You may recall my previous automotive rig tutorial with the Green Hornet Black Beauty. My buddy, award-winning commercial photographer Nigel Harniman (www.harniman.com), recently put together another great automotive rig tutorial post using his Phase One ALPA and a Ferrari. I think the shot came out awesome and I definitely learned a few things, which you can read about below!
Articles written by Douglas Sonders
One of my regular followers, Mike Nelson, said that there are plenty of resources on WHERE to buy portfolios, but very little information on HOW to make a photography portfolio. He suggested I do a blog post and share my personal perspectives and advice on the subject. I’ve also included contributions and tips from other photographer friends (such as Luke Copping whose work is featured in the video above) in the industry. Hopefully the following post will teach you everything you need to know.
Like processing RAW files with the best of the best software? For a limited time, Phase One is offering 50% of their Capture One Express 7 and 20% off of Capture One Pro 7 until June 16, 2013. As I have blogged about before, Phase One has created class-leading RAW image processing and tethering software that I personally use all the time.
As some of you may know by now, I'm a commercial photographer that gets some great opportunities to shoot epic movie and tv cars. Honestly, most of my paid shoots are portrait-related, but I just love all things cars and my clients know that. Last year, I came across a rad company called Flash Rods that makes custom memory storage (hard drives and thumb drives) based from 1:18 scale models and matchbox cars, including movie and tv cars like the Ecto1, Back to The Future Delorean, and A Team Van to deliver my files to clients.
Photographer Brian Braun is a dreamer. He has made plans to restore an Airstream trailer so he may travel the United States adventuring and capturing images for a new photo series, which you will learn more about in the video above. Several creatives will be joining Brian on part his road trip journey including myself as well as our new buddy Vincent LaForet. This is an exciting prospect and I'm looking forward to seeing how it all turns out!
Detroit may be known for things like its extreme crime, car theft, Robocop, and the Detroit Auto Show by the outside world, but it also happens to be a very creative town of possibilities and one of my new favorite places to photograph in. In fact, despite being a Washington DC-based photographer (soon to be relocated to NYC full-time), I've done 4 separate paid photoshoots in Detroit this Spring alone. Detroit has some of the most incredible grand locations, which you will learn about in the blog post below.
Recently, I was hired by a corporate client to take the portrait of Rod Stewart here in New York City before a concert. After a day of pre-planning logistics, 4 cancellations/reschedules (same day), and 3 location changes, the shoot finally happened... and it took place in two shutter clicks. Now, this is not a complaint post or to prove what an intense shoot this was. This is merely the stark reality of what it's like to shoot celebrity portraits. You have to be ready for anything.
For a couple of years now, I have been shooting a personal series about movie and tv cars, and the people that either own the original vehicles or build replicas for themselves. I call it the Unicorn Project (see more from the series here). Recently, I had the chance to photograph one of the screen-used Black Beauties from the 2011 film, The Green Hornet. I thought this would be a perfect opportunity to try out my new automotive rig from Rig-Pro for the first time to simulate high-speed action shots.
Phase One asked me to go on a speaking tour through China (Hong Kong, Shanghai, Beijing) to share about my photo career, creative inspiration, and being a Phase One shooter myself, to demo their innovative new IQ2 digital medium format camera back system. After flying in to Hong Kong from Washington DC just hours before, I had the great honor and pleasure to be a part of Digital Rev's Cheap Camera Challenge. A broken Holga + jet lag + beer + a goof like myself = What could go wrong?
My buddy Ray Wert from the ad agency Tiny Toy Car knows how I love gadgets, filmmaking, and obviously custom camera trucks capable of racing in the Baja and destroying anything in its path. Last month he got me a sneak peek of this Ford ad (below the break) before it aired and introduced me to the director, Tim Damon, who told me about his incredible custom Ford Raptor that he used to film rally racer Tanner Foust as he thrashed the new Ford Fusion in the hills of California.
Phase One announced their new Capture One Express 7 raw image processing software today and it's free to try for 60 days and only $99 to buy! Express 7 is actually a streamlined version of their advanced Capture One Pro 7 software, which is what I personally use, focusing primarily on RAW processing. Also, I'm excited to mention that they are using my Mad Max photoshoot on the marketing material. :)
If you haven’t heard of TetherTools.com yet, well… you have now. Tethered Tools makes a wide range of fantastic products to make your tethered shooting go more smoothly. They are THE one stop shop for all of your tethered shooting gear needs including software. They have seemingly infinite customizable tethering configurations that you should definitely check out.
I'm a lifelong motor head. I salivate at a great custom exhaust on a big block V8 engine, or a custom candy paint job on a 1957 Chevy BelAir. I literally dream of pro-touring modernized 1960's muscle cars. So as a photographer, it would only make sense that I would crave to customize my cameras, especially after recently investing in a Phase One digital medium format which I cherish like I would a car. For years, I've been looking for a cool rugged camera strap system that fit my style and functional needs. Thanks to Vulture Equipment, I think I've finally found it.
One of my fellow photographer buddies, Andrew Link, the photo director for Rides Magazine, is native to Staten Island, which was hit very hard by Hurricane Sandy. Although, I never knew the extent until I saw his photo series. For a commercial car and portrait photographer, he put together quite a compelling group of photos telling the story of the difficult rebuilding process in Staten Island.
By the age of 24, my buddy Nicole Fallek has done a lot of travelling with her camera. She decided that she wanted to see more of the world, but realized she didn't have a big budget to do so. Nicole put together this extensive blog post for you guys using her vast travel knowledge to help ensure your world travels will go more smoothly and affordably. Check out all of tips & some of her travel photos/design below.
A few months ago, I hit up my buddy Paul Miller, who is a movie director out of Southern California. Regular readers of my personal blog site may recognize Paul from my previous Mad Max Interceptor shoot. Paul told me that he is part of a group of folks that essentially constructs clothing, weapons, and even vehicles to re-enact the Mad Max post apocalypse in the Mojave desert, much like some re-enact the US Civil War. They are often referred to as "Wastelanders" after their annual gathering entitled "Wasteland Weekend".
My buddy, Eric Doggett, is one of those commercial photographers that I want more people in the community to know about because he is very talented. Every holiday season, Eric will create a Christmas card using composites of himself and his family. This year, he took a page right from one of my favorite movies, Back To The Future. He created a fantastic in-depth tutorial video on how he created this year's holiday image form scratch.
I’m driving a beautiful triple-black Aston Martin DB9 V12 down a florida highway. Its nose so long that the sun striking it practically blinds me. AC/DC is blasting on the radio and the car’s 12 cylinders roar at the slightest touch to the throttle. One client has loaned me his beautiful British exotic so I could drive 90 minutes away to briefly meet another private client about photographing his multi-million dollar Bugatti supercar collection. Surreal, right? This sort of experience has become sort of commonplace for me recently, but it never becomes any less mind-blowing. Sometimes I just sit and wonder: how did I even get here? This is just crazy.
Let's be honest, writing for a photography website, you notice that a lot of us photographers like to gripe at each other. Hey, you're more than welcome to express yourself as you wish since this is the internet and all. Although, I wanted to do a short positive post about how and why we should be a little nicer to each other. Sometimes it equals more resources and more money. Reason enough for you?
I did this post for my personal photography blog, but I figured this is an important subject that I hope the Fstoppers community will benefit from. By all means add to this list in the comments below if you have any suggestions!
I get this email all the time: "I’m a new/aspiring/struggling/young photographer and I want to know what advice you have for me?" I literally get this email or tweet or facebook message daily.