Articles written by Adam Ottke

Happy Thanksgiving! Of course, the die-hard dealmakers are busy planning for their Black Friday shopping lists, trying to find the best last-minute deals that less money can buy. From deals on prominent gear and photography business services, to those on accessories and computer equipment, we have a few deals rounded up from around the Internet for you. Take it or leave it, this is some of the best stuff you'll find tomorrow (and in some cases, through the weekend and Cyber Monday).

In a move to help speed up the company's workflow and to supposedly stamp out severe editing, Reuters now not only requests only JPEG images, but even mandates that images not be originally altered from a raw file. How they can verify this is unclear (metadata and other types of data about the photo might give experts better hints), but the move is supposed to also help maintain ethical photojournalism practices by reducing one's ability to alter a photograph so much that it would change its meaning.

As recently as yesterday, we've seen all kinds of articles comparing various cameras' qualities to one another, pixel-peeping to see which one edges out the competition by a razor-thin margin. You can put your magnifying glass away, however, and trade it in for a beer as you sit back and watch a real comparison. Photographer Jim Goldstein took the pleasure of comparing two of Canon's top-of-the-line DSLRs from different time periods: the 5DS R and the Canon D2000.

In an all-time low for humankind, this one can clearly be filed under "Phenomena Against Humanity." I truly regret to inform you that, in a fit of absolute male narcissism, people are finding beautiful landscape views, dropping their pants, and positioning their cameras "just so" in order to capture the bottom of their man-junk hanging in the frame. What at first seems too obtuse to be true, slowly, photo after photo, becomes a rather gross case of human failure henceforth to forever be known as "nutscaping."

South Africa native Matthew Rycroft creatively combined creepy music, a creepy-looking dude, and some dark, chiaroscuro lighting techniques to create a video that brilliantly mocks the cliché Instagram accounts with which we're all too familiar. The final result is a well thought-out piece that's short and sweet and definitely leaves room for more.

It's no secret that Sony is the amongst the biggest players in the imaging sensor business. Aside from the sensors that go into their own cameras, they make the sensors that go into your iPhone, Nikon's DSLRs... you name it. Even Canon is recently reported to be testing outside sensors for the first time (and there's a good chance some of those are Sony's). Needless to say, all of this talk and excitement over Sony's sensors means they're going to need to scale up manufacturing. Solution: buy and manage Toshiba's CMOS chip factories.

I don't have specific numbers. I don't even have vague numbers. But I wouldn't be surprised if someone told me Adobe's mobile photo editing apps have seen a huge success. The biggest reason: they're free. And the second: they really work, which makes the first reason even better. Today, Adobe updated two of these apps, Photoshop Mix and Photoshop Fix, with support for split view in iOS 9, for the screen size of the iPad Pro, and for the pressure and tilt sensitivity of the Apple Pencil for use on the iPad Pro.

AIG's recent move to begin insuring unmanned aerial vehicles (UAVs) marked the beginning of the first large, national insurance company to get ahead of (or catch up with) the "drone movement." Like this season's migration of Canadian geese, everyone seems to be flocking in droves, clearly intent on getting to the online shopping outlets and local electronics stores that sell the latest drones. But few actually know about how to use their newly affordable crafts safely and without risking their entire life's savings. A quick phone call with the Hill & Usher insurance agency led us to a few clues about where to start.

Storehouse angered a number of power users in its big shakeup with the release of Storehouse 2.0 which ditched a number of features for a streamlined, more privatized system that made it harder to use the platform as a photographer’s social media marketing dream. But the numbers are out, and while it may not become the next Instagram of photo marketing and discovery, here’s why there’s a good chance it’ll find its way into your living room, regardless.