Dutch street photographer Hans Eijkelboom recently celebrated the release of his book, "People of the Twenty-First Century," published by PHAIDON. Featuring 6,000 photographs, the book serves as a comprehensive catalog of what people wear and what they're "into" over a span of over twenty years. Stylistically, the series can easily be likened to that of Bill Cunningham's "On the Street" fashion column in the New York Times, but somehow manages to comment more on culture than fashion.
Articles written by Adam Ottke
For an app that brings the hipster out in everyone, Instagram showed it can really grow up today. Five new filter updates almost wouldn't matter. So what? We have a million other apps and editing tools and already sometimes too many Instagram filters. But today's update brings something that Instagram has lacked from Day One: subtlety.
We all love talking about what we'll see in the Nikon D5 or what Phase One's next big announcement will be. But for the most part, as important as it is, there's not much fun in "real" tech. Networking, cloud storage, hard drives...that's all kind of boring? Definitely not first date material (not second, or third, or fourth either). But when something as monumental as this comes, it's important to consider. Bigger, cheaper hard drives mean more storage in less space, with less complications, and all while slimming your wallet (what else can do that outside of the digital world!?). Meet the Seagate 8TB Archive hard drive, announced back in August, but finally shipping to consumers next month.
Through Premiumbeat.com's Vimeo channel and blog, motion graphic designer Kevin Gater did the world a huge favor by recently providing a tutorial on creating realistic, falling snow with RED Giant's After Effects plug-in. There are a ton of settings in After Effects, let alone in the RED Giant Trapcode Particular plug-in, that would take forever to navigate; but Gater does a great job going through which settings to ignore and which ones to pay attention to so you'll know exactly what to tweak for your needs. Thankfully, in 15 minutes, you can be ready to add great snow effects for the holiday season or that high-mountain horror short with just a few careful clicks.
Sainsbury's produced a stunning, almost four-minute video commercial for this holiday season. The cinematic spot recreates a historical World War I moment in which, for a day or two in several spots along the front lines, the war paused for Christmas. Both sides were able to meet, play games, talk (as much as they could) and forget, for just a few hours, about why they were there.
Smooth video is critical for a professional touch on any video shoot. Currently, there are a number of stabilization options from traditional and expensive Steadicam systems to simple weight-balanced gimbal-based rigs like the Steadicam Merlin. Arguably, none do the job more intuitively, however, than the BeeWorks 5 Camera Stabilization and BeeWorks' special sauce, the Kinetic Remote.
In the 1980s, Doug Menuez was given unprecedented access to photograph Steve Jobs after his ousting at Apple while he started NeXT. The project eventually expanded as Menuez photographed countless, top, tech-sector executives including John Warnock at Adobe, John Sculley at Apple, Bill Gates at Microsoft, John Doerr at Kleiner Perkins, Marc Andreessen at Netscape over the course of 15 years. These images and the stories behind them are now published in "Fearless Genius."
Los Angeles-based Italian photographer Guido Argentini produced a series of work called, "ARGENTUM " (Latin for silver), that will be released as both a fine art book and as a film that looks into the making and thinking behind the photographs. Each model -- all of which are professional performers -- was completely painted in a metallic body paint. The effect results in an interesting study of the human form (and, specifically, of the female form) in a way that is not sexual, but perhaps quite objective.
There's no doubt that assisting is, hands down, the best way to really learn how to shoot professionally. Set etiquette is one thing that will come with time, but equally important are the little things that all add up and that will make you the best second pair of hands to have on set, second to none -- if you pay attention to these things. While everyone has their preferences, it's always a good idea to research different ways to do the same thing, and to then intelligently choose the best way you can find. DSLRVideoShooter's Caleb Pike took the time to share a few more general tips that are not just good suggestions, but that are absolutely essential to being a good assistant if you want to keep coming back.
On the heels of an extremely successful Kickstarter campaign, celebrity and headshot photographer Adam Hendershott launched The Headshot Truck with his wife, Sylvia, and a team that includes another photographer, make-up artist, wardrobe and re-touching gurus, and even a tech and proper manager. The Headshot Truck is a great example of how a little ingenuity can give way to a brand new studio business while others are shutting down every day.
Adobe has released a plugin it promised a while ago to migrate photo libraries from Apple's soon-to-be-forgotten Aperture and iPhoto apps into its own Lightroom. If you're worried about Apple's switch to its own all-in-one photo app, "Photos," or simply want to ensure similar functionality to that found in Aperture, Lightroom has long been an industry-standard alternative. There are, however, a few notes to keep in mind with regard to migrating from these apps to Lightroom.
For those who don't follow Apple news (who are you?), Apple announced their rumored 5K 27" Retina iMac today. While we're sure options can drive the price up, the new iMac starts at a lower price than many of the decent 4K displays sell for on their own: $2,499. With shipments beginning today, there's no doubt this is the best new deal in the Apple Mac lineup.
Fstoppers editor and writer Zach Sutton took the time to open up to TogTools owners Jess and Stephen, covering everything from how he got started to in-depth tips on how to begin teaching photography through workshops and diversifying your photography business. While he also contributes to Photofocus and Retouching Academy, Sutton has a strong foundation in his own well-known photography business that has taken him from travel assignments to the most intimate weddings and even well-established workshop tours. Take a hint from those with experience, as this is a rare opportunity for some great, free advice from a seasoned pro.
The FAA announced yesterday that it is giving certain exemptions and special status to six video production companies that would use these exemptions specifically for the purpose of aerial filmmaking with drones. While information about the process of earning an exemption is scarce, these production companies were approved after consideration of a special request that they sent to the FAA -- 40 more of which have been sent in by numerous additional production companies and are supposedly still up for consideration.
Photographer Lisa Bettany, creator of the Camera+ and MagiCam iPhone apps, put together a fascinating and thorough comparison of images coming from every generation of the iPhone ever created. With insight into low-light performance, macro capabilities, overall sharpness, and how Apple's own image processing algorithms seem to have changed over the course of time, the results are certainly interesting.
We've featured ESPN photographer Brett Wilhelm's work before as he's taken us through numerous one-man setups for his events. This time, Wilhelm gives us a great video covering everything you need to know about wirelessly transmitting your images in the field with the Nikon system. From connecting to FTP servers through your iPhone or local wireless network to explaining the advantages and disadvantages between the WT-5 and WT-4, Wilhelm makes sure you'll be ready to shoot anything in the field for instant transmission back to your editing team.
Hasselblad and PhaseOne are officially flip-flopping as PhaseOne just added its no-WiFi IQ150 following a much earlier IQ250 announcement and Hasselblad is now releasing a WiFi-enabled version of its H5D-50c. In addition to WiFi, the new version brings several firmware-related improvements that will find their way into the current H5D-50c and CFV-50c models via a future update.
At a $5,000 "discount" compared to the IQ250, the IQ150 seems almost identical in every way. While we don't currently have much information, we do know that the IQ150 features the same Sony 50MP CMOS sensor that is featured in the IQ250, Hasselblad H5D-50c, Mamiya Leaf Credo 50, and Pentax 645z, boasting the same native and useable ISO range of 100-6400. The only [in]visible difference is the lack of WiFi and $29,990 price tag (compared to the IQ250's $34,990).
I did not expect much other than an ordinary photo backpack when I received my review unit in the mail. After all, I didn't know anything about it -- only that it was a medium-sized backpack and that I wasn't supposed to talk about it until today. As soon as I opened the package, however, I think I actually experienced some butterflies. For such an average-sized bag, there's a lot to talk about, which is already your first good sign. The ProTactic 450 AW certainly looks the part. And it doesn't disappoint.