Some great photographers are lucky enough to have a rare opportunity to photograph ultra-rare and exclusive cars, but usually you have to work under tight restrictions or are often thrown an obstacle or two. Car photographer Pepper Yandell's recent photo shoot with a rare super car worth nearly $4 million was no exception. See how he shot incredible images in less than an hour and learn from the helpful tips he shares.
Articles written by Douglas Sonders
Photographer Tyler Shields sat on a 7 month waiting list to acquire a rare and in-demand $100,000 Crocodile Birkin bag... and fed it to an alligator all for the sake of art. These images are part of his fine art series “Indulgence,” which is set to premiere in galleries in Los Angeles and London shortly. See some of the final images below. What do you think of them?
Phlearn has debuted another really helpful and easy-to-follow tutorial about how to master motion blur in Photoshop. Early in my photography career, I would make the mistake of shooting motor sports with a high shutter speed. The cars would look sharp but they appeared to be parked on the race track. The technique shown in this video and the steps listed below would have helped add a more dynamic motion and story-telling elements to my otherwise static photographs. This is a great skill to master and can be applied in many scenarios.
The guys at DigitalRev are at it again! They've created this video about how one is guaranteed to look like a true pro photographer. A lot of it is meant to be silly and humorous, but there are actually a couple of tips in there that will actually help you be a better photographer.
The "selfie" has become an epidemic. Satire news reports have recently even referred to it as a certifiable mental disorder, but sadly, many of us (including myself) can't see that far from an actual reality. The compulsion to selfie has effected most of us since the advent of popular social media platforms. Our friends at Digital Rev have put together a helpful video on what to avoid when taking self-portraits with your favorite digital device. See below for some self portraits from our Fstoppers staff.
Photographer Andrea Belluso does an excellent job showing us how one of the most simple light modifiers, the reflector, can be used to effectively and creatively capture a fashion / portrait shoot. He takes Profoto's larger WideZoom reflector and shows us how he uses it on-set in an extraordinary way.
We posted a set of videos released by Pathé News, part of their 85,000 reels released, but this one really stood out to me- it's hilarious. I'll add that I've taught and taken quite a few photo workshops in my day, but I would kill to know what that instructor was saying to his students and the models. Let's break this video down shall we?
Two years ago, I adopted a lovable Pitbull mix named Emma. She's afraid of thunder, loves belly rubs, is sweet with kids and great with other animals. Sadly, a lot of the general public perceive my Emma as a monster, and that's probably why over half a million Pitbulls are put to sleep in the US alone each year. I decided to use my photography to start a positive PR campaign called Not A Bully to help change the way people view Pitbulls.
Our friend Glyn Dewis has been sharing his straightforward and very helpful post-production tutorials with us for a long time. This time he shares about how to add dramatic sun beams to your photos in post-production. Something I've been trying to master for a long time! Read below to learn more about how Glyn created this cool elephant image from a safari park snapshot.
We live in a time where photographers and filmmakers must combine powers to be competitive in todays advertising market. Recently a huge fashion client approached our production company to capture concurrent motion and still ad campaigns with supermodel Lily Aldridge, but we had to do it all in under 10 hours with 2 complete hair and makeup changes and 12+ outfits. Advertising creatives today need to be able to shoot stellar visual content and assemble bulletproof productions.
Have questions you want to ask a creative industry professional, but wasn't sure who to turn to? I've been writing for Fstoppers for over a year now. I've been able to share my own BTS shoots, those of friends, reviews, tutorials, and more. I've had the chance to interact and meet some great people through here, and I really want to do something more for you folks. Rather than do a fresh article this week on something I find interesting, I am leaving the content completely up to you.
Pepper Yandell is a talented young photographer out of Texas who shoots some of the coolest cars in the world. He recently was given an awesome opportunity to photograph a couple of supercars in a hanger with really expensive jets - the kind of shoot car photographers dream about. Pepper was nice enough to share with me about how he put this shoot together.
You may have read my previous post previewing the first modern CMOS-based medium format back to hit the world market by Phase One. Soon after my post, Phase One HQ sent me one of the first IQ250 backs to arrive in the US to review for this site. I had a solid 2 weeks to try it out and see what this system was capable of doing.
It has happened to all of us a million times: After wrapping up a creative photo shoot and go through some of the images in post, we typically find a few photos in there that are "meh" at best and you most likely pass over or discard. Well, photographer and retoucher Glyn Dewis once again shares an awesome Photoshop / Lightroom tutorial on how he turned one of his throwaway photos into a killer shot. Check out the final image and information below.
A few weeks back, I posted a full behind the scenes blog about my Robocop photoshoot. I had such a fun time with the shoot and final images that I figured others may enjoy playing with my Phase One MF raw files as well. I posted a contest on my personal photography blog that challenged people to re-interpret Robocop using up to 8 of my supplied Phase One RAW files. There was hundreds of entries from across the globe a handful of star-studded judges to review the entries.
The concept of doing a Robocop photoshoot has always been on my wish list, but have not been able to find someone with the proper original costume... until now. You see, my friends and I have always obsessed over the original Robocop film since it first came out (don't mention the sequels). I am just thankful that my photography career has allowed me to recreate the daydreams I had as a kid. Read below about how I put this ultimate personal shoot together and see the final results.
Bobby Bruderle is an incredibly talented photographer that has turned his love for light and storytelling into film making. Bobby is a friend of mine and that I've seen grow his career in a matter of a few years. His name is one to remember. When he shared his new music video for the popular vocalist G-Eazy, I knew I HAD to interview him about how he came up with the idea and how it all came together.
For years, medium format cameras have been stuck with digital CCD sensors that are poor-performing at high ISO's because creating medium format CMOS sensors was prohibitively expensive. Well, that has all changed now. Hasselblad teased their new CMOS medium format camera earlier this week, but today Phase One announced their new CMOS digital medium format back and not only is it ready to ship on Monday, but it already looks like it will be a class dominator.
Photographer Tim Coburn takes us along on his commercial and lifestyle shoot in Ocean City, Maryland. View behind the scenes as he scouts locations before the shoot and how he troubleshoots with unexpected weather. Shooting a beach scene and don’t have a bright sunny day? See how to use clouds as your own natural soft box. Using only a 4x7 panel reflector, Tim demonstrates the advantages of simple lighting while incorporating shadows for texture while letting his model’s movement come alive on set. See the post below to learn more and see the final images.