Articles written by David Geffin

Last week John Dominis, one of the most prolific photographers for LIFE Magazine, passed away aged 92. His work was celebrated not just for the strength of his image making, but because of the sheer breadth of what he shot. Today, when we're told to "focus and specialize" let’s take a moment to look back and remember one of the most consistent and diverse photographers of the 20th Century.

Some photographers have the wonderful ability to marry creative technique with technical application, and then convey this to us in a way that is genuinely interesting and educational. I picked up three such books this year and would describe them all “inspir-cational” - a wonderful mix of both inspiring work, combined with a high level of educational value. If you’re looking for a little learning as well as something to inspire in the New Year, I can heartily recommend all three.

The Fuji XE2 and I started out with a classic love-hate relationship. Initially, it felt too small, I couldn’t hold it comfortably, kept mashing buttons that felt poorly placed and it wouldn’t lock focus fast enough. As I was getting ready to kick it to the curb, I found my groove. "Too small" became unobtrusive and nimble. I adjusted my grip and it became comfortable to use. Firmware upgrades and some practice improved AF performance and handling issues. As soon as I learnt how to shoot with it, it became fun. A LOT of fun.

Most people haven’t heard of Saul Leiter, yet he was one of the great photographers of the 20th Century. The reason you might not know him or his work is because he simply didn't care about pursuing recognition or a particular career path. With his passing last month, let’s use this opportunity to reflect back on his stunning work, and see what we can all learn from his artistic vision, his philosophies and his razor sharp eye.

You know that moment when you start to watch a documentary, not knowing if it will be any good, and then walk away with your jaw on the floor as the credits roll? That was me last night. If you're interested in the film VS. digital debate; the progression of technology; where things are going for visual media; cinematography; how the media we use to create images affects how we feel about what we see or watch (and why), or how changes in the photographic industry have influenced cinema, you positively, absolutely need to check out Side By Side. Like, now.

Apparently, someone once said the camera never lies. Whoever that was obviously didn't really think too much about the importance of very simple elements like lighting, posing and clothing. Melanie Ventura, an Australian fitness instructor (pictured above) has demonstrated very easily the importance of these elements that most of us as photographers are aware of but don't always consider. Simple, basic technique can absolutely transform the people you shoot. Read on to find out more.

I’m calling it. This commercial for Volvo Trucks that came out today is the best commercial of 2013. What makes it – or other commercial shoots - so successful? Beautiful, simple ideas, a great concept, seamless execution, a bit of good old nostalgia and a pinch of the unexpected all mix beautifully to give us 70 seconds of pure brilliance. With four eight twelve twenty four thirty million views and counting, let's take a look and see why this ad has been so successful.

I don’t often post about new gear on Fstoppers, but today I’m posting about an announcement Canon made a few days ago that kind of slipped under the radar. This week Canon unveiled it’s first 4K video production monitor, the very unsexy-sounding 'DP-V3010'. While no pricing information has yet been released, it’s due to go on sale first quarter 2014. Why should we care? Because it clearly lays a stake in the ground over what the future of video (and quite possibly stills) is shaping up to look like.

In case you missed it (and there might be one or two of you), there was a little bit of news this week about the new Nikon Df camera. Depending on your view, this news was either awfully astounding or astoundingly awful. Whether you love or hate the idea of the Df, I can’t help but feel that arguing it’s pro’s/con’s is sort of missing the entire point. “Pure photography” isn’t about a camera. If you really want to make better images, focusing on learning to improve how we see is all that really matters.