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David Geffin
Brooklyn, NY
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Articles written by David Geffin

“Stand Out Photographic Forums” Jumps Up And Goes Live

“Stand Out Photographic Forums” Jumps Up And Goes Live

You might have missed it, but last night, the earth cracked and shifted a little in the world of the photo community. The “Stand Out! Photographic Forums” launched and details the first of a series of events that promise to offer up some of the most exciting photographic speakers I’ve seen in a long time. Not only that, but the price is ridiculously low to hear them talk. Something special is afoot, read on to get the full scoop.

For Better Photographs, Don't Think Big, Think Simple

For Better Photographs, Don't Think Big, Think Simple

This post is in celebration of simple ideas, executed brilliantly. Incredibly simple ideas demonstrate that simplicity, combined with brilliant execution, can result in incredibly powerful images that affect us far more deeply than those that are more complex and technically well executed, but are boring and bring nothing new to the table. To make better images, stop thinking big and start thinking simple.

“I Could Have Easily Been Killed” – Exclusive Video Interview With Photographer Ed Keating

“I Could Have Easily Been Killed” – Exclusive Video Interview With Photographer Ed Keating

Ed Keating, Pulitzer Prize-winner, career photographer of over thirty years and mentee and friend of Robert Frank (the most celebrated American documentary photographer probably ever), is one of the most fascinating people I’ve ever met. I filmed and edited this exclusive Fstoppers interview, as his insight was just too good not to share. No matter what type of photographer you are, I’m sure you can all take something of value away from this video interview.

Could The Keys To Success Actually Lie In Studying Failure?

Could The Keys To Success Actually Lie In Studying Failure?

How do you achieve long term success? Whether you want to grow a huge photography or video business, or just improve your skills, it would pay to look at the dramatic failures of others rather than just the “success stories”. Why? Because long term success is the result of resilience and determination in the face of constant failure and almost insurmountable odds, and if we understand - and embrace - this philosophy, we can overcome almost anything.

Why I’ve Gone Back To Shooting Film...And Why You Should Too

Why I’ve Gone Back To Shooting Film...And Why You Should Too

Our DSLRs have confused us. We obssess over the wrong things. Sharpness at 400%; bokeh characteristics of lenses produced from what-must-surely-be prancing magical unicorns; high speed burst frame rates that make cameras sound like gatling guns; 4k resolution to shoot better cat videos; 100 auto focus points that still won’t focus on what we need them to; and noise performance at 400,000 ISO. Absolutely none of these will make your photographs better. Shooting film will though, here's why.

The Cinematic Look – How To Make Your Photographs Look Like Films

The Cinematic Look – How To Make Your Photographs Look Like Films

I recently noticed that a handful of photographers were producing images that had a look as if they were stills captured from films. A couple of the most well known photographers of this genre are based here in New York so I got them together and challenged them to not only come up with a dynamic personal project on the fly incorporating this cinematic look, but to share with us how it is achieved. Read on to find out how it all went down...

Seeing Without Seeing – The Fascinating Story Of The Blind Photographer

Seeing Without Seeing – The Fascinating Story Of The Blind Photographer

There is one thing we all share in common, regardless of what we shoot or what gear we use. When we raise the viewfinder to our eye, we take it for granted that we can actually see what we are photographing. Brenden Borrellini is completely blind, but that does not stop him making photographs and loving every moment of it. This is the fascinating story of the blind photographer.

17 Simple Tips To Help You Better Control And Master Natural Light

17 Simple Tips To Help You Better Control And Master Natural Light

Most of us love natural light and feel comfortable shooting with it – but how well do you really know how to utilize it effectively and to control it with precision? I just spent the day with Erik Valind, a New York City-based lifestyle photographer in his 'Controling Natural Light' workshop. Here are 17 simple ways to help get great results from better understanding and utliizing natural light.

Creating Magic - Miss Aniela's Non-Photoshopped Nikon Campaign

Creating Magic - Miss Aniela's Non-Photoshopped Nikon Campaign

Miss Aniela creates photographic magic. She inhabits a dream world and uses her photographs as a visual means to realize the whimsical, highly creative visions that she dreams up. Her new commissions for Nikon’s D810 flagship launch blur the boundaries between fantasy and reality even more than usual as none of them utilize Photoshop, only relying on some technical post work in Nikon’s NX-D RAW image software.

The Revolution Will Be Televised - The Meteoric Rise Of Stijn Verlinde

The Revolution Will Be Televised - The Meteoric Rise Of Stijn Verlinde

Stijn Verlinde is boarding a flight home to Belgium from a shoot in Las Vegas. “The one piece of advice I would give to anyone starting out is 'be dedicated'.” Stijn, who started out a few years ago with some basic gear has lived by that advice. He is constantly working and is revolutionizing dance music festival videos across the globe. His success is not elusive or down to luck – it’s the result of three very clear factors we can all apply.

What We Can Learn From David Bailey’s “Stardust”, One Of The Most Important Photographic Exhibitions In Decades

What We Can Learn From David Bailey’s “Stardust”, One Of The Most Important Photographic Exhibitions In Decades

David Bailey is a master of portrait photography. His four month gallery exhibition “Stardust” just closed in London. It took 3 years of planning to put it together, and looked at his 50+ years as a photographer and artist. I got to see it before it closed, but if you didn’t get a chance to go, don’t worry – here are five things that I think made Bailey the success we celebrate today, and what we can learn from him.

How Many Lenses Do We Really Need?

How Many Lenses Do We Really Need?

There is one thing that constantly keeps cropping up in both my own work, and in the work of others I see around me. I've worked with more and more photographers and videographers lately who just shoot with a single zoom for most of what they do. So many people I see seem to be producing strong work with one decent zoom. This post asks a very simple question that keeps bouncing around in my head. "Just how many lenses do we actually need?".

Fujifilm XF56mm f1.2 Lens Review

Fujifilm XF56mm f1.2 Lens Review

When I got a chance to try the new Fuji XF56mm f1.2 I jumped at it, not just because it was substantially cheaper and lighter than the Canon 85mm f1.2 II I’d played with last year, but because this lens is a clear shot across the bow at Canon and Nikon, with a lens aimed at professional portrait shooters. This was a new line in the sand, but could this thing play with the big boys?

Vincent Laforet’s "Directing Motion" Workshop Review

Vincent Laforet’s "Directing Motion" Workshop Review

Vincent Laforet’s Directing Motion workshop has done what every workshop should do – it’s challenged my current way of working and given me clarity on how I can improve my work. Less than 24 hours after the workshop, I was working differently, shooting differently and thinking differently. This might just be the best workshop for those shooting (or with an interest in shooting) motion work, ever.

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