Mk II PARA.0002 ParaNorman: Stop Motion With The Canon 5D Mark II

              BTS
              Stop Motion
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              • http://www.facebook.com/tracy.nanthavongsa Tracy Nanthavongsa

                This is so freaking cool!

              • lunga shezi

                Totally cool!

              • http://twitter.com/maninsuitcase Chris Pearson

                The corpse Bride was shot using Canon 1D IIs. That was years ago.

              • http://www.facebook.com/nicholas.gonzalez3 Nicholas Gonzalez

                Wonderful work!

              • https://twitter.com/#!/thelonelylights Adam Cross

                Aardman’s Pirates was shot using over 50 1D mark III cameras

              • http://profiles.google.com/chris.rich.design Christopher Rich

                So what you’re saying is that somewhere there’s a cut of Paranorman that’s in 5K 3D.

              • http://www.facebook.com/nathan.hamler Nathan Hamler

                Dont get me wrong, i think it’s awesome…the process, the detail, all of it….but in the age of digital animation, isn’t it a little unnecessary???  I mean, why would a studio pay for this amount of labor, when you could tell the same story with CGI, and the audience wouldn’t know the difference…??  I agree you can tell a difference in stop motion/claymation vs. 100% CGI…that’s not the question…the question is why even DO stop motion when it’s prob far more cost effective to do CGI….??

              • http://twitter.com/pixbydoc David O’Connell

                To save an art form. Just because it’s cheaper doesn’t make it better. The same way with princess and the frog was animated instead of a Pixar film. 

              • http://twitter.com/davidkrugfilm David Krug

                A couple things, the only stop-motion film I’ve heard of using a Red camera was actually Coraline, for Vfx plates. 

                With an estimated budget of around $50 million, I’m not sure that CGI would have been very much cheaper if they held themselves to the same standard of quality. 

                Last thing, I like how the press release mentions how the 5D works with Canon EF lenses, while providing photographic evidence that ParaNorman used Nikon glass.

              • http://www.facebook.com/nathan.hamler Nathan Hamler

                I’m guessing they’re using nikon AI-S glass not b/c it’s any “better” or “sharper” than EF glass, but b/c it’s manual focus….and the throw is very long and smooth on AI-S glass, so it’s perfect for cinema applications…

              • jniz22

                showing this to my grade 2 kids… We just beginning the year and we are talking about adding detail in our drawings…they are super psyched about this!

              • http://twitter.com/davidkrugfilm David Krug

                I think you are right for the most part. Let’s not forget that buying multiple copies of used Nikon Ais glass is most assuredly cheaper then purchasing a pallet of L series lenses. 

                In any case, likely an upgrade from Laika’s last film, Coraline, which was shot (with a different DP) using various Tamron and Sigma lenses.

                http://www.theasc.com/ac_magazine/February2009/Coraline/page1.php

              • http://www.facebook.com/people/Michael-Dela-Cruz/1128083882 Michael Dela Cruz

                Ultimate Animation!!! Thumbs Up!!!

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