What do you do to continually push yourself and develop your work? Often it can be tricky to figure out how best to push ourselves, as well as keep the momentum up to continually do so. The best photographers I know are constantly pushing, challenging themselves a little each day and now one of them has given us the chance to up our game - welcome to the next 10 days of the 'Stay Out There' Lindsay Adler challenge.
Articles written by David Geffin
For 68 years, Magnum has been considered home of the best documentary photographers in the world, as well as one of the most exclusive photo agencies in existence. Rarely opening it’s doors to more than one or two new members each year (and often times none at all) this year it added six to the roster. This is a sign that the agency is looking to inject new blood into the ranks.
While there’s never been a sure fire way to win work and sustain a living as a photographer or film maker, and particularly not today given how much change we are seeing, having your own unique vision can help set you apart from the crowd. Young film maker Paul Trillo has shown time and again how an interesting perspective can separate him and his work from the pack. After watching his recent innovative short, you'll likely never be able to look at your phone in the same way again.
What inspires you to pick up your camera? For Ivan Agerton, it’s people – and for all the talk about convergence between the worlds of stills and motion, Ivan is doing it. His ‘stills from motion’ portraits are both a visually gorgeous treat with their sublime use of slow motion, and thought provoking in the connection with the subject Ivan has captured. Not just creating eye candy, Agerton is a fascinating character and provides a great example of the life we can all construct for ourselves – if you decide to take the plunge and go for it.
The Sound Advice Workshop by MZed is one of those workshops that, until you go and attend it, you don’t realize just how important it is. The Sound Advice Tour does something I don’t know that anyone else is doing – offers up a wonderful, engaging in depth way to take from beginner to advanced audio practitioner and set you up to manage all your audio needs in a way that is informative, fun and rewarding
So here’s an interesting offer you don’t see every day. If you’ve ever wanted to see your photos up on the huge digital billboards in Times Square, here’s your chance. It’s all happening this Monday. Total cost - nothing. Entry is simple and open to anyone – and if you can’t make it to Times Square on Monday, you can still tune in and watch live.
This month I'll be traveling to 5 European cities with Vincent Laforet to shoot and edit video for him as part of Project AIR, his new night aerial stills project. We have been working hard to offer something pretty unique – a totally free, direct first hand social event open to anyone who is interested in photography, video or the creative process, where we can share skills, technique and project support for your own projects as a result of what we’ve learnt with AIR. If you live in London, Barcelona, Berlin, Paris or Venice, we are throwing the doors open to you all.
As I type this, Baltimore, Maryland is on lock down. After the suspicious death of Freddie Gray in police custody, and the ensuing civil unrest and rioting, photojournalists have been flocking to the scene. But it is the work of a young local, a so-called 'amateur', whose work has garnered international attention. If there is one thing that is a clear positive about the situation of Baltimore right now, it is that the democratization of photography has given rise to the likes of photographers like Devin Allen.
The 2015 Pulitzer Prize winners were announced yesterday - and the images are outstanding. What does it take to produce an image worthy of a Pulitzer, and what do the images that win look like? Take a few minutes to peruse these images and honor those photographers risking life and limb to bring us some of the most incredible, thought-provoking photojournalism of the last 12 months.
Bruce Gilden is one straight talker. The no-nonsense Brooklyn born, Guggenheim-awarded, Magnum photographer does not mince his words, that’s for sure. There is so much to learn from him in this interview, in between his quips and comments. Listen in as he shares more than 45 years worth of experience as he critiques a selection of images of street photographs in this VICE interview.
How do you tell a better, stronger, more compelling story through your photos or video work? How do you get booked for the work you want to do? Film makers and story tellers, Jared Levy and Justin Hamilton, will today share some secrets. Their new, beautiful, compelling mini-documentary entitled ‘Updating Philosophies’, helped them realize much of this, and we can all learn from their experiences.
Get ready to leave your jaw on the floor. Brain Farm Cinema, the production company that is one of the global leaders for capturing ultra high quality, pioneering action sports and documentary cinematic digital video, has done something no one else has. They have just released this stunning footage showing what happens when you strap a very expensive high speed cinema camera, to a very expensive drone, and fly around trying not to have a $250,000 mishap. The footage is glorious, and is .
Video is booming. Facebook is apparently in talks with several partners for it’s “Anthology” project – higher quality video produced by dedicated market-leading media companies. Adobe found unique visitors to video sites grew 146% in June 2014 year to date, and advertisers shelled out 28.5% more on video ads than they did in the same period. But what does this all mean to those in the photography business and (more importantly) how can you take advantage of it?
What happens when one of the world’s foremost portrait photographers decides to turn to photograph still life paintings instead of people? There are no two ways about it - Jill Greenberg is fascinating. Her new work is beautiful, but there is also a clear artistic statement behind it. In this exclusive, we get to understand her direction and motivations behind "Paintings", her latest body of work.
We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?
Almost every single one of you reading this can become a professional, paid photographer. There has never been a lower barrier to entry to starting out with access to masses of free online learning tools, affordable professional quality gear and the ability to market yourself globally. The problem isn’t so much starting, as it is sustaining. Enter, the Photo Brigade, one of the best tools I've come across in months for those looking to sustain their photography business.
Last year I interviewed Stijn Verlinde, probably the best dance music festival filmmaker in the world right now. Last week, RED, makers of the camera equipment Stijn uses, recognized this and released a gorgeous 4K mini-profile that takes us deep into Stijn’s life, philosophy, shooting style and creative vision. If you're in need of a little inspiration today, take 4 minutes to check out this beautiful mini doc on one of the world's best.
How are you getting people to look at and engage with your work? This is something we all have to think about constantly in today’s visually saturated market place. It’s why it’s all the more important to look at – and learn from – those producing stunning and engaging work. Let me introduce you to Leonardo Dalessandri, and his latest project “Watchtower Of Turkey”, a video that he worked on over the course of a year and quite possibly some of the best visual media you’ll see in 2015.
Even wonder what goes on in the boardrooms of our favorite camera manufacturers? For many users over the last few years, there’s been regular questioning over decisions that the Big Two (Canon and Nikon) have made. Long term fans have been almost universal in their derision of both companies, citing lack of innovation, lack of meeting true user need, and 'interesting' pricing strategy as some of the reasons. True or not, this video showing “behind the scenes” of the DSLR video revolution and a parody of Canon exec thinking is absolutely hilarious.
Ever hear someone say “Don’t worry, we can fix it in post”? This is increasingly both a still photography and motion ‘issue’. We’ve become so accustomed to having the digital tools to ‘fix’ our work, most people see it as a normal part of the process. For personal and business growth, this mindset is like asking to be blindfolded and then getting directions to the nearest minefield. Fixing things in post should not be a standard approrach as it's asking for trouble. Here’s why, and more importantly, what you can do about it.