<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" > <channel><title>Comments on: Sony&#8217;s New Full-Frame Video Camera Makes Waves</title> <atom:link href="http://fstoppers.com/sonys-new-full-frame-video-camera-makes-waves/feed" rel="self" type="application/rss+xml" /><link>http://fstoppers.com/sonys-new-full-frame-video-camera-makes-waves</link> <description>Video Blog for Creative Professionals</description> <lastBuildDate>Wed, 22 May 2013 23:10:00 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <item><title>By: psyrex</title><link>http://fstoppers.com/sonys-new-full-frame-video-camera-makes-waves/comment-page-1#comment-50215</link> <dc:creator>psyrex</dc:creator> <pubDate>Thu, 13 Sep 2012 23:00:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=51210#comment-50215</guid> <description><![CDATA[I shot a wedding using an older cam from the same line: the VG10. I had a Tascam DR-40 getting ambient, a H4n with wireless lavs hooked to it, a Rode Videomic on a 5D mark III, and the VG10 on a tall tripod just getting the wide angle shot.Believe it or not, the ceremony portion of the documentary cut mostly just used the audio from the VG10 as it actually was that great! Granted, part of the decision to go with that audio track was based on my laziness to not level all the various sources of audio, but it really was a great audio track, including all of the audience reaction sounds.]]></description> <content:encoded><![CDATA[<p>I shot a wedding using an older cam from the same line: the VG10. I had a Tascam DR-40 getting ambient, a H4n with wireless lavs hooked to it, a Rode Videomic on a 5D mark III, and the VG10 on a tall tripod just getting the wide angle shot.</p><p>Believe it or not, the ceremony portion of the documentary cut mostly just used the audio from the VG10 as it actually was that great! Granted, part of the decision to go with that audio track was based on my laziness to not level all the various sources of audio, but it really was a great audio track, including all of the audience reaction sounds.</p> ]]></content:encoded> </item> <item><title>By: Jordan Drake</title><link>http://fstoppers.com/sonys-new-full-frame-video-camera-makes-waves/comment-page-1#comment-50114</link> <dc:creator>Jordan Drake</dc:creator> <pubDate>Wed, 12 Sep 2012 17:08:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=51210#comment-50114</guid> <description><![CDATA[I filmed a video preview of this camera with some sample footage.  You can find it here: http://www.youtube.com/watch?v=AjEwsnwbwbs]]></description> <content:encoded><![CDATA[<p>I filmed a video preview of this camera with some sample footage.  You can find it here:<br /> <a href="http://www.youtube.com/watch?v=AjEwsnwbwbs" rel="nofollow">http://www.youtube.com/watch?v=AjEwsnwbwbs</a></p> ]]></content:encoded> </item> <item><title>By: Joel Devereux</title><link>http://fstoppers.com/sonys-new-full-frame-video-camera-makes-waves/comment-page-1#comment-50110</link> <dc:creator>Joel Devereux</dc:creator> <pubDate>Wed, 12 Sep 2012 15:26:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=51210#comment-50110</guid> <description><![CDATA[Sony are starting to get there appeal back after all these years.. this really sounds brilliance]]></description> <content:encoded><![CDATA[<p>Sony are starting to get there appeal back after all these years.. this really sounds brilliance</p> ]]></content:encoded> </item> <item><title>By: Adam</title><link>http://fstoppers.com/sonys-new-full-frame-video-camera-makes-waves/comment-page-1#comment-50109</link> <dc:creator>Adam</dc:creator> <pubDate>Wed, 12 Sep 2012 15:24:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=51210#comment-50109</guid> <description><![CDATA[There will be an adapter available to allow for XLR input -- the same one, in fact, that will be available for the a99. Dolby 5.1 surround is supported in the system, too, so you can record just about anything you&#039;d ever need to.]]></description> <content:encoded><![CDATA[<p>There will be an adapter available to allow for XLR input &#8212; the same one, in fact, that will be available for the a99. Dolby 5.1 surround is supported in the system, too, so you can record just about anything you&#8217;d ever need to.</p> ]]></content:encoded> </item> <item><title>By: Adam</title><link>http://fstoppers.com/sonys-new-full-frame-video-camera-makes-waves/comment-page-1#comment-50108</link> <dc:creator>Adam</dc:creator> <pubDate>Wed, 12 Sep 2012 15:22:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=51210#comment-50108</guid> <description><![CDATA[This is conjecture, but looking at the photographs, that 18-200mm does seem fatty (compare it too the hand holding it in the last photo. I don&#039;t think there&#039;ll be too much of a problem, as there can&#039;t be that many lenses (if any) that are that wide so close to the mount. So my guess is that you&#039;ll be safe...]]></description> <content:encoded><![CDATA[<p>This is conjecture, but looking at the photographs, that 18-200mm does seem fatty (compare it too the hand holding it in the last photo. I don&#8217;t think there&#8217;ll be too much of a problem, as there can&#8217;t be that many lenses (if any) that are that wide so close to the mount. So my guess is that you&#8217;ll be safe&#8230;</p> ]]></content:encoded> </item> <item><title>By: Luke Zwanziger</title><link>http://fstoppers.com/sonys-new-full-frame-video-camera-makes-waves/comment-page-1#comment-50106</link> <dc:creator>Luke Zwanziger</dc:creator> <pubDate>Wed, 12 Sep 2012 15:13:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=51210#comment-50106</guid> <description><![CDATA[The exclusion of a XLR port and apparent lack of shoe for external accessories is a problem for any serious consideration from an indie film maker. While capturing audio off source is an option, the mobility option for a doc or on the fly low budget probably doesn&#039;t want to deal with that. I doubt the on-board mic can provide the quality that my current RODE shotgun can.  While the image is no doubt better than my camera, at that price point I might be hard pressed not to just go the route of the Black Magic CC and forgo the handheld option. ]]></description> <content:encoded><![CDATA[<p>The exclusion of a XLR port and apparent lack of shoe for external accessories is a problem for any serious consideration from an indie film maker. While capturing audio off source is an option, the mobility option for a doc or on the fly low budget probably doesn&#8217;t want to deal with that. I doubt the on-board mic can provide the quality that my current RODE shotgun can.  While the image is no doubt better than my camera, at that price point I might be hard pressed not to just go the route of the Black Magic CC and forgo the handheld option.</p> ]]></content:encoded> </item> <item><title>By: Kahleem Poole</title><link>http://fstoppers.com/sonys-new-full-frame-video-camera-makes-waves/comment-page-1#comment-50091</link> <dc:creator>Kahleem Poole</dc:creator> <pubDate>Wed, 12 Sep 2012 12:35:00 +0000</pubDate> <guid isPermaLink="false">http://fstoppers.com/?p=51210#comment-50091</guid> <description><![CDATA[Question: will this be possible to utilize the Zeiss cp2 lenses via E-mount on the body due to the overhanging microphone? I&#039;m wondering if this factor will inhibit the len&#039;s ability (or any other cinema lens for that matter) from that obstruction. ]]></description> <content:encoded><![CDATA[<p>Question: will this be possible to utilize the Zeiss cp2 lenses via E-mount on the body due to the overhanging microphone? I&#8217;m wondering if this factor will inhibit the len&#8217;s ability (or any other cinema lens for that matter) from that obstruction. </p> ]]></content:encoded> </item> </channel> </rss>